| Photos (see all 21 | slideshow) | Videos (see all 12) |
Catherine Hardwicke (written by) &
Nikki Reed (written by)
7 November 2003 (Greece) more
It's happening so fast. more
A thirteen-year-old girl's relationship with her mother is put to the test as she discovers drugs, sex, and petty crime in the company of her cool but troubled best friend. full summary | full synopsis
Nominated for Oscar. Another 13 wins & 34 nominations more
Nikki Reed Talks Twilight, Jimmy Choo, and her 'One-Dimensional' Character
(From Movieline. 11 November 2009, 3:45 PM, PST)
tMF Perspectives: Chris Weitz and what he can bring to the Twilight franchise
(From The Movie Fanatic. 25 October 2009, 8:52 AM, PDT)
Interesting educational film... more (517 total)
| Holly Hunter | ... | Melanie Freeland | |
| Evan Rachel Wood | ... | Tracy Freeland | |
| Nikki Reed | ... | Evie Zamora | |
| Jeremy Sisto | ... | Brady | |
| Brady Corbet | ... | Mason Freeland | |
| Ulysses Estrada | ... | Rafa | |
| Sarah Blakely-Cartwright | ... | Medina | |
| Jenicka Carey | ... | Astrid | |
| Sarah Clarke | ... | Birdie | |
| Jasmine Di Angelo | ... | Kayla | |
| Tessa Ludwick | ... | Yumi | |
| Kip Pardue | ... | Luke | |
| CeCe Tsou | ... | Businesswoman (as Cece Tsou) | |
| Vanessa Hudgens | ... | Noel | |
| Jamison Yang | ... | Science Teacher | |
| Frank Merino | ... | Tattoo Artist | |
| Cynthia Ettinger | ... | Cynthia | |
| Charles Duckworth | ... | Javi | |
| Deborah Kara Unger | ... | Brooke LaLaine | |
| D.W. Moffett | ... | Travis Freeland | |
| Steven Kozlowski | ... | Skanky Guy | |
| Java Benson | ... | Rapper #1 (as Javá Benson) | |
| Mo | ... | Rapper #2 (as Mõ) | |
| Brandy Rainey | ... | Yvette, Tough Girl | |
| Yasmine Delawari | ... | English Teacher | |
| Hampton | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Benjamin Anderson | ... | Model (uncredited) | |
| Jordan Elliott | ... | Teen (uncredited) | |
| Cynthia Nibler | ... | Clothing Saleswoman (uncredited) | |
| David Patykewich | ... | Acid Tripping Park Ranger (uncredited) | |
| Honore Sato | ... | Woman in Street (uncredited) | |
| David Tran | ... | Melrose Shopper (uncredited) | |
| Alden Wallace | ... | Boy in Brooke's House (uncredited) | |
Directed by | |||
| Catherine Hardwicke | |||
Writing credits | ||
| Catherine Hardwicke | (written by) & | |
| Nikki Reed | (written by) | |
Original Music by | |||
| Mark Mothersbaugh | |||
| Brian Zarate | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Nancy Richardson | |||
Casting by | |||
| Jakki Fink | |||
| Shani Ginsberg | |||
| Christina Sibul | |||
Production Design by | |||
| Carol Strober | |||
Art Direction by | |||
| John B. Josselyn | (as Johnny Jos) | ||
Set Decoration by | |||
| Dorit Oberman | |||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Judy Lovell | .... | key makeup artist | |
| Laine Trzinski | .... | key hair stylist (as Elaine M. Cascio) | |
| Tinka White | .... | assistant hair stylist | |
| Tinka White | .... | makeup assistant | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jason Dudek | .... | second second assistant director (as Jason R. Dudek) | |
| John T. Melick | .... | second assistant director | |
| John O'Rourke | .... | first assistant director (as John P. O'Rourke) | |
Art Department | |||
| Philip Cheyenne Ali | .... | painter (as Phillip Ali) | |
| Chris Barnes | .... | lead painter | |
| Tobey Bays | .... | lead man | |
| Erin J. Beverly | .... | buyer | |
| Gregory Byrne | .... | set dresser | |
| Adam Cook | .... | props | |
| Kelly Cummins | .... | props (as Kelly A. Cummins) | |
| Julia Ferrell | .... | set dresser | |
| Alex Flemming | .... | painter | |
| Paulette Fox | .... | painter | |
| Francesco Luparello | .... | art department intern | |
| Andy Mentzer | .... | painter | |
| Cynthia Nibler | .... | property master | |
| Erik Soderstrom | .... | set dresser | |
| Carly Starr Brullo Niles | .... | assistant property master | |
| Carly Starr Brullo Niles | .... | props | |
| Sandy Summer | .... | painter | |
| Alden Wallace | .... | art department assistant | |
| Barry Jones | .... | paint foreman (uncredited) | |
Sound Department | |||
| Lance Brown | .... | sound re-recording mixer | |
| Brion Condon | .... | boom operator | |
| Jed M. Dodge | .... | dialogue editor (as Jed Dodge) | |
| J. Aloysius Flanagan III | .... | assistant sound re-recording mixer | |
| Michael J. Fox | .... | adr mixer | |
| Frank Gaeta | .... | sound designer | |
| Frank Gaeta | .... | supervising sound editor | |
| Phyllis Ginter | .... | foley artist | |
| Marilyn Graf | .... | foley mixer | |
| Derek Marcil | .... | sound re-recording mixer | |
| Patrick Martens | .... | boom operator | |
| Steve Morantz | .... | sound mixer | |
| Chris Navarro | .... | adr recordist | |
| Peter Rand | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Dennis Twitty | .... | sound assistant | |
| Dennis Twitty | .... | sound editor | |
| Steve Weiss | .... | sound mixer | |
| Aaron Wilcox | .... | facilities management | |
| Aaron Wilcox | .... | re-recording projectionist | |
Visual Effects by | |||
| Jennifer Lee | .... | digital intermediate | |
| Mike Tosti | .... | production technology | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
| Ben Jensen | .... | stunts | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip | |
| Ted Caloroso | .... | first assistant camera: "a" camera | |
| Andrae Crawford | .... | second assistant camera | |
| Jim Duggan | .... | best boy grip | |
| Anne Marie Fox | .... | still photographer | |
| Dustin Frugé | .... | camera loader | |
| Bryan Gilbert | .... | grip | |
| Bryan Hayes | .... | grip | |
| Daniel L. Magat | .... | best boy electric | |
| Erik Christian McDonald | .... | electrician | |
| Richie Metcalfe | .... | grip | |
| Nizar Najm | .... | electrician | |
| Dayton Nietert | .... | gaffer | |
| Brian Reid | .... | electrician | |
| Michael Steffen | .... | grip (as Michael M. Steffen) | |
| Kara Stephens | .... | second camera operator | |
| Alpheus Underhill | .... | grip | |
| Michael E. Cole | .... | electrician (uncredited) | |
Casting Department | |||
| Inessa Freylekhman | .... | casting assistant | |
| Deedra Ricketts | .... | extras casting | |
| Cristina Verano | .... | extras casting intern | |
Costume and Wardrobe Department | |||
| Yulia Gershenzon | .... | costumer | |
| Anne Laoparadonchai | .... | assistant costume designer | |
| Ryan Olivieri | .... | costumer intern | |
Editorial Department | |||
| Shawn Booth | .... | post-production intern | |
| Evan Edelist | .... | digital intermediate executive producer | |
| Alex Hernandez | .... | imaging technician | |
| Steve Hodge | .... | imaging technician | |
| Trent Johnson | .... | colorist | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Beth Ostermann | .... | digital intermediate producer | |
| Joshua Pines | .... | color management | |
| Dana Ross | .... | color consultant | |
| Hilary Schroeder | .... | associate editor | |
| Peter Sternlicht | .... | digital intermediate executive producer | |
| Michael Zeininger | .... | post-production assistant | |
| Ron Rauch | .... | assistant editor (uncredited) | |
Music Department | |||
| Robert Casale | .... | assistant score engineer | |
| Lavant Coppock | .... | composer: additional music | |
| Lavant Coppock | .... | music engineer | |
| John Enroth | .... | assistant score engineer | |
| Richard Henderson | .... | music editor | |
| Mark Mothersbaugh | .... | music producer | |
| Michelle Norrell | .... | music supervisor | |
| Amy Rosen | .... | music supervisor | |
| Ron Small | .... | musical sound designer | |
| Jed Smith | .... | assistant composer | |
Transportation Department | |||
| Michael A. Nordenstrom | .... | transportation captain | |
Other crew | |||
| Mary Jane Amato | .... | first assistant accountant | |
| Geoffrey Booth | .... | assistant: Ms. Hardwicke | |
| Susan A. Burig | .... | title designer: main titles (as Susan Burig) | |
| Dolly Bush | .... | production assistant | |
| Gregory Dunigan | .... | production coordinator | |
| Brian Feeney | .... | key set production assistant | |
| Carey Field | .... | set production assistant | |
| Cynthia A. Fujikawa | .... | production accountant | |
| Cynthia Gates Fujikawa | .... | production accountant | |
| Melissa Hook | .... | production assistant | |
| Reef Karim | .... | medical consultant | |
| Kevin Lefler | .... | production assistant | |
| Kim T. Le | .... | assistant production coordinator | |
| Andrew Magarian | .... | acting coach | |
| Natasha McMillan | .... | production assistant | |
| Tracey Merkle | .... | script supervisor | |
| Irwin M. Rappaport | .... | production attorney | |
| Adam Robinson | .... | location assistant | |
| Peter Sands | .... | location manager (as Peter James) | |
| Susan J. Spohr | .... | customer satisfaction | |
| Wayne Swab | .... | additional best boy | |
| Natasha Von Lemke | .... | production assistant | |
Thanks | |||
| Mary Gail Artz | .... | special thanks | |
| Jack Black | .... | special thanks | |
| Neve Campbell | .... | special thanks | |
| Barbara Cohen | .... | special thanks | |
| John Cusack | .... | special thanks | |
| Josh Hartnett | .... | special thanks | |
| Gavin O'Connor | .... | special thanks | |
| Greg O'Connor | .... | special thanks | |
| Liz Phair | .... | special thanks | |
| Christina Ricci | .... | special thanks | |
| David O. Russell | .... | special thanks | |
| Charlize Theron | .... | special thanks | |
Rated R for drug use, self destructive violence, language and sexuality - all involving young teens.
100 min
English | Spanish | Portuguese
1.85 : 1 more
Iceland:14 (original rating) | Iceland:16 (video rating) | South Korea:18 | Argentina:16 | Australia:MA (re-rating on appeal) | Australia:R (original rating) | Brazil:16 | Canada:18A | Chile:14 | Denmark:11 | Finland:K-15 | France:-16 | Germany:12 (bw) | Japan:R-15 | Malaysia:(Banned) | Mexico:C | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Portugal:M/16 | Singapore:M18 | Spain:18 | Sweden:11 | Switzerland:14 (canton of the Grisons) | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R
5123 Babcock Avenue, Valley Village, Los Angeles, California, USA more
In the scene before the intervention, where Brady picks Tracy up after school, the car had quit working so it was being pushed by crew members off camera. more
Continuity: The contents of Tracy's garbage can when she throws out her socks at the beginning of the film. more
[first lines]
Tracy:
Hit me. I'm serious, I can't feel anything, hit me! Again, do it harder! I can't feel anything, this is awesome!
more
References Waking Life (2001) more
Equaliser more
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| Heavenly Creatures | Kids | River's Edge | American Beauty | Mysterious Skin |
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I've saw this movie like 2 times. I'me 17 now and the second time I saw it was a few days ago; the first time I saw it, I was 13 or 14. At the first view, this movie seemed to me like a bag of sh*t and totally unrealistic. Later, at the second view of this movie, my perspective changed...Having been able to surpass a lot of stuff and to try a bunch of things that seemed tempting at this age made me see that this movie wasn't at all unrealistic. Watching this movie was like seeing my own story put on TV, on fast forward and with some "ingredients" and sequences missing (unfortunately major sequences). I found myself in Nikki Reed's character, Evie Zamora and found my best friend in Evan Rachel Wood's. It seemed sad for me to realise that doing all the stuff I did and thought was good, was so wrong but I just couldn't stop...It ws the addiction holding me there and I didn't quite realise that I was ruining my best friend's life...well actually, I didn't quite care, nor did I know. Anyway, the point I'm trying to make is that even though I paid my dues, I'm conscious of the fact that this movie is no generalisation. There are few kids that pass through this situation - for instance I'm known for doing what I did back then and I'm like an exception - and the most important, all the sh*t they talk about in the movie doesn't take place in one year nor does it come up at once. The age of 13 is just a starting point but it's not the time when you do all bad things. Fot instance, even when I was 14 and 15 I didn't realise I was doing something bad; I'm not quite the "Little Miss Perfect" now either. Anyway, I see an excuse to clogging up so many things and so much action in such a short period: the movie had to depict the essential problems of teenager (though it doesn't depict all...). As a conclusion, I think this movie is worth seeing because it's educational and it should be seen especially by parents.