After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
At the edge of adolescence, Tracy is a smart straight-A student--if not a little naive (it seems...she smokes and she cuts to alleviate the emotional pain she suffers from having a broken home and hating her mom's boyfriend, Brady.) When she befriends Evie, the most popular and beautiful girl in school, Evie leads Tracy down a path of sex, drugs and petty crime (like stealing money from purses and from stores). As Tracy transforms herself and her identity, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother--as well as, teachers and old friends. Written by
The language that Evie and Tracy speak in the kitchen the morning after Tracy's fight with her mom is a fake language called Gibberish. Tracy asks "why does my tongue hurt?" To which Evie responds "maybe because you give head." See more »
When Evie and Tracy are getting out of the car at Melrose, the same girl in a yellow tank top walks by in each shot. Once when they are still in the car, and once when they are walking away from the car. See more »
Hit me. I'm serious, I can't feel anything, hit me! Again, do it harder! I can't feel anything, this is so awesome!
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Art department assistant & "chicken trick" inventor -- Alden Wallace See more »
Occasionally goes to extremes but is very convincing with great characters in the hands of three actresses all giving great performances
Tracy is a normal thirteen-year-old girl, dressed in bright pastels, bedroom full of soft toys and with giggly thoughts of boys. Starting school in the new term she finds everyone in awe of Evie Zamora and her friends all of who have suddenly turned into sexy young ladies over the summer. With her goofy kid look, Evie blanks Tracy until she impresses her by stealing a purse to go shopping. As Evie gets in with Tracy's mum Mel, she also takes Evie into her own world of rebellion involving stealing, drink, disobedience, drugs and sex. Mel struggles to hold on to the small parts of her daughter that she still recognises.
At many points in our lives we all change and perhaps the first time it happens is the hardest to deal with. The stage where everyone seems to go from just being kids to suddenly being a peer group is a major one and this film, for all its extremes, does justice to the difficulties (for everyone) of the period in a story that is well written, cleverly directed and really well acted by the whole cast. The plot builds well on minor changes to Tracy and makes it totally clear where the pressure is coming from and how it affects her; in this regard the script is spot on and is totally convincing. When it goes to extremes it does show signs of stretching and almost breaking but it never does while it is extreme it is still convincing and only two or three moments seem like they are going too far. Certainly I can't imagine many parents will be able to watch it without worrying about how they and theirs will handle the change when it comes.
While the writing is great, there does come a point where it needs to end and, while unconvincing, the film does at least draw to an end on an ambiguous ending and only the final shot of a 'isn't life hard' scream from Tracy struck a duff note and was too clumsy. As co-writer, Reed shows a real awareness of the world around her and she deserves the praise she got for that role but also her performance as Evie is praise worthy, but perhaps not to the extent that Wood's is. Wood takes us from a child to womanhood and never hits a duff note in her portrayal of a girl just trying to fit in.
She is excellent and her dynamic with Hunter is a perfect fit and also convincing; in my mind she is better than Reed because Wood had a more complex character to develop Wood had to change her character, Reed played a character who was already there. Hunter deals with some minor clutter in her character but generally she is as good as her teenage cos-stars. Minor support roles for people like Sisto, Unger and Clarke all add to the film but really the film belongs to the lead trio. Director Hardwicke directs with style and with an eye for the clever shot at times using fast camera motions while in one key scene just letting the camera frame the front room like it was a stage. She also uses a clever touch in tainting the film stock a washed out colour when Tracy's bubble finally bursts we immediately go from bright colours to washed out blue and, even with the conclusion we only return to dark browns and not the highs of the main story.
Overall this is a very good film that is hard to watch if you have pre-teen kids. It has extremes in there and it won't apply to every teenager out there but to just call it unrealistic is to ignore the reality of peer pressure and the sexualisation of youth generally. The script is convincing, frightening and moving and is greatly helped by three great performances from Reed, Wood and Hunter.
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