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Thirteen (2003)

R  |   |  Biography, Drama  |  19 September 2003 (USA)
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Ratings: 6.9/10 from 64,990 users   Metascore: 70/100
Reviews: 544 user | 126 critic | 37 from Metacritic.com

A thirteen-year-old girl's relationship with her mother is put to the test as she discovers drugs, sex, and petty crime in the company of her cool but troubled best friend.

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Nominated for 1 Oscar. Another 14 wins & 42 nominations. See more awards »



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Cast overview, first billed only:
Noel (as Vanessa Anne Hudgens)
Sarah Blakley-Cartwright ...
Medina (as Sarah Blakely-Cartwright)
Jenicka Carey ...
Jasmine Di Angelo ...
Tessa Ludwick ...
Science Teacher


At the edge of adolescence, Tracy is a smart straight-A student--if not a little naive (it seems...she smokes and she cuts to alleviate the emotional pain she suffers from having a broken home and hating her mom's boyfriend, Brady.) When she befriends Evie, the most popular and beautiful girl in school, Evie leads Tracy down a path of sex, drugs and petty crime (like stealing money from purses and from stores). As Tracy transforms herself and her identity, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother--as well as, teachers and old friends. Written by Miss Kittin

Plot Summary | Add Synopsis


It's happening so fast. See more »


Biography | Drama

Motion Picture Rating (MPAA)

Rated R for drug use, self destructive violence, language and sexuality - all involving young teens | See all certifications »

Parents Guide:



Official Sites:



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Release Date:

19 September 2003 (USA)  »

Also Known As:

A los trece  »

Filming Locations:


Box Office


$1,500,000 (estimated)

Opening Weekend:

$116,260 (USA) (22 August 2003)


£140,109 (UK) (12 December 2003)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


During the scene in which Evie and Tracey inhale computer dust-off to get high, and then hit each other, Nikki Reed suffered a real injury. See more »


In the scene where Mel is taking Tracey and Evie to Brooke's, it's clear that both girls are in the backseat. But when they get to Brooke's house, Tracey gets out of the front. See more »


[first lines]
Tracy: Hit me. I'm serious, I can't feel anything, hit me! Again, do it harder! I can't feel anything, this is so awesome!
See more »

Crazy Credits

Art department assistant & "chicken trick" inventor -- Alden Wallace See more »


Featured in The 61st Annual Golden Globe Awards (2004) See more »


Fuck You
Music by Youth Brigade
Words by Sean Stern
Performed by Youth Brigade
Courtesy of BYO Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Proof that the oscars are rigged...
8 May 2004 | by (Tasmania, Australia) – See all my reviews

How did Holly Hunter not win that Oscar? Why weren't Evan Rachel Wood and Nikki Reed at least nominated, let alone winners?

I have seen many films in my time, and none have held such great performances as this, and few have spoken to the audience in such a powerful way.

Holly Hunter, who is always superb, outdid herself in the role of Mel, the caring mother who doesn't know when to put a tighter grip on her daughter, Tracy. Her performance is so touching, and so painful that you want to get inside her and show her what she needs to do.

Evan Rachel Wood is outstanding as Tracy, the young girl who so desperately wants to fit in, and will go to any lengths to get that. Wood is always good, but she too has outdone herself, and perfectly nailed the role of Tracy. Not once does she come across as a pretentious actress trying to act like a teen.

Nikki Reed, who was introduced by this film, delivers a performance that is worth the ticket fare alone. Evie is so manipulative, so seductive, and so real that you can't possibly blame Tracy for wanting to be like her.

Whoever it is who decides who gets the Oscars - wake up and realise that you need to award these to the performances, not the actors who wear the nicer dresses!

Thirteen is one of the more powerful pieces of cinema around. The camera probes right into the livers of our protagonists, denying anyone the joy if seeing this grim masterpiece from a safe distance. The soundtrack rocks along to the emotions of the characters. The performances create not only a good film, but a little disturbing slice of life.

Having seen Thirteen, I now understand why people label some films as important. this is certainly one of them.

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