A historical television series that focuses on the impact of the Underground Railroad during the 19th century, "Underground" offers viewers a message of social progress that's just as relevant in 2017.
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
During a shooting in court young prostitute Scarlet manages to flee. In a state of confusion, the black Tracy, who was arrested for a minor delict, follows her. When she decides to leave ... See full summary »
"My Brother" is an inner city story of two impoverished boys, Isaiah and James. James is developmentally disabled. Their mother, L'Tisha, finds herself in a tragic situation. Dying of ... See full summary »
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
I also saw this film at Sundance 2003 and liked it a lot. It follows the life of a technical writer who has given up on people and would be happy to live his life in his basement apartment except for the crazy people who keep forcing him to respond to their own neurotic desires. Michael Harris (who co-wrote with director Scott Saunders) is pulled out of his world into sex, death and The Scary Outside through a series of crazy demands from the various women in the building. Slim (O'Neal) plays a conflicted and bored housewife who thinks she can have some fun at Jessup's expense only to discover there's a real man there waiting to show up and that comes back to haunt her. I found the "sex scenes" amusing and touching, good hooks to pull the guy out of his little world. What the protagonist eventually learns is how to feel good about himself despite the pain and suffering that surrounds him. In the screening I was in everyone stayed to listen to the director and cast after giving a loud round of applause (in fact, I've never ever been at a Sundance screening where "just a few people" remained to hear the director speak, that's just ridiculous). Overall I think this was a good character-driven piece with some really outstanding performances.
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