| J Barton | ... | Gene | |
| Toby Moore | ... | Finny | |
| Jacob Pitts | ... | Brinker | |
| Danny Swerdlow | ... | Leper | |
| Aaron Ashmore | ... | Chad | |
| Adam Frost | ... | Harry | |
| Matt Sadowski-Austin | ... | Rach (as Matt Austin) | |
| Sean McCann | ... | Dr. Stanpole | |
| Alison Pill | ... | Beth | |
| R.D. Reid | ... | Farmer | |
| Hume Cronyn | ... | Professor Carmichael | |
| Colin Fox | ... | Professor Fitzwinkler | |
| Lise LeBel-Wagner | ... | Mlle. Lebecque | |
| John Bayliss | ... | Mr. Radford | |
| Linda Goranson | ... | Mrs. Carmichael | |
| John Peters | ... | Phys Ed Instructor | |
| Bazil Williams | ... | Railroad Porter |
Directed by | |||
| Peter Yates | |||
Writing credits(WGA) | ||
| John Knowles | (novel) | |
| Wendy Kesselman | (teleplay) | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Checco Varese | (director of photography) | ||
Film Editing by | |||
| Toby Yates | |||
Casting by | |||
| Kerry Barden | |||
| Mark Bennett | |||
| Billy Hopkins | |||
| Beth Klein | |||
| Suzanne Smith | |||
Production Design by | |||
| Doug McCullough | |||
Art Direction by | |||
| Marion Pon | |||
Set Decoration by | |||
| Jeff Fruitman | |||
Costume Design by | |||
| Linda Muir | |||
Makeup Department | |||
| Stephanie Ingram | .... | key hair stylist | |
| Lynda McCormack | .... | key makeup artist | |
Production Management | |||
| Claire Welland | .... | production manager | |
| Skates Naiman | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Brian Backman | .... | trainee assistant director | |
| Rick Kush | .... | second assistant director | |
| Mark MacDonald | .... | third assistant director | |
| Bruce Speyer | .... | first assistant director | |
Art Department | |||
| Shannon Hill | .... | assistant art director | |
| Michael Williams'Willis' | .... | carpenter | |
| Monique Roy | .... | set buyer | |
| Michael Smith | .... | set dresser | |
| Steve Stack | .... | on-set dresser | |
Sound Department | |||
| Bob Costanza | .... | sound effects editor | |
| David K. Grant | .... | boom operator | |
| Kathryn Madsen | .... | adr supervisor | |
| Peter Reale | .... | sound re-recording mixer | |
| Randal S. Thomas | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Jon Davis | .... | special effects technician | |
| Rob Huot | .... | special effects key | |
| Derek Liscoumb | .... | special effects assistant | |
| Ray McMillan | .... | front projection | |
| Jeff Skochko | .... | special effects coordinator | |
| Steve Skochko | .... | special effects key | |
Stunts | |||
| Tom Farr | .... | stunts | |
| Louis Paquette | .... | stunt double: J Barton | |
| Alison Reid | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Darren Boyce | .... | key grip | |
| Jayson Clute | .... | first assistant camera | |
Casting Department | |||
| John Buchan | .... | casting: Canada | |
| Aric Dupere | .... | extras casting assistant | |
| Donna Dupere | .... | extras casting | |
| Helen Mossler | .... | casting executive | |
| Aaron Unrau | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Erika Larner | .... | on set key wardrobe | |
| Karen Steele | .... | wardrobe assistant | |
| Robin White | .... | wardrobe supervisor: extras | |
| Steven Wright | .... | assistant costume designer | |
Editorial Department | |||
| John Breinholt | .... | assistant editor | |
Music Department | |||
| David Bondelevitch | .... | music editor | |
Other crew | |||
| Coralie Brady | .... | assistant location manager: Port Hope | |
| Derek Brady | .... | location manager | |
| David Donohue | .... | assistant to producer | |
| Janice Fowlie | .... | production accountant | |
| Miriam Laurence | .... | dialect coach | |
| Marie A. Nazar | .... | publicist | |
| Jeffery Pong | .... | assistant location manager | |
| Amy Wright | .... | choreographer | |
| Ralph Berge | .... | production executive (uncredited) | |
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| A Separate Peace | Au Revoir Les Enfants | Notes on a Scandal | Soldier of Orange | The Reader |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
First I must confess that A Separate Peace is my favorite book. So of course, I have some bias against any attempt at adapting it for a feature film or television movie. But as I began to watch this film, I was more than willing to give it the benefit of the doubt. The original version from the early 1970s, though shot at Phillips Exeter Academy where the book's author attended school, and though it stayed as faithful as it could to the book, lacked any real depth of feeling and failed to capture the essence of the characters. The original seemed to simply go through the motions. Reading the trivia about the movie, you discover that it was cast mostly with non-actors. Thus, the original has an amateurish feel to it and it ultimately fails.
This new version, though I will grant that it captures the look of the period better than the original, seems to have thrown the book out all together. Scenes are rearranged, characters imposed where they don't belong, characters created that were not in the book, and no attempt was made to delve into the deeper conflicts that make the book so compelling. And the cardinal sin of all: the tree is not treated as the vital, almost central character it is in the book. This is an inexcusable oversight on the part of the film makers. How could they downplay the role of the tree? Why was it not introduced immediately? Why the Dead Poet-esque beginning? And what in God's name was up with Gene's accent? This film is, to be blunt, garbage. A Separate Peace should not be a difficult book to adapt for the stage or screen. John Knowles wrote it in a perfectly fine, linear style. The film makers should have trusted the story as it was already written; make changes, sure; embellish here and there, sure; take some mild dramatic license, sure. But destroy one of the pearls of American literature in the process? What were they thinking? In their corruption of the story line, they cut any possibility of suspense or drama. The whole movie falls flat and fails miserably.
If you are a high school or college student assigned to read this book and you are thinking of skimping and just watching the movie...don't even think about it. This film will be of no help to you.
Alas, we shall have to wait even longer before a version of this story comes to the screen that truly does it justice.