Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone ... Written by
Sujit R. Varma
The kidnappers first names in the movie, Daniel and his brother Aurelio, are the actual first names of real life Mexico City kidnappers in the late 90s, Daniel and Aurelio Arizmendi Lopez, the infamous "Ear Loppers". See more »
When Creasy is standing on the bridge before taking his final walk, there is a shot which shows his St. Jude medallion hanging visibly outside his shirt, but after a cut-away, he is next shown pulling the medallion out. See more »
I'll call you from Detroit, baby.
You're going to miss Mexican Halloween. The day of the dead.
You enjoy it for us, Pita.
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This is by far one of the better made movies and didn't leave me disappointed at all. The sound track along with finely shot hand-held camera work was exquisite . The are always chances a movie won't hold ones beliefs as well as another, but I felt that rhythm of this picture and the timing was excellent. Dakota Fanning is rapidly becoming a staple in movie that require a child with an old soul personality and she has never disappointed me with her talent. As for Mr. Washington and of course Christopher Walken they both exceed the challenge of showing the darkest sides of humanity trying to move to the light.
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