Punk, New Wave, Reggae and Techno bands from Europe and the US recorded live in several locations in 1980. The biggest names on the bill are the Police and UB 40 but every performance is a ... See full summary »
Wall of Voodoo,
In August 1970 600,000 fans flocked to the Isle of Wight to witness the third and final festival to be held on the island. Besides the music, they also got a look at the greed, cynicism and... See full summary »
In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music ... See full summary »
First time director Sam Jones documents the making of Wilco's fourth studio Album, Yankee Hotel Foxtrot. Named after the Wilco song that is featured on Yankee Hotel Foxtrot, an album that strays from the Alt-country that made them famous. Jones' desire was to document the creative work of YHF's production, he seems to have found a bit more, including band members departing and a conflict with Reprise record company. This is a true documentry of art versus money-driven media conglomerates. Written by
J. Robert Putzer <firstname.lastname@example.org>
At one point on the DVD director's commentary with Sam Jones and Wilco, during one of the confrontations between Jeff Tweedy and Jay Bennett, the whole band walks out, leaving Jones to explain the dynamic of their relationships. See more »
firstly i'm a huge wilco fan and therefore was always going to like this, even if it was directed by michael bay and shot on a ninety eighties camcorder. It has fantastic footage that allows you to get into the 'wilco world' and generally made me very jealous.
however i don't believe sam jones has any clout as a film maker. The biggest flaw seems to be that it doesn't get what yankee hotel foxtrot really is as an album. Even in the commentary Jeff Tweedy shows his surprise at jones' inclusion of live versions of songs from earlier albums like 'being there'.
The big problem is that the album clearly changed a great deal after mr bennett left the band and jim o rourke turned a collection of good and slightly less than good rock songs into a ground-breaking piece of rock and roll. O rourke made the album great, hearing the versions that were painstakingly put together before Jim came on board proves this and yet Jones failed to make him a central part of the doc, relagated him to one joint interview with Jeff Tweedy when he says nothing.
Unfortunately this film only tells half the story and therefore feels half-finished and padded out with lots of material that could have been put on the, already very healthy, special features discs. Having said all this it is still worth watching but not worth worshipping, a bit like yankee hotel foxtrot (unless you're listening to it on vinyl of course!).
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