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A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points ... See full summary »
Yasuo is a gangster just released from jail. Believing his boss double-crossed him, enraged Yasuo is on his way to find the boss. But before setting out for the dangerous trip, Yasuo asks ... See full summary »
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Dropped in this rental one lazy night, hardly remembering what I'd ordered. Knew it was another Maiku hama. At least one of the "Mike Hammers" had played the San Francisco Film Fest one year, and amused mildly. Expecting farce, I watched the grainy nighttime opening segue to a really seventies set up: father seeks daughter's rescue from cult. Rockford. Cult members eschew names for numbers. The Prisoner. Finally I grabbed the sleeve. How old? What? 2002? No! Yes. Not '72. And no I hadn't mis-seen the director's name. Shinji Aoyama, two years after Eureka, not, apparently, some freshman effort. Then came (small spoiler) the tree. No, this one isn't lethal, but a line or two the cult-mother doctor speaks to Maiku make the allusion plain enough. When did Kurosawa release Charisma? 1999, not just before this but before even Eureka.
Not quite awful but, like a lot of seventies trash, dreamy, lazy, naive, lulling, simple, dark, something to fall asleep to and dream dreams more amusing.
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