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Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
A guy who danced with what could be the girl of his dreams at a valentine mascarade ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her ... See full summary »
Based on Gail Carson Levine's award winning novel, this is the story of Ella, a young woman who was given a "gift" of obedience by a fairy named Lucinda. She must obey anything anyone tells her to do. When her mother passes away, she is cared for by her thoughtless and greedy father who remarries a loathsome woman with two treacherous daughters. This modern-day, fantasy Cinderella story features fairies, ogres and elves...as well as a hero in the guise of Prince Charmont, whom Ella falls in love with. Unlike Cinderella though, she must depend on herself and her intelligence to get her through her troubles and find Lucinda in order for her "curse" to be broken! Written by
M. C. Gomez
During the fight scene with the ogres, a horse fell on stuntman Rob Inch, shattering his pelvis in thirty places. See more »
Ella's enchantment fails on at least two occasions: when Prince Charmont says "Allow me" and she continues to refuse his help, and when Slannen says "Forget it" and she continues to discuss his legal aspirations. The earlier "bite me" scene established that Ella's enchantment takes colloquial "commands" literally, thus she should have allowed Char to help her, and literally forgotten about Slannen's peeves. See more »
Fairy tales tell, as their labels imply / Stories of magic, of creatures that fly / With giants and dragons and ogres and elves / And inanimate objects that speak for themselves / There's romance and danger and plotting of schemes / There's good guys and bad guys and some guys in-between / A fairy tale also reveals some sort of truth / The perils of choices we make in our youth./ But our story today is different in theme./ For our hero had no choice or so it would seem./ It starts ...
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The cityscape of the Miramax logo dissolves into the cityscape of the medieval city in the movie. See more »
It seems that many, many commentators disliked this movie because it wasn't at all like the book. Fair enough, I suppose, but movies seldom are. In any case, I haven't read that book, and was blissfully unaware that this film was supposedly adapted from one. I found it surprisingly cute. Many of the campy things hit the mark, like the "medeival modern" anachronistic setting, reminiscent of The Flintstones cartoon wherein it was filled with modern things constructed from prehistoric materials; and the modern songs transposed to the time setting herein. That last was a bit like Moulin Rouge, which annoyed me at first, but then grew on me. I don't believe that I've seen this Anne Hathaway before, but she is intriguing. Her vivacity and wide smile remind me a bit of Julia Roberts. Can't say that I was much impressed with Hugh Dancy or Aiden McArdle. Minnie Driver was most charming as the incompetent fairy, and Vivica Fox was quite amusing as the lush fairy. It's too bad that Parminder Nagra's part was so small, as she always lights up a screen. And Cary Elwes couldn't hide his amusement with the material as he munched on the scenery. I say check this out, if you aren't going to throw a fit over the book.
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