Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
A guy who danced with what could be the girl of his dreams at a valentine mascarade ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her ... See full summary »
Based on Gail Carson Levine's award winning novel, this is the story of Ella, a young woman who was given a "gift" of obedience by a fairy named Lucinda. She must obey anything anyone tells her to do. When her mother passes away, she is cared for by her thoughtless and greedy father who remarries a loathsome woman with two treacherous daughters. This modern-day, fantasy Cinderella story features fairies, ogres and elves...as well as a hero in the guise of Prince Charmont, whom Ella falls in love with. Unlike Cinderella though, she must depend on herself and her intelligence to get her through her troubles and find Lucinda in order for her "curse" to be broken! Written by
M. C. Gomez
The first song Ella sings, "Somebody to Love" was not the original song choice. Tommy O'Haver had discovered that Anne Hathaway didn't have very good chemistry with their first choice, a more classical "fairy-tale" song. O'Haver and Hathaway were relaxing when she starting singing along and dancing to the song that was currently playing: Queen's "Somebody to Love". They both decided that "this was it". See more »
While Ella's family shown seated together in tight shoots, they are not seen in pans of the crowd in the hall. See more »
Fairy tales tell, as their labels imply / Stories of magic, of creatures that fly / With giants and dragons and ogres and elves / And inanimate objects that speak for themselves / There's romance and danger and plotting of schemes / There's good guys and bad guys and some guys in-between / A fairy tale also reveals some sort of truth / The perils of choices we make in our youth./ But our story today is different in theme./ For our hero had no choice or so it would seem./ It starts ...
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The cityscape of the Miramax logo dissolves into the cityscape of the medieval city in the movie. See more »
Given the recent success of fantasy movies, it was probably inevitable that "Ella Enchanted" would get its turn on the silver screen. Like "Harry Potter," Gail Carson Levine's delightful re-imagining of Cinderella has been popular with both readers and critics, and contains plenty of imagination and engaging characters. One only wishes it had translated to screen better.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
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