The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
When Coraline moves to an old house, she feels bored and neglected by her parents. She finds a hidden door with a bricked up passage. During the night, she crosses the passage and finds a parallel world where everybody has buttons instead of eyes, with caring parents and all her dreams coming true. When the Other Mother invites Coraline to stay in her world forever, the girl refuses and finds that the alternate reality where she is trapped is only a trick to lure her. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Over 130 sets were built across 52 different stages at the studios; spanning 183,000 square feet, the 52 different stages were the most ever deployed for a stop-motion animated feature. See more »
When Coraline firsts sees her father, she places the Coraline doll down on a box. In the shot, the Coraline doll's arm is hanging over the edge, but in the next shot, the doll's arm is by its side. See more »
[after hearing a creature while exploring the hills]
Hello? Who's there?
See more »
Partway through the credits, behind the scenes footage of the mice swirling around the portal is shown, giving a look at the process of animating in front of the blue screen. See more »
As a Neil Gaiman fan, I was, of course, very happy with the book "Coraline", and was extremely excited to hear that a movie was being made for it. I had very high expectations from director Henry Selick after seeing 'The Nightmare Before Christmas' and 'James and the Giant Peach'.
I was not disappointed.
It followed the book surprisingly closely, though there were a few anomalies (the character of Wybie, for instance, didn't exist in the book). It had that Tim Burton-esquire feel about it; terrifying, but in an entertaining sort of way. There were one or two scenes which were a little over-the-top for younger children, but that's to be expected.
You could just tell from the opening scene alone that you were in for a treat. Hauntingly beautiful, well choreographed, and, plain and simple, a bit terrifying; it really hooked your attention and promised a good time.
However, there were two problems throughout the movie that I could spot:
One was that some scenes were a little choppy in the animation; almost like they hadn't quite taken enough pictures to make it run smoothly. Unfortunately, with stop-motion animation, this is difficult to avoid, and it isn't overly distracting anyway.
The other was Coraline's mother was a little... angry. Yes, she's supposed to be constantly frustrated and such, but I think she went a little overboard. Fortunately, Teri Hatcher redeemed herself with her portrayal of the Other Mother, which was brilliant.
Coraline earns a 9.5 out of 10.
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