When Coraline moves to an old house, she feels bored and neglected by her parents. She finds a hidden door with a bricked up passage. During the night, she crosses the passage and finds a parallel world where everybody has buttons instead of eyes, with caring parents and all her dreams coming true. When the Other Mother invites Coraline to stay in her world forever, the girl refuses and finds that the alternate reality where she is trapped is only a trick to lure her. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Feisty eleven-year-old Coraline walks through a secret door and discovers a parallel reality. That reality is sort of similar to the life she already knows yet deeply unsettling in a number of ways. Coraline (voice of Dakota Fanning) begins a journey of adventure and self discovery when her parents (Teri Hatcher and John Hodgman) relocate the family to Oregon from Michigan. No one in this new space has time for her so she spends her time exploring her new neighborhood with an talkative local boy named Wybie Lovat (Robert Bailey Jr.). After discovering the odd neighbors all of whom are true characters, she is still bored somehow.
All of this immense undertaking is courtesy writer and director Henry Selick, director of Nightmare Before Christmas, and the well crafted adaptation of Neil Gaiman's international best-selling children's novel. To Selick's credit this is the first 3D stop motion ever made; stereoscopic 3D. Selick himself worked on the film for three years. The style is stunning and the story is an unwavering fairy-tale nightmare that has some genuinely scary moments. is a masterful movie and an exciting tale of mystery and imagination.
In the rotting nooks and crannies of Coraline's new home the real story begins and where she discovers a hidden doorway behind the wallpaper. Inside is her alternate space where there are doubles of her distracted parents now lavish loving attention on Coraline, the oddball neighbors are friendlier, and her pesky friend long longer speaks. Only her parents' eyes now black buttons give a clue that something isn't quite right.
Selick has created a world as much for adults as children as there are references dotted throughout that the young won't understand. The imagery, however, is very child like. Both talents live side by side and bodes well for Selick's previous work in Nightmare before Christmas, James and the Giant Peach and even Monkeybone. His work has always been fascinating. Gaiman is to be credited with the story for sure, but this is Selick through and through. This film is sure to become an instant classic and as well executed as this movie is it should be.
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