A man is living happily on an island with his family, growing bananas. When a local mobster with an eye on man's property tries to take it from him, he must go to the town for the first time to get some help.
Renegade Luke has been living an easy life so far, travelling through the southwest with his horse Joe, making money by running small-time scams. All this comes to an end when he encounters... See full summary »
Branded a coward for surrendering his New Mexico fort to the Confederates without firing a shot, a Union colonel attempts to redeem himself by leading a band of condemned prisoners on a suicide mission to recapture it.
L.A.P.D. Captain Parker finally is going on Holiday with all his family. At the last moment he has to cancel the program to re-capture a pilferer named Tony Roma, bad copy of a Latin lover.... See full summary »
After a tied 1st place in a local stunt race, two drivers start a contest to decide who of them will own the prize, a dune buggy. But when a mobster destroys the car, they are determined to get it back.
Police Commissioner Rizzo, Bigfoot (Piedone by nickname) and Marshal Caputo go to Egypt and look for Professor Cerullo, who is missing. The professor has discovered an insect that can smell... See full summary »
In Africa, many years ago, Slim and Tom don't like it when a German tyrant, starts selling all of the African wildlife to Canadian Zoo's! Slim and Tom must teach this guy a lesson by ... See full summary »
In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
Tristia: Marche funèbre pour la dernière scène d'Hamlet
Written by Hector Berlioz
Interpreted by the Cleveland Orchestra and Chorus
Directed by Pierre Boulez
Published by Deutsche Grammophon See more »
There's a laconic but amazing beauty in Olmi's last release. "Cantando dietro i paraventi" is a song for all the adventures that we didn't experiment, for all the landscapes we'd never see. It's his more "wellesian" work and one of the movies that impressed me the most in the last five years. I don't want to think what would Greenaway do with this material but probably a total failure. This film from a veteran like Olmi remembers us that weerasethakul and Sang-soo are the present, not the future. After a long career and still recent his brilliant "Ilo mestiere delle armi", Olmi returns to a place that he never thought: the land of the filmmakers compromised with themselves and the history. It's amazing doing this in a rickety cinematography like Italy's. Cheers, signore Olmi
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