A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
In this tail, a modern family from Manhattan moves to the small town of stepford. All of the wives are the perfect, sex kitten model type. All of the women seems to be to perky. 3 of the ... See full summary »
David Marshall Grant
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
Joanna Eberhart, a wildly succesful president of a TV Network, after a series of shocking events suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the ascerbic Bobbie Markowitz, a jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful, and somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by
Miguel Cane <email@example.com>
Several scenes and some sub-plots were deleted and/or added to the film based on audience test reactions: - The scene where Faith Hill's character breaks down at the square dance ran a few seconds longer. - There was originally a scene of Walter contemplating whether or not he should go through with turning Joanna into a Stepford Wife, and the other husbands try to convince him that she'll be happy that way. - Filmed but deleted was an extravagant extended version of the scene between Bobbie and Joanna when Joanna finds out that Bobbie has been turned into a Stepford Wife. After Bobbie tells Joanna all of her shortcomings, Joanna stabs Bobbie above the breast with a butcher knife. Bobbie goes haywire, and sets about performing a number of household tasks in the manner of the old Tex Avery cartoons, with Bobbie's finger turning into a vacuum cleaner, her tongue into a squeegee and her head exploding off of her shoulders while demonstrating what an orgasm is like for a Stepford Wife. The scene concludes with Bobbie opening her breasts to reveal a built-in cooler and offering Joanna a beer. It was the biggest FX sequence in the film, but was cut out despite great expense and months of work by computer artists. This was done because preview audiences felt it was "too much". It can be found as a deleted scene on the DVD. - An extended scene of Walter in the basement of the men's club deactivating the Stepford program, and displays indicate that the women's real brains have been transplanted into robot bodies. At the end of the sequence Faith Hill's character shoots her hand out of her arm on a long robotic tether and holds her husband up in the air. - The original ending of the movie was an extension of the scene where Glenn Close kisses Christopher Walken's head. When she kisses it, the electricity throws Close up in the air, where she levitates, as in the old Tex Avery cartoons, and her shoes explode off of her feet and fly up against a wall and all of her hair stands on end. She falls down next to Walken's head, which briefly comes alive and croaks, "Good night. Thank you for visiting Stepford," while Joanna and Walter look on and the camera pulls back for the fade-out. See more »
During/after the "If...one of your neighbors got sick, what would you do?" line, Roger sits back and crosses his arms twice. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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In the credits, Corning is credited with "cutlured stone" rather than "cultured stone". See more »
This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.
The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.
You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.
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