Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by
Miguel Cane <firstname.lastname@example.org>
In an interview with Ain't It Cool, Frank Oz's take on the film was "I f***ed up... I had too much money, and I was too responsible and concerned for Paramount. I was too concerned for the producers. And I didn't follow my instincts." See more »
When Roger, Bobbie and Joanna are at the bottom of the stairs in Sarah's house, their positions change between scenes. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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The opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances. See more »
I very rarely write comments here about films I didn't enjoy but this is different. This film boasts a cast that will be pulling people in cinemas. My advice is: don't bother. It's just the most boring, predictable, badly planned and executed piece of celluloid I've ever seen. It's as if Frank Oz had a good idea but got bored half-way through realising it. I haven't seen the original but surely the actors who got involved in this read the script of the remake? They can't have based their participation on the Seventies film, surely. Because the 2004 remake is full of awful cliches, bad jokes (OK, there are a couple of good lines but that's about it) and it is so empty of ideas that it makes you want to shout to the screen. If the actors playing in this film were unknowns there is NO WAY anyone would have gone to see it. It's just a parade of famous names (some good actors, some average) that sleepwalk through a dreadful script. It can't even become a cult classic - it's THAT average. 1/10 for me and that's being lenient.
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