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Secondhand Lions (2003)
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Overview
User Rating:
Release Date:
19 September 2003 (USA) morePlot:
A coming-of-age story about a shy, young boy sent by his irresponsible mother to spend the summer with his wealthy, eccentric uncles in Texas. full summary | full synopsisAwards:
5 nominations moreNewsDesk:
(15 articles)
Bob Shaye and Michael Lynne Plan 11 Projects (From MovieWeb. 16 June 2009, 12:14 PM, PDT)
[Movie Review] Is Anybody There?
(From JustPressPlay. 2 May 2009, 3:54 PM, PDT)
User Comments:
Gentle yet more substantial than a first viewing offers moreCast
(Cast overview, first billed only)| Michael Caine | ... | Garth | |
| Robert Duvall | ... | Hub | |
| Haley Joel Osment | ... | Walter | |
| Kyra Sedgwick | ... | Mae | |
| Nicky Katt | ... | Stan | |
| Josh Lucas | ... | Adult Walter | |
| Michael O'Neill | ... | Ralph | |
| Deirdre O'Connell | ... | Helen | |
| Eric Balfour | ... | Sheik's Grandson | |
| Christian Kane | ... | Young Hub | |
| Kevin Haberer | ... | Young Garth | |
| Emmanuelle Vaugier | ... | Jasmine | |
| Adam Ozturk | ... | The Sheik | |
| Jennifer Stone | ... | Martha | |
| Mitchel Musso | ... | Boy |
Additional Details
MPAA:
Rated PG for thematic material, language and action violence.Parents Guide:
View content advisory for parentsRuntime:
111 min | USA:109 min | Argentina:120 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Iceland:LH | Malaysia:U | Netherlands:6 | South Korea:12 | Germany:o.Al. | Australia:M (original rating) | Australia:PG (DVD rating) | Brazil:Livre | Canada:PG | Finland:K-11 | Peru:PT | Singapore:PG | UK:12 (video rating) | UK:PG (theatrical rating) (cut) | USA:PG (certificate #40021) | Argentina:AtpFun Stuff
Trivia:
This would be the second of two projects involving Haley Joel Osment and Berke Breathed. The first was the animated short Edwurd Fudwupper Fibbed Big. moreGoofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Hub refers to lions as living in the jungle. Even though this is technically incorrect as they live in the Savanna, not the jungle, it is an understandable error because lions are commonly referred to as the "King of the Jungle". moreQuotes:
Adult Walter: [reading his uncles' will] The kid gets it all. Just plant us in the damn garden, next to the stupid lion. moreSoundtrack:
Rolling Stone From Texas moreFAQ
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This is a very gentle film - not as gripping as Big Fish but in a similar genre - which is worth a second look and therefore a reappraisal.
Ostensibly a coming-of-age film, I saw it more as an abandoned child's (surely Walter is such) search for belonging: a search for affirmation that life is more than being cast-off as worthless by the person she/he loves, and therefore worth living. At one point Walter indicates that he is sick of being lied to by his mother, Mae, apparently always dumping him for the "new boyfriend" in her life. And thus we come to the crux of the movie.
"Secondhand Lions" refers as much to the curmudgeonly uncles, Garth and Hub, (eccentric characters wonderfully understated/underplayed by Michael Caine and Robert Duvall) as it does to the "used" lion that the brothers purchase. Walter first becomes fascinated by Garth's fantastical tales of Africa, but when Garth "misremembers" the rescue of Jasmine, the only love of his brother's life, Walter starts to question the truth behind their past. Indeed, having witnessed Hub's (apparent) sleepwalking, Walter doubts the sanity of his uncles.
Earlier, however, on arrival at their decaying home, the child has discovered a well-traveled cabin trunk; and, upon opening it, discovers sand covering a portrait of whom he later learns is Jasmine - the love of Hub's life. Later, in a show of bravado when he names the ageing "secondhand" lion "Jasmine", the threads of Hub's story come together and, intriguingly enough, when Walter appears to be leaving, it is Hub whom he fiercely hugs. In a sense, Hub's loss of Jasmine mirrors his own emptiness.
OK. It's gentle, but I offer that the constant (I would argue not intrusive) symbolism and allegories work. Walter exposes a pointless existence in as much as the brothers are waiting to die - and gives them a reason to live. And, of course, they live beyond his and their wildest dreams. But those dreams are shown, finally, as truth. The denouement, twee as it might seem, fits the script. The treasure/money which Walter's mother Mae told him to seek becomes the love/relationship which he needed.
(By the way, it's OK to cry. Big boys do that too. I did.)