While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the ... See full summary »
What you first need to understand before watching Jess Franco's Paula-Paula is that it's not a normal movie. There's not script, there's a beginning and ending, but something else in ... See full summary »
Twenty years ago an artist made a deal with a mysterious woman. In return for a successful life he would give his unborn daughter to her. Now with his daughter Lucy an adult, the strange woman has come to collect.
Somewhere in the jungles of South America mercenaries stop a truck which has allegedly loaded fruit. The cargo turns out to be six young women. Apprehended and handed over to the custody of the local women's prison.
A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her ... See full summary »
The once dissolute private detective Al Pereira over time, becoming more conservative and moral. Once in his life into shameless female alligators, sent by his father to Pereira went back to a depraved life...
In a Wild West park in southern Spain, a rock band called KILLER BARBIES is playing a bunch of shows. Many strange characters hang around, including a guy who claims to be Count Dracula. Then, a government official from Transylvania arrives - and in the back of her car is the glass coffin with the real Dracula. He is meant to be become a tourist attraction, but soon is back from the dead after listening to the Killer Barbies' tune `Wake Up'. He gets obsessed with Silvia, the singer of the Killer Barbies. Lots of necks and bites later, the vampire hunter Dr Seward comes into town to fight the evil undead. Unfortunately, Seward is blind and the villagers doubt that he is able to stop Dracula. But if he can't, who else could?
Well, you knew from the title it wouldn't be Shakespeare! But the movie has got a legendary director (Jess Franco) and three excellent veteran actors from the late 60s spaghetti westerns (Aldo Sambrell, Peter Martell and Dan van Husen) who raise the whole undertaking above the level of a normal rock band trash video. I must confess I am not a big fan of the kind of music that the Killer Barbies play. It sounds rather like tame pop than aggressive punk to me, but I still could sit the movie through without being bored for a minute. Silvia's skull bikini helped, too. The best fun moment was when one victim asked the vampire with her last breath: `Why are you such a bastard?', and Dracula replies: `I had an awful childhood!'
Just like in his 70s vampire movies like `Vampyros Lesbos', Franco is not afraid of showing a vampire with a mirror image, or letting him walk in the sunshine. Surprisingly for a Spanish director, his idea of a vampire was hardly influenced by the typical Catholic iconography. Franco's vampires are described as outsiders neither bound by a particular morality code nor weaknesses such as fearing the sign of the cross. This horror comedy works by the same rules as Franco's serious movies here, but unfortunately, the visual style doesn't come anywhere near. Especially towards the end, cheap video effects like the so-called solarisation don't really serve a purpose. The speed of the finale made me aware that the movie also had a couple of pacing problems in the middle, probably because Franco never was a comedian in the first place. Voting more than 5/10 would seem unfair to Franco's masterpieces such as `Virgin Among the Living Dead' therefore - although `Killer Barbys vs Dracula' is quite some fun!
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