Gravity or Police, these guys don't believe in any law. Idolised by the youth of Paris as much as they're hated by the police, they are the Yamakasis, modern samurais. With acrobatic ... See full summary »
Châu Belle Dinh,
A mythic motorcycle tale of father and son", this is the story of Manuel Galloway, also known as "the King of Cali", the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets. The focus of this story takes place at an annual drag-racing event in Fresno, as Manuel tries to retain his championship title. Written by
Actual motorcycle clubs were on the set to aid with tricks, stunts, and racing. They include Valiant Riders, Black Sabbath, G-Zer Tribe, Ruff Ryders, Soul Brothers, Total Package, Chosen Few, Rare Breed, Brothers of the Sun, Sisters of the Sun, Deuces, and Black Sabbath New Breed. See more »
When two men place TJ in his wheelchair after he does burnouts in his reverse trike, TJ's right foot is not in the footrest. He moves his foot into the footrest on his own, which would be impossible if he were paralyzed from the waist down. See more »
Hear ye, hear ye, gather 'round. Black Knights in town. And all you mere mortals need to bow that ass down. 'Cause if you have never seen Smoke do his thing on a motorcycle, then you have never seen a brother on a motorcycle do his thang. Oh glory be to God y'all, 'cause you know he had a vision. He put Arthur Ashe on the clay, Jackie Robinson on the diamond, Muhammad Ali in the ring and my man Smoke on the two wheels. So don't be stu-stu-stuttering and standing yo ass around. Get down on your ...
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Ending credits roll with pictures of motorcycle clubs that were on the set. Credits end with the quote "Burn rubber not your soul." See more »
Well, to start off, I have to say that Biker Boyz isn't a good movie. However, it is better than the other recent bike movie, Torque, if only because it tries to do something with itself. But it fails none the less, perhaps for being too ambitious. The bike crowd watches the movie hoping to see realism and some good racing. Instead they get straight-shot drag style races, which in real life involve little to no actual talent on a machine. Also, they'll be racing 160 mph one minute, and dead stopped the next. It takes some time to come down from speeds like that. The movie also frequently ignores the force of wind that would be present at high speeds, with the racers hardly tucked in at all. The final race, much like many in Torque, takes place on a dirt road. Apparently they aren't aware that these high end bikes are often called street fighters.
Despite all that, there's actually an effort to tell a story. It's an admirable effort, but many of the parts just slow the movie down. It's often a painfully slow movie. Odd, since it's about a bunch of guys that race at speeds in excess of 100 mph. The story is a coming of age one, for both Kid and Smoke. They are both forced to confront issues, and in the end reconcile them. The biker clubs are set up to mirror, I think, a sort of community, and therefore Kid's efforts to rise in the clubs are supposed to represent his finding his place in society. The pieces are there, they were just poorly assembled. Folks most likely were expecting a quick, guilty pleasure like the Fast and Furious movies, and instead got a slow movie with mediocre action sequences.
The acting isn't nearly as bad as most are saying. It's not Fishburne's finest moment but it's not like it stained his reputation or ability, just look at his fine work in Mystic River. The writers made an effort to have three-dimensional characters. For example, After Dog's dirty racing forces Kid to drop his bike at the track, he lends him his own bike to take on Smoke. Granted, it's for his own reasons, but it's not like he's the evil villain parody going "mu-ah-ha-ha" off in the corner. I have to agree with another user that said it portrays black Americans in a positive way. They're not all stereotypes, they have their own personalities. Smoke is confident, but level headed. Soul Train seems the stereotype, but we see a totally different side of him when we find he's a lawyer.
So, it's not a good movie, but it makes an effort to be one, which counts for something. For all it's lack of realism, it gets points for not having the absurd stunts that Torque did, like flipping a huge street bike (with a helicopter jet engine, mind you) mid air, and riding on top and through the passenger sections of moving trains. Biker Boyz isn't good by any means, but it's not quite that bad.
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