A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and ... See full summary »
Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A man who dreamed of saving the world and who cannot save himself. A terrified man. A lost man.
Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
Billy Dee Williams,
NO SAINTS is a web series directed by Abel Ferrara, chronicling fictional events that take place at the fashion/textile company, MTI USA. The web series star non-actors, namely Tommaso ... See full summary »
Could This Be Love? (1973) was the third short that was directed by Abel Ferrara. This was filmed in color and he has access to a real actor and more motivated performers. Heavily influenced by the films of Paul Morrisey and Andy Warhol (but without the biting satire), COULD THIS BE LOVE is more of a bourgeois look at romance and life amongst the upper crust of society. But the very low production values and the uninspired acting of the only real actor in the script make this film a pedestrian effort. Mr. Ferrara used several cinematographers during the shooting of this short and it shows. To enjoy this short you have to watch it with the director's commentary.
Recommended to show how much Abel Ferrara progressed as a film maker. He also wasn't pleased with shooting about a subject he really doesn't care for. A 180 from what he would be doing a few years later.
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