| Gérard Depardieu | ... | Joachim | |
| Élodie Bouchez | ... | Gaëlle / Sarah | |
| Carmen Maura | ... | Mère Emmanuelle | |
| Isaac Sharry | ... | Morel | |
| Tsilla Chelton | ... | Mère Joseph | |
| Estelle Larrivaz | ... | La soeur archiviste | |
| Anne Le Ny | ... | La soeur infirmière | |
| Wojciech Pszoniak | ... | L'archevêque (as Wojtek Pszoniak) | |
| Isabelle Candelier | ... | La psychiatre | |
| Hervé Pierre | ... | Marcel | |
| Manuela Gourary | ... | Chantal | |
| Philippe du Janerand | ... | Chaumelle, le scientifique | |
| Marie-Sohna Conde | ... | Mica | |
| Lucie Le Bras | ... | Gaëlle / Sarah à 14 ans | |
| Charlotte Bonnet | ... | Suzanne Chaumelle | |
| Christian Chauvaud | ... | Chauffeur fourgon | |
| Vincent Jouan | ... | Officier fourgon | |
| Emmanuel Avena | ... | Dandy | |
| Nicky Marbot | ... | Rablé | |
| Marie Vincent | ... | L'infirmière-chef | |
| Patrice Bornand | ... | Le sacristain | |
| Fabien Billet | ... | Joachim à 16 ans | |
| Numa Faubert | ... | Le copain de Joachim | |
| Lenny Guit | ... | Lenny Chaumelle | |
| Harpo Guit | ... | Harpo Chaumelle | |
| Lulma Guit | ... | Fille Chaumelle | |
| Numa Goldman | ... | Jumeau Ferrer 1 | |
| Thaddée Goldman | ... | Jumeau Ferrer 2 | |
| Daniel Isoppo | ... | L'inconnu du jardin | |
| Teresa Madruga | ... | La matonne | |
| Miguel Hurst | ... | L'interne | |
| Lucinda Loureiro | ... | La gardienne de prison | |
| Patrícia Bull | ... | La mère de l'enfant noyé | |
| Jode Moreira | ... | Le douanier Brésil | |
| Orlando Costa | ... | Le chauffeur hôtel | |
| Ana Magaia | ... | Santa | |
| Augusto Portela | ... | Le policier | |
| Elsa Wallencamp | ... | La religieuse carmel | |
| Patrice Cols | ... | Le collègue de Chaumelle | |
| Nicolas Meudec | ... | Le copain tabassé | |
| rest of cast listed alphabetically: | |||
| José Moreira | ... | Le douanier Brésil | |
Directed by | |||
| Graham Guit | |||
Writing credits(in alphabetical order) | ||
| Marcelle Bernstein | novel "Sacred and Profane" | |
| Rose Bosch | (as Roselyne Bosch) | |
Produced by | |||
| António da Cunha Telles | .... | executive producer | |
| Alain Goldman | .... | producer | |
| Catherine Morisse | .... | associate producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Patrick Blossier | |||
Film Editing by | |||
| Marie-Blanche Colonna | |||
Casting by | |||
| Marie-Christine Lafosse | |||
| Patrícia Vasconcelos | |||
Production Design by | |||
| Denis Renault | |||
Costume Design by | |||
| Nathalie du Roscoat | |||
Makeup Department | |||
| Maryse Faure | .... | key hair stylist | |
| Turid Follvick | .... | key makeup artist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
Production Management | |||
| Olivier Chiavassa | .... | production director | |
| Nicolas Dancel | .... | assistant unit manager | |
| Edouard Dupont | .... | unit manager | |
| Cathy Lemeslif | .... | production manager | |
| Sophie Moulin | .... | unit manager trainee | |
| Laurent Rizzon | .... | unit manager | |
| Zohra Sougmi | .... | post-production supervisor | |
| Elisabeth Wittersheim | .... | post-production supervisor | |
Art Department | |||
| Marie José Arnautin | .... | head painter | |
| Fabienne Couvreur | .... | painter | |
| Sebastien Gache | .... | painter | |
| Justine Gasquet | .... | second assistant art director | |
| Mireille Gauron | .... | upholsterer | |
| Jean-Philippe Geoffriau | .... | first assistant art director | |
| Antoine Gerber | .... | painter | |
| Madalena Guerreiro | .... | painter | |
| Jean-François Huet | .... | construction manager | |
| Alain Mac Keldey | .... | property master | |
| Jean-Marie Milon | .... | constructor | |
| Vincent Panossian | .... | constructor | |
| Frédéric Poulet | .... | painter | |
| Frédéric Rigaud | .... | painter | |
| Janou Shammas | .... | set dresser | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Emmanuel Augeard | .... | sound editor | |
| Marc-Antoine Beldent | .... | sound | |
| Matthieu Bricout | .... | boom operator | |
| Isabelle Filippi | .... | post-synchronization | |
| Michel Filippi | .... | post-synchronization | |
| François Lepeuple | .... | foley editor | |
| Olivier Marlangeon | .... | assistant foley editor | |
| Frédéric Mascaras | .... | sound assistant | |
| John Timperley | .... | sound engineer | |
Special Effects by | |||
| Georges Demétrau | .... | special effects supervisor | |
| Sara Helmlinger | .... | special effects | |
| Olivier Zenenski | .... | special effects | |
Visual Effects by | |||
| Pierre Blain | .... | Inferno artist | |
| Pierre Blain | .... | digital compositor | |
| Olivier Debert | .... | digital compositor | |
| Thierry Flament | .... | digital compositor | |
| Joyce Menger | .... | production: Eclair Numerique | |
| Frederic Moreau | .... | visual effects | |
| Philippe Reinaudo | .... | scanning & film recording assistant | |
| Philippe Soeiro | .... | visual effects supervisor: Eclair Numerique | |
| Gérard Soirant | .... | scanning & film recording assistant | |
Stunts | |||
| Stéphane Boulay | .... | stunts | |
| Jacques Delahaye | .... | stunt double: G. Depardieu | |
| Cyrille Hertel | .... | stunt coordinator | |
| Karim Hocini | .... | stunts | |
| Claire Leroy | .... | stunts | |
| Nicolas Meudec | .... | stunts | |
| Camille Revuz | .... | stunt double: L. Le Bras | |
Casting Department | |||
| Brigitte Fourcade | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie-José Alvarez | .... | costumer | |
| Marie-Laure Lasson | .... | costumer | |
Editorial Department | |||
| Elodie Mittet | .... | assistant editor | |
| Bruno Patin | .... | color timer | |
Other crew | |||
| Virginie Barbay | .... | script supervisor | |
| Marie-Anne Bedel | .... | production assistant | |
| Michel Boyard | .... | assistant: Gérard Depardieu | |
| Pierre Cadeac | .... | animal trainer | |
| Nicole Cobac | .... | production administrator | |
| Axel Decis | .... | production assistant | |
| Laetitia Dom | .... | production secretary: France | |
| Pascal Fouineau | .... | location manager | |
| Rodolphe Lanaro | .... | location scout | |
| Odile Micheneau | .... | production administrator | |
| Nuno Oliveira'Konadu' | .... | production assistant | |
| Catherine Pradere | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Films about identical twins are always interesting, especially when they are so gorgeous your two eyes are out on stalks looking both ways at once. Elodie Bouchez is my idea of the kind of twin I would like to have all round me, what a gal! That is the kind of double-vision we would all like to have all the time! In the story, the twins have had a hard time of it, one locked up in prison for a murder ostensibly committed at the age of 14, and the other locked up in a hideously fundamentalist Carmelite nunnery (don't you just hate all that Catholic masochism stuff?) Carmen Maura plays a mother superior who is in love with the twin who is the nun, and she is very convincing. Into this mix steps a priest named Father Joachim, played by Gerard Depardieu. He is extraordinarily good at this, despite the fact that we know in real life he is one of France's leading bon viveurs. Strangely, in this role we do not really expect him to pick up a wine bottle and drink it all in one go, or wipe his lips after having had some snails. Instead, we really believe that he is that ascetic renegade priest 'with a past'. When he gets sacked by the horrible hypocritical Monseigneur, we want to cheer because he is free of the crap and now has time to take more interest in - which twin is it? Well, there's the problem. Even he loses track of which twin it is. Each one feels the other's pain, and there is a strong paranormal element with the story, and the twins are in constant telepathic contact. This is a very intriguing and gripping tale, well made, and with the performances of Elodie Bouchez being so spell-binding (her allure is indefinable, which is what all allure should be, but it has a spiritual dimension) that this is one of those really good gripping French movies that we wish they made so many more of.