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Matchstick Men (2003)

PG-13 | | Comedy, Crime, Drama | 12 September 2003 (USA)
A phobic con artist and his protégé are on the verge of pulling off a lucrative swindle when the former's teenage daughter arrives unexpectedly.

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(book), (screenplay) (as Nick Griffin) | 1 more credit »
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5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mrs. Schaffer
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Mr. Schaffer
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Laundry Lady
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Kathy
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Slacker Boyfriend
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Bishop
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Holt
Bill Saito ...
Pharmacist #1
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Pharmacist #2
...
Man in Line
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Storyline

Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations--which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter--a child whose existence he... Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

lie cheat steal rinse repeat


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, violence, some sexual content and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 September 2003 (USA)  »

Also Known As:

Tricks  »

Box Office

Budget:

$62,000,000 (estimated)

Opening Weekend:

$13,087,307 (USA) (12 September 2003)

Gross:

$36,873,198 (USA) (21 November 2003)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Beth Grant and Fran Kranz previously appeared in Donnie Darko (2001). They don't share scenes in any of those movies. See more »

Goofs

When Angela first skates past Roy's car, the amount of ash on Roy's cigarette varies between shots. See more »

Quotes

[first lines]
Roy: Uno, due, tre.
See more »

Crazy Credits

In the closing credits, letters such as "M" and "W" are separated lines (presumably matchsticks), much like the type in the main title. See more »

Connections

Referenced in Late Night with Conan O'Brien: The Skeleton Show (2006) See more »

Soundtracks

El Amor Eres Tu
Written by José Padilla
Performed by Orquesta Sinfonica de Madrid
Conducted by Max Bragado Darman
Courtesy of Eugenia Montero
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User Reviews

 
A fine brew of psychological character and crime story. A-
15 September 2003 | by (United States) – See all my reviews

Ridley Scott and Nicolas Cage deliver some of their best and most intelligent work in a few years, even if Matchstick Men is not quite either's great contribution for this year in film. What they have done, from Eric Garcia's novel (adapted by The Griffins), come off rather entertaining, if anything else, and boasts much more thought than would usually be attributed to such a Hollywood film. Nicolas Cage, who plays Roy, part anxious/obsessive compulsive, part sly con man, and part father to a daughter he never knew he had, is a main reason to see this movie. His performance is on par with someone like Jack Nicholson in As Good As It Gets for watch-ability of a truly sad lifestyle, and while Nicholson's performance was and still is funnier and more charming, Cage gets so into his character, the little mannerisms that pop up more often than expected, that we feel for the guy even as his eyes get twitchy and goes over certain spots in his house like a detective. He may be the most believable obsessive compulsive/con man you'll see in a long while. Add then an outgoing, occasionally sneaky daughter (Alison Lohman in a performance that skillfully balances sweetness and irritability, sorrow and playfulness in a teenage girl) to the mix, along with a protégé-cum-partner (a cool Sam Rockwell) who has a love/loathe relationship Roy, and there's the map work for an interesting, if here and there predictable, drama/comedy/crime film.

Along with the performances, which are all above average (Cage could be deserved of an Oscar nomination come February, and Lohman could deserve the win possibly), is the visual framework that Scott pushes in each scene. By getting certain camera tricks, and fantastic editing by Dody Dorn (of 'Memento' fame), the viewer can really get into Roy's head even in the smaller scenes, the ones that have little to do with the plot and only to do with the neuroses of Roy (there is even a little touch that I loved when Roy is waiting online early in the film at the supermarket, and the music in the background is an excerpt of the mental hospital music from 'Cuckoo's Nest'). This echoes the style that Scorsese used in Bringing out the Dead, also with Cage, in moving the film to get so into the mood that the story, no matter how intriguing and important, becomes secondary.

Which brings me to my own personal beef with the movie, and that is the last fifteen minutes or so. It was clever, up to a point, but as it unfolded, no matter how much I was still emotionally involved with these people, I felt that the twists (I won't reveal them here) undermined a lot of the rest of the film. It will be based on viewer to viewer, but I just thought that it did a little too much to jab at Roy's lifestyle. And yet, when I walked out of the theater, though I wasn't sure I had seen anything spectacular, I didn't feel like I had wasted time and money either. Matchstick Men is witty, sometimes wonderful moviemaking.


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