| Photos (See all 144 | slideshow) | Videos (see all 7) |
Directed by | |||
| Edward Zwick | |||
Writing credits(WGA) | ||
| John Logan | (story) | |
| John Logan | (screenplay) and | |
| Edward Zwick | (screenplay) & | |
| Marshall Herskovitz | (screenplay) | |
Produced by | |||
| Tom Cruise | .... | producer | |
| Michael Doven | .... | associate producer | |
| Tom Engelman | .... | producer | |
| Ted Field | .... | executive producer | |
| Marshall Herskovitz | .... | producer | |
| Scott Kroopf | .... | producer | |
| Graham Larson | .... | associate producer | |
| Charles Mulvehill | .... | executive producer | |
| Yôko Narahashi | .... | associate producer (as Yoko Narahashi) | |
| Richard Solomon | .... | executive producer | |
| Paula Wagner | .... | producer | |
| Vincent Ward | .... | executive producer | |
| Edward Zwick | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| John Toll | (director of photography) | ||
Film Editing by | |||
| Victor Du Bois | (as Victor Dubois) | ||
| Steven Rosenblum | |||
Casting by | |||
| Victoria Thomas | |||
Production Design by | |||
| Lilly Kilvert | |||
Art Direction by | |||
| Christopher Burian-Mohr | (as Chris Burian-Mohr) | ||
| Jess Gonchor | |||
| Kim Sinclair | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Ngila Dickson | |||
Makeup Department | |||
| Janice Alexander | .... | hair department head | |
| James Allen | .... | prosthetics coordinator | |
| Karen Asano-Myers | .... | hair stylist | |
| Michele Barber | .... | makeup artist | |
| Jennifer Barrons | .... | hair department coordinator | |
| Jennifer Barrons | .... | makeup department coordinator | |
| Marc Boyle | .... | additional hair stylist | |
| Tony Buffa | .... | special makeup effects artist | |
| Lois Burwell | .... | makeup department head | |
| Leo Corey Castellano | .... | makeup artist | |
| Maria Cork | .... | prosthetics technician | |
| Jeffrey Cruts | .... | hair technician | |
| Maggie Elliott | .... | makeup artist | |
| Martha Fein | .... | prosthetic painter | |
| Rick Findlater | .... | additional makeup artist | |
| Sean Foot | .... | prosthetic technician | |
| Michael Germain | .... | makeup artist | |
| Hitomi Golba | .... | hair stylist | |
| Warren Hanneman | .... | hair stylist | |
| Tina Harrelson | .... | makeup artist | |
| Louise Harris | .... | makeup artist | |
| Shaune Harrison | .... | special makeup technician | |
| Jennifer Hegarty | .... | makeup artist | |
| Catherine Heys | .... | crowd makeup artist | |
| Teressa Hill | .... | assistant hair stylist | |
| Duncan Jarman | .... | prosthetic makeup artist | |
| Connie Kallos | .... | hair stylist | |
| Michael Krehl | .... | crowd makeup artist | |
| Denise Kum | .... | additional makeup artist | |
| Colleen LaBaff | .... | hair stylist | |
| Davina Lamont | .... | makeup artist | |
| Fiona Leech | .... | additional makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Waldo Mason | .... | special makeup effects artist | |
| Sharon McVey | .... | hair stylist | |
| Tracey L. Miller-Smith | .... | additional makeup artist (as Tracey L. Miller) | |
| Angela Mooar | .... | additional hair stylist | |
| Gilbert A. Mosko | .... | makeup artist | |
| Kenny Myers | .... | key makeup artist | |
| Greg Nelson | .... | makeup artist | |
| Conor O'Sullivan | .... | prosthetics supervisor | |
| Mimi Palazon | .... | special makeup effects artist | |
| Daniel Parker | .... | prosthetics | |
| Brian Pierson | .... | special makeup effects artist | |
| Gabriella Pollino | .... | hair stylist | |
| Kath Rayner | .... | prosthetic technician: Los Angeles (as Kath Rayner) | |
| Shannon Reese | .... | makeup production assistant | |
| Darren Robinson | .... | prosthetics technician | |
| Stephen Rose | .... | key hair stylist: crowds | |
| Elaina P. Schulman | .... | hair stylist | |
| Loulia Sheppard | .... | hair stylist | |
| Matthew Smith | .... | prosthetic makeup artist | |
| Ron Snyder | .... | makeup artist | |
| Kimberley Spiteri | .... | hair stylist | |
| Randa Squillacote | .... | assistant hair stylist | |
| Roddy Stayton | .... | hair stylist | |
| Rick Stratton | .... | makeup artist | |
| Annie Townsend | .... | hair stylist | |
| Terrie Velazquez Owen | .... | hair stylist (as Terrie Velasquez) | |
| Julia Wilson | .... | hair and makeup artist | |
| Michael F. Blake | .... | makeup artist (uncredited) | |
| Martin Kopulsky | .... | hair stylist (uncredited) | |
| Russell Latham | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Anne Bruning | .... | production supervisor: New Zealand | |
| Mitchell E. Dauterive | .... | production supervisor | |
| Kevin De La Noy | .... | unit production manager | |
| Kyoko Kageyama | .... | production supervisor: Japan | |
| Charles Mulvehill | .... | unit production manager | |
| Ray Quinlan | .... | unit production manager | |
| Bill Draper | .... | executive in charge of production (uncredited) | |
| Elizabeth Miller Gavcus | .... | post-production executive (uncredited) | |
Visual Effects by | |||
| Romulo Adriano Jr. | .... | visual effects coordinator | |
| Danny Albano | .... | digital effects artist | |
| Daphne Apellanes-Ackerson | .... | roto artist: 1876 San Francisco, Matte World Digital | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Thomas Boland | .... | visual effects producer (as Tom Boland) | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Tatjana Bozinovski | .... | digital paint/roto supervisor: Flash Film Works | |
| Scott Brisbane | .... | digital matte painter: 1876 San Francisco, Matte World Digital | |
| Steven J. Brooks | .... | digital animator: Flash Film Works | |
| Steven J. Brooks | .... | digital compositor: Flash Film Works | |
| John Coats | .... | matte painting supervisor: Flash Film Works | |
| Ian Cope | .... | visual effects coordinator: Rising Sun Pictures | |
| Glenn Cotter | .... | 3D artist: 1876 San Francisco, Matte World Digital | |
| James Coulter | .... | digital artist: Digital Dimension | |
| Ron Crabb | .... | matte painter | |
| Tim Crosbie | .... | visual effects supervisor: Rising Sun Pictures | |
| Jason Crosby | .... | visual effects artist | |
| Crystal Day | .... | visual effects assistant: Flash Film Works | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Tim Everitt | .... | animation supervisor: Flash Film Works | |
| Brian Fisher | .... | compositor | |
| Patrick Flanagan | .... | digital compositor: Pixel Magic | |
| David Fogg | .... | compositing supervisor: Flash Film Works | |
| Jessica Franks | .... | visual effects assistant coordinator | |
| Alex Fry | .... | digital compositor: Rising Sun Pictures | |
| William Gammon | .... | digital compositor | |
| David Geoghegan | .... | digital optical compositor | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension (as Benoit 'Ben' Girard) | |
| Jim Gorman | .... | digital compositor | |
| Neil Greenberg | .... | visual effects editor | |
| Daryl Habraken | .... | visual effects production assistant | |
| Jennifer Hachigian | .... | CGI modeler: Flash Film Works | |
| Sara Henschke | .... | visual effects producer: Rising Sun Pictures | |
| Lubo Hristov | .... | visual effects designer/lead matte painter: Christov Effects & Design | |
| Steve Hutchins | .... | paint/roto artist: Flash Film Works | |
| Dave Jacobs | .... | visual effects production manager: Flash Film Works | |
| Brian Jochum | .... | title producer | |
| Bryan Jones | .... | compositor: Rising Sun Pictures | |
| Brad Kalinoski | .... | compositor | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Hong Kim | .... | digital artist: Cinesite | |
| Tim Kings-Lynne | .... | digital effects artist | |
| Mark Kochinski | .... | CGI modeler: Flash Film Works | |
| Richard Kratt | .... | digital compositor: Pixel Magic | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Zoe Lamaera | .... | digital compositor | |
| Kip Larsen | .... | visual effects producer: 1876 San Francisco, Matte World Digital | |
| Laurent Lavigne | .... | pre-visuslization supervisor | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| John R. McConnell | .... | digital compositor: Pixel Magic | |
| Robert McInnis | .... | visual effects executive producer: Modern VideoFilm | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| John P. Mesa | .... | visual effects co-supervisor: Flash Film Works | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Sal Migliore | .... | assistant colorist | |
| Justin Mitchell | .... | digital artist | |
| Jerome Morin | .... | visual effects producer: Digital Dimension | |
| Darren Mortillaro | .... | 3D artist: 1876 San Francisco, Matte World Digital | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Patrick Murphy | .... | digital compositor | |
| Don Myers | .... | CGI animator: Flash Film Works | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Jeffrey A. Okun | .... | visual effects supervisor | |
| Marco S. Paolini | .... | digital compositor | |
| Adam Paschke | .... | digital compositor | |
| Ben Paschke | .... | effects artist: Rising Sun Pictures | |
| Bill Phillips | .... | rotoscope artist: Flash Film Works | |
| Monty Phillips | .... | digital artist | |
| Peter Profetto | .... | 3D animator | |
| Jeremy Pronk | .... | technical director: Rising Sun Pictures | |
| Paul Rivera | .... | technical artist: 1876 San Francisco, Matte World Digital | |
| Ben Roberts | .... | digital compositor: Rising Sun Pictures | |
| Ken Rogerson | .... | visual effects editor: 1876 San Francisco, Matte World Digital | |
| Steve Rosenbluth | .... | visual effects | |
| Daniel Rubin | .... | digital compositor: Digital Dimension | |
| Jane Sharvina | .... | modelling/texturing: Flash Film Works | |
| Jane Sharvina | .... | paint/roto artist: Flash Film Works | |
| Mariya Shikher | .... | roto/paint artist: Flash Film Works | |
| Evan Shipard | .... | digital compositor | |
| Trent Shumway | .... | digital compositor | |
| Todd R. Smith | .... | lead technical artist: 1876 San Francisco, Matte World Digital | |
| Marion Spates | .... | digital effects artist: Digital Dimension | |
| Chris Stoski | .... | digital matte artist: 1876 San Francisco, Matte World Digital | |
| Ken Stranahan | .... | digital compositor: Flash Film Works | |
| Kevin Struckman | .... | CG artist: Pixel Magic | |
| Tammy Sutton | .... | compositor: Digital Dimension | |
| Joel H. Thornton | .... | digital artist | |
| Tommy Tran | .... | digital compositor | |
| Morgan Trotter | .... | 3D artist: 1876 San Francisco, Matte World Digital | |
| Olivia Tsui | .... | roto/paint artist: Flash Film Works | |
| Jeff Varga | .... | digital effects artist | |
| Leandro Visconti | .... | lead compositor: Digital Dimension | |
| Dan Walker | .... | digital compositor: Flash Film Works | |
| Don Waller | .... | character animation supervisor: Flash Film Works | |
| Emily Wallin | .... | visual effects editor: Flash Film Works | |
| Jerry Whitaker | .... | roto/paint artist: Flash Film Works | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| James Whitlam | .... | head of production: Rising Sun Pictures Aus | |
| Dan Wills | .... | digital effects artist | |
| John Attard | .... | digital effects artist (uncredited) | |
| Vince De Quattro | .... | digital artist (uncredited) | |
| Darius Fisher | .... | digital compositor (uncredited) | |
| Melanie Franciosi | .... | digital compositor (uncredited) | |
| Marlan Harris | .... | rotoscope artist (uncredited) | |
| Judith Holzman | .... | compositor (uncredited) | |
| Dave Jerrard | .... | CGI modeler: Flash Film Works (uncredited) | |
| Michael Kirylo | .... | digital effects artist (uncredited) | |
| Jason Madigan | .... | digital compositor (uncredited) | |
| Patrick Paul Mullane | .... | lead compositor: VCE (uncredited) | |
| Patrick Paul Mullane | .... | matte paintings: VCE (uncredited) | |
| Alfredo Ramirez | .... | digital effects compositor: Pixel Magic (uncredited) | |
| Andrew Romine | .... | digital artist: Pixel Magic (uncredited) | |
| Mark Spatny | .... | visual effects producer: Modern VideoFilm (uncredited) | |
Casting Department | |||
| Nicole Abellera | .... | casting assistant | |
| Kim Coleman | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Yôko Narahashi | .... | casting: Japan | |
| Amy Pope | .... | extras casting | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | costume supervisor | |
| Paul Booth | .... | costume assistant | |
| Tom Caddy | .... | costume finisher | |
| Marian Ceo | .... | key costumer: Los Angeles | |
| Lorraine Crossman | .... | set costumer | |
| Libby Dempster | .... | head textile artist | |
| Jasmin Easterbrook | .... | extras costume stand-by | |
| Jasmin Easterbrook | .... | key costumer | |
| Kendall Errair | .... | costumer: Mr. Cruise | |
| Sian Evans | .... | key costume stand-by | |
| Sally Gray | .... | extras dresser | |
| Amy Jo Hoppenfeld | .... | key costumer | |
| Pauline Laws | .... | pattern maker | |
| Hayley May | .... | costumer | |
| Liz McGregor | .... | wardrobe coordinator | |
| Lucy McLay | .... | key costumer | |
| Ann Miller | .... | set costumer | |
| Bob Moore Jr. | .... | set costumer | |
| Samantha Morley | .... | set costumer: extras (as Sam Morley) | |
| Anna Munro | .... | dyer | |
| Roger Murray | .... | costume props head technician | |
| Hilary Niederer | .... | crowd costume coordinator: Westerners | |
| Grace Pyke | .... | costumer | |
| Sarah Shepherd | .... | costume assistant | |
| Bess Stansell | .... | costumer: back ground extras | |
| Ivory Stanton | .... | costume ager/dyer | |
| Douglas J. Stewart | .... | specialty costume manufacturer | |
| Simon Ward | .... | set costumer | |
| Angela Williams | .... | costume runner | |
| Thao T. Vu | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Julian Andraus | .... | assistant editor | |
| Jill Bogdanowicz | .... | senior digital film colorist | |
| Josh Breslow | .... | post-production assistant (as Joshua Breslow) | |
| Ian Elias | .... | post-production assistant | |
| Paula Greatbatch | .... | assistant editor (as Paula Suhy) | |
| Penny Lee Hallin | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Jenny Hicks | .... | assistant editor | |
| Anna Josenhans | .... | assistant editor | |
| Elias Jeremiah Moor | .... | post-production assistant | |
| Geoff Pattison | .... | post-production coordinator | |
| Pablo Prietto | .... | assistant editor | |
| Kent Pritchett | .... | colorist: dailies | |
| Keith Shaw | .... | colorist: mastering | |
| Dennis Thorlaksen | .... | assistant editor | |
| Cynthia E. Thornton | .... | associate editor | |
| Susan Vaill | .... | assistant editor | |
| David Ziek | .... | assistant editor | |
| Todd Zongker | .... | first assistant editor: avid | |
| David Orr | .... | color timer (uncredited) | |
Music Department | |||
| Slamm Andrews | .... | score recordist | |
| Dee Lewis Clay | .... | featured vocalist (as Delores Clay) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Craig Eastman | .... | musician: featured violin | |
| Bruce Fowler | .... | orchestrator | |
| Mark Graham | .... | music librarian | |
| Jason Lloyd | .... | scoring assistant | |
| Ladd McIntosh | .... | orchestrator | |
| Alan Meyerson | .... | music scoring mixer | |
| Alan Meyerson | .... | score recordist | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Trevor Morris | .... | composer: additional music | |
| Melissa Muik | .... | consultant: musical score | |
| Blake Neely | .... | composer: additional music | |
| Blake Neely | .... | conductor | |
| Blake Neely | .... | score arranger | |
| Blake Neely | .... | score programmer | |
| John Rodd | .... | music scoring recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
| Del Spiva | .... | assistant music editor | |
| Tom Steel | .... | scoring assistant | |
| Marc Streitenfeld | .... | music editor | |
| Bill Talbott | .... | scoring technician (as Bill Talbot) | |
| Damon Tedesco | .... | scoring assistant | |
| James Thatcher | .... | musician: French horn | |
| Mark Wherry | .... | consultant: musical score | |
| Geoff Zanelli | .... | composer: additional music | |
| Hans Zimmer | .... | score arranger | |
| Hans Zimmer | .... | score programmer | |
| Gregg Silk | .... | assistant scoring engineer (uncredited) | |
Transportation Department | |||
| Rick Braverman | .... | driver | |
| Vic Cuccia | .... | transportation captain | |
| Steven Docherty | .... | transportation office dispatcher | |
| Reg Gibson | .... | transportation captain | |
| Randy Luna | .... | driver | |
| Brian Zac McIsaac | .... | driver: New Zealand | |
| Dan Romero | .... | transportation coordinator | |
| Michael Sean Ryan | .... | transportation captain | |
Other crew | |||
| Daren N. Afshar | .... | production assistant: Japan | |
| Deborah Alleck | .... | assistant production coordinator | |
| Tansey Allen | .... | set production assistant | |
| Deborah Ambrosino | .... | milliner | |
| Graeme Andrews | .... | wrangler | |
| Gunner Ashford | .... | armorer: New Zealand | |
| Sala Baker | .... | locations manager: splinter unit | |
| John Bonnin | .... | head technician: Libra | |
| Bridget Brewer | .... | wrangler | |
| Sophie Brewster | .... | accommodation assistant | |
| Mark Brooks | .... | wild animal trainer | |
| Andy Buckley | .... | health and safety officer | |
| Sharon Burdsley | .... | wrangler | |
| Jenny Lynn Burnett | .... | assistant accountant | |
| Kami Calevro | .... | second assistant accountant | |
| Lauro Chartrand | .... | co-fight arranger | |
| Gunnar Clancey | .... | assistant: Ms. Wagner | |
| Sam M. Cobb | .... | production/construction medic | |
| Jason Cox | .... | production assistant | |
| Paulette Dauber | .... | publicity consultant | |
| Richard Davis Jr. | .... | location manager | |
| Mana Hira Davis | .... | assistant location manager | |
| Charles de Bernier | .... | assistant accountant | |
| Alfredo De Leon | .... | stand-in: Ujio | |
| Phil DeSanti | .... | production assistant | |
| James D. Dever | .... | technical advisor: military | |
| Robert J. Dietze II | .... | set production assistant | |
| Graham Dolan | .... | horse trainer | |
| Joe Dunckley | .... | stand-by armor | |
| Greg Eby | .... | location accountant | |
| Josh Ernstrom | .... | production assistant | |
| Nicola Fedrigoni | .... | assistant location manager | |
| Vincent Joseph Flaherty | .... | firearms specialist | |
| Billy L. 'Butch' Frank | .... | cannoneer (as Billy 'Butch' Frank) | |
| Jessica Franks | .... | set assistant | |
| Sue Frey | .... | executive assistant: Mr. Cruise | |
| Darin Fujimori | .... | weapons assistant | |
| Emi Fukuda | .... | production secretary | |
| Robert 'Rock' Galotti | .... | weapons coordinator (as Robert 'Rock' Galotti) | |
| Donte Gentile | .... | weapons specialist | |
| Marc C. Geschwind | .... | extras coordinator | |
| Christopher Gilbertson | .... | weapons assistant | |
| Eileen Gopperth | .... | wrangler | |
| Thea Govorko | .... | production assistant | |
| Warren Green | .... | armorer | |
| Josh Gummersall | .... | assistant: Mr. Herskovitz | |
| Felicity Hamill | .... | stand-in: 'Higen' Sosuke Ikematsu | |
| Jennifer Hammon | .... | personal assistant: Mr. Cruise | |
| Gary Harper | .... | Gatling gun expert | |
| Charles Harrington | .... | location manager | |
| Alison Haskovec | .... | assistant: Mr. Engelman | |
| Kelly Helstrom | .... | staff production coordinator: Warner Brothers | |
| Bart Hendrickson | .... | samples coordinator | |
| Lil Heyman | .... | production coordinator | |
| Jean Hodges | .... | food stylist | |
| Brian Hulse | .... | assistant location manager | |
| Jabe Hura | .... | assistant animal trainer | |
| Tristan Jackson | .... | photo double: Tom Cruise | |
| Lance Julian | .... | marine coordinator | |
| Doug Katau | .... | animal trainer: oxen | |
| Taka Kawatsu | .... | production staff | |
| Michael G. Kehoe | .... | craft service: Los Angeles/Japan/New Zealand (as Michael Kehoe) | |
| Mark Kelly | .... | production secretary | |
| Karen Kemsley | .... | wrangler | |
| Carol Kim | .... | pre-production supervisor: New Zealand | |
| Dan King | .... | assistant military technical advisor | |
| Nancy Kiu | .... | additional production assistant | |
| Grady Lee | .... | executive assistant: Ms. Wagner | |
| Joey Cruz Manalang | .... | production assistant | |
| Natanya Marks | .... | staff assistant | |
| Lisa Matsukawa | .... | production coordinator | |
| Rob McCabe | .... | stand-in: Tony Goldwyn and Billy Connolly | |
| Jane McCurdy | .... | production assistant vfx | |
| Tim McGee | .... | craft service assistant | |
| Timothy McGee | .... | craft service assistant | |
| Duncan McNaughton | .... | wrangler | |
| Melvin Mete | .... | oxen wrangler | |
| Rosie Miles | .... | animal coordinator: small animals | |
| Rosie Miles | .... | animal trainer: small animals | |
| Caroline Miller | .... | payroll assistant | |
| Randy Miller | .... | tiger trainer | |
| Tomoko Miyachi | .... | production accountant | |
| Elias Jeremiah Moor | .... | editorial staff assistant | |
| Ryan Moriarty | .... | adr loop group | |
| Heather Moses | .... | shipping associate | |
| Alan Munro | .... | titles designer | |
| Arwen Munro | .... | production coordinator: second unit | |
| Atsushi Naito | .... | legal service | |
| Moanike'ala Nakamoto | .... | assistant: Hans Zimmer | |
| Nigel Nally | .... | set runner | |
| Sharon Ninness | .... | location assistant | |
| Graham Nixon | .... | armorer | |
| Jason Novak | .... | assistant: Mr. Solomon | |
| Steve Old | .... | horse department coordinator (as Stephen Old) | |
| Riki Otaki | .... | assistant: Mr. Watanabe | |
| Stacy Parker | .... | assistant production coordinator | |
| Susan Parker | .... | accommodation manager | |
| David Passman | .... | staff assistant | |
| Evan Peller | .... | key assistant location manager (as Evan Pellar) | |
| Jacquilyn Penn | .... | wrangler | |
| Charlie Portillo | .... | cook | |
| Samata Preston | .... | production secretary | |
| Troy Putney | .... | assistant: Mr. Zwick | |
| Ryan Quinlan | .... | set team | |
| Philippa Race | .... | assistant accountant | |
| Angela Randazzo | .... | payroll accountant | |
| Sonia Randazzo | .... | second assistant accountant | |
| Julie Rasmussen | .... | production secretary | |
| Matt Reitsma | .... | textile artist | |
| Mayda Renizzi-Holt | .... | first assistant accountant | |
| F. Lee Reynolds | .... | production assistant | |
| Tone Rodriguez | .... | animatronic animal effects concept designer | |
| Page Rosenberg-Marvin | .... | production coordinator | |
| Steve Rosenbluth | .... | puppeteer | |
| Ken Ryan | .... | production accountant | |
| Lynley Schollum | .... | wrangler | |
| Wonder Fortune Serra | .... | assistant: Mr. Kroopf | |
| Marc Siegel | .... | production assistant | |
| Darius Siwek | .... | production assistant | |
| Doug Sloan | .... | cannoneer | |
| Phil Smith | .... | horse wrangler: Los Angeles | |
| Stacy Solomon | .... | production assistant | |
| Jill Soper | .... | assistant production coordinator | |
| E. Michael Stankevich | .... | assistant: Mr. Mulvehill | |
| Michael Svitak | .... | production assistant | |
| Tony Swatton | .... | sword maker | |
| Helene Takacs | .... | production assistant | |
| Lindsay Tapp | .... | wrangler | |
| Korin A. Tarin | .... | location accountant | |
| Damon Taylor | .... | cannoneer | |
| Jayne-Ann Tenggren | .... | script supervisor | |
| Amanda Uber | .... | staff coordinator | |
| Jasmin Vette | .... | animal trainer | |
| Lisa Vick | .... | script supervisor: second unit | |
| Tracey Vickers | .... | wrangler | |
| Mathew Ward | .... | animal coordinator: small animals | |
| Mathew Ward | .... | animal trainer: small animals | |
| Bex Watts | .... | horse trainer | |
| Bex Watts | .... | key wrangler | |
| Tracey Weaver | .... | wrangler | |
| Jennifer Webb | .... | assistant production associate | |
| Peter White | .... | head horse wrangler | |
| Andy Wickens | .... | lab liaison | |
| Erin Wilson | .... | set production assistant | |
| Frank D. Woodward | .... | caterer | |
| Phil Greig | .... | laboratory technician (uncredited) | |
| Ruffin Moye | .... | stand-in (uncredited) | |
| Edwina Pellikka | .... | textile artist (uncredited) | |
| Daniel Veluzat | .... | location liaison (uncredited) | |
| Robert Milo Williams | .... | synthesizer programmer (uncredited) | |
|
|
|
|
|
| The Professional: Golgo 13 | Centurion | Avatar | The Alamo | Miracle at St. Anna |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
After my third viewing, I can finally admit that this film has me. I enjoyed it during its theatrical run, enjoyed it more the second time around, and now, I can only say that I love it. The cast is exemplary. Tom Cruise is so good in this film that it is very often easy to forget he is Tom Cruise. Easily his most powerful role and best performance since Jerry Maguire. Ken Watanabe, however, is incredible in every scene - acting with a rare sensitivity and intensity and breathing life into a character much larger and more human than the grand story of which he is a part. Though the entire cast is excellent, I feel that I must also single out Koyuki and Shichinosuke Nakamura for, respectively, the female lead and the emperor, for the subtle strength and believability they each give their very challenging roles.
The story takes place during the early modernization of Japan, in the 1870s and 1880s. The Emperor's power has been weakened by the political and economic power of his cabinet, by his young age, and by the political influence of the United States and other western powers pulling the strings of his cabinet and supplying modern weaponry and tactics to the modernizing Japanese army. Cruise plays Captain Allgren, an alcoholic veteran who has seen and participated in too many massacres of innocent people, and is offered an opportunity to reclaim some of his honor by helping to train the Japanese military in the use of firearms. When he arrives in Japan, we learn that the first test of the Japanese army and its new weapons will be against a rebellious group of samurai who believe themselves to be in the service of the Emperor and Japan, but resist the Emperor's cabinet and the influence of western nations. In the power void left by a passive emperor, Japan seems poised to enter into a civil war against its own values, faith and honor. During the first attack on the Samurai, Allgren is captured by the Samurai and begins a spiritual, physical and philosophical journey which will bring him a level of self-respect his own culture could never supply.
My interpretation of this journey is that Allgren has found a place and people that offer him redemption, where, in his own world, he can find none. But Allgren's is only a small part of the story - which ultimately revolves around what is right for Japan, for the subjectivity of a whole nation, and how to portray such a subject from its own perspective. Traditional Japan is treated with empathy here, not aggrandizing exaggeration, as some of the film's critics seem to suggest. This is not a film about what is objectively right and wrong, but a film about struggling to understand and empower tradition as a means to control and benefit from change. I find no grand moral statement here, but rather an intense, sympathetic, human drama with a strong sense of honor and sacrifice.
Edward Zwick has made a film which operates well at every level, carrying simple but profound philosophical ideas, but avoiding the mistake of making these ideas and the characters that express them super-heroic. Ultimately, this beautifully shot film conveys powerful messages about war, tradition, ethics, honor and culture, which, though not particularly original, are sensitively and intelligently brought forward. There is a lot of action, including some remarkably well-acted sword fighting and martial artistry, but none of it seems unnecessary and the whole film is truly tightly woven. My highest recommendation.