| Photos (See all 115 | slideshow) | Videos (see all 11) |
Directed by | |||
| Jan de Bont | |||
Writing credits(WGA) | ||
| Dean Georgaris | (screenplay) | |
| Steven E. de Souza | (story) and | |
| James V. Hart | (story) | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| David Tattersall | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Daniel Hubbard | |||
| John Hubbard | |||
Production Design by | |||
| Kirk M. Petruccelli | |||
Art Direction by | |||
| Silver Cheung | |||
| John Fenner | |||
| John C. Hill | |||
| Paul Kirby | |||
| Frank Walsh | |||
Set Decoration by | |||
| Sonja Klaus | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Suzanne Belcher | .... | assistant makeup artist | |
| Richard Glass | .... | contact lens optician | |
| Frances Hannon | .... | makeup department head | |
| Belinda Hodson | .... | makeup artist | |
| Colin Jamison | .... | chief hair stylist | |
| Jan Jamison | .... | key hair stylist | |
| Tracey Lee | .... | makeup artist | |
| Neil Morrill | .... | key sculptor | |
| Belinda Parish | .... | makeup artist | |
| Janeen Schreyer | .... | makeup designer: Ms. Jolie | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Lisa Tomblin | .... | hair stylist | |
Production Management | |||
| Terry Bamber | .... | production manager: second unit | |
| Erica Bensly | .... | unit manager | |
| Chris Brock | .... | production manager: Greece | |
| Chris Brock | .... | production manager: Hong Kong | |
| Chen On Chu | .... | production manager: Hong Kong | |
| Peter Heslop | .... | unit production manager | |
| Jeremy Johns | .... | production manager: Kenya | |
| Tim Lewis | .... | unit manager | |
| Jenny Panoutsopoulos | .... | production manager: Greece (as Jenny Panoutsopoulou) | |
| Jacob Peratrovich | .... | assistant unit manager | |
| Cindy Rodkin | .... | production supervisor: Kenya | |
| Michael Solinger | .... | post-production supervisor | |
| Johnny Wang | .... | production supervisor: Hong Kong | |
Art Department | |||
| Dominic Ackland-Snow | .... | supervising carpenter | |
| Ravi Bansal | .... | concept illustrator | |
| Andrew Barnden | .... | storyboard artist | |
| Rob Bliss | .... | concept illustrator | |
| Guy Bradley | .... | draughtsman | |
| Adam Brockbank | .... | concept illustrator | |
| Neal Callow | .... | draughtsman | |
| Anthony Caron-Delion | .... | assistant art director | |
| Paul Catling | .... | concept illustrator | |
| Mick Chubbock | .... | standby plasterer | |
| Andrew David Clark | .... | graphic designer | |
| Chris Clarke | .... | prop man | |
| Dean Coldham | .... | plaster department | |
| Marlon Cole | .... | stand-by props | |
| Ben Collins | .... | concept model maker | |
| Jim Cornish | .... | storyboard artist | |
| Sarah Duncan | .... | assistant buyer | |
| Dave Evans | .... | armoury props | |
| Teri Fairhurst | .... | art department assistant | |
| Kate Grimble | .... | draughtsman | |
| Andrew Guyett | .... | painter | |
| Emma Hanson | .... | sculptor | |
| Steve Harris | .... | chargehand carpenter | |
| Jane Harwood | .... | junior draughtsperson | |
| Toby Hawkes | .... | senior props/modeller | |
| Peter Hawkins | .... | propmaker | |
| Paul Hearn | .... | set dresser | |
| John C. Hill | .... | art director: Useful Companies | |
| Frank Howe | .... | drapesman | |
| Robert Jackson | .... | carpenter | |
| Nicky Kaill | .... | scenic artist | |
| Carol Kupisz | .... | graphic designer | |
| Dominic Lavery | .... | concept artist | |
| Emma Lovell | .... | art department runner | |
| Richard Lyon | .... | construction buyer | |
| Steve Macher | .... | stand-by rigger | |
| Tony Marks | .... | carpenter | |
| Paul Marsh | .... | prop modeller | |
| Iain McFadyen | .... | draughtsman | |
| Jonathan Moore | .... | assistant sculptor | |
| Stephen Morahan | .... | assistant art director | |
| Michael Redding | .... | construction coordinator | |
| Tony Rimmington | .... | draughtsperson (as Anthony Rimmington) | |
| Tony Roche | .... | action graphics | |
| Tony Statham | .... | signs and graphics | |
| Tom Still | .... | set designer | |
| Sophie Tarver | .... | propmaker | |
| Karen Wakefield | .... | buyer: Hong Kong | |
| Jake Wells | .... | supervising dressing propman | |
| Su Whitaker | .... | art director: stand-by camera | |
| John Whitby | .... | carpenter | |
| Ian Whiteford | .... | greensman | |
| Tom Whitehead | .... | draughtsman | |
| Krissi Williamson | .... | production buyer | |
| Luke Edwards | .... | set decorating runner (uncredited) | |
| Toby Harvard | .... | art department experience (uncredited) | |
| Thomas Jones | .... | foam technician (uncredited) | |
| Daniel Thompson | .... | carpenter (uncredited) | |
Visual Effects by | |||
| Andrea Adams | .... | animator: Peerless Camera Company | |
| Nicolas Aithadi | .... | lighting technical director: MPC | |
| Sav Akyüz | .... | visual effects editor: Jim Henson's Creature Shop | |
| Vania Alban-Zapata | .... | technical director: MPC | |
| Marcus Alexander | .... | digital grade film editor: Framestore CFC | |
| John B. Anderson | .... | senior shader writer: Jim Henson's Creature Shop | |
| Marc Atherfold | .... | camera assistant | |
| Oliver Atherton | .... | scanning and recording | |
| John Attwood | .... | gaffer: blue screen special effects | |
| Henry Badgett | .... | compositor: MPC | |
| Richard Bain | .... | lead digital effects supervisor: Double Negative | |
| Chris Baker | .... | visual effects editorial coordinator | |
| Mark Bakowski | .... | digital compositor | |
| Peter Baldwin | .... | technical director | |
| Murray Barber | .... | lead compositor: MPC | |
| Gavin Baxter | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Paul Beaumont | .... | production accountant | |
| Pete Bebb | .... | technical director: Double Negative (as Peter Bebb) | |
| Susanne Becker | .... | 2D artist: Jim Henson's Creature Shop | |
| Nick Bedford | .... | digital effects assistant producer: Peerless Camera Co | |
| Steven Begg | .... | visual effects supervisor (as Steve Begg) | |
| Joel Behrens | .... | visual effects: Asylum | |
| Hitesh Bharadia | .... | senior CG artist: Jim Henson's Creature Shop | |
| Martin Body | .... | lead rotoscope artist: Peerless Camera Co. Ltd. | |
| Jim Bowers | .... | digital matte painter | |
| David A.T. Bowman | .... | senior compositor: Jim Henson's Creature Shop (as David Bowman) | |
| Charlie Bradbury | .... | visual effects production manager: MPC | |
| Paul Brannan | .... | render wrangler | |
| Richard Briscoe | .... | senior digital compositor | |
| Will Broadbent | .... | technical director: MPC | |
| Jon R. Brown | .... | match move technician (as Jon Brown) | |
| Steve Brown | .... | CG artist: Jim Henson's Creature Shop | |
| Steve James Brown | .... | visual effects | |
| Danny Brunton | .... | digital compositor | |
| Zara Bullock | .... | data operator | |
| Delphine Buratti | .... | digital effects artist | |
| Andy Burrow | .... | scanning manager | |
| Billy A. Campbell | .... | visual effects | |
| Martin 'Smoke' Carroll | .... | pre-vis character animator | |
| Scott Chambers | .... | film editorial | |
| Fred Chapman | .... | technical director: MPC | |
| Edward Xi Chen | .... | data operator | |
| Lee Chidwick | .... | digital I/O | |
| Jeppe N. Christensen | .... | digital artist | |
| Darren Christie | .... | digital artist: pre-visualization | |
| Kirsty Clark | .... | compositor: Cinesite (as Kirsty Lamb) | |
| Jeff Clifford | .... | visual effects programmer: Double Negative | |
| Emily Cobb | .... | lead matchmove artist: Double Negative | |
| Isabel Cody | .... | matchmove artist: Double Negative | |
| Peter Connelly | .... | lead digital compositor: MPC (as Pete Connelly) | |
| Dan Copping | .... | previs animator | |
| Stephen Coren | .... | digital effects artist | |
| Michelle Corney | .... | visual effects line producer: MPC | |
| Shane Costar | .... | compositor: Cinesite | |
| Dayne Cowan | .... | technical director | |
| Simon Cox | .... | data operator | |
| Mike Cusack | .... | technical director: MPC | |
| Steve Cutmore | .... | compositor: Peerless Camera Company | |
| Aimee Dadswell | .... | visual effects production assistant: Cinesite | |
| Sean Danischevsky | .... | digital compositor: Double Negative | |
| Clara de Paz | .... | roto/prep artist | |
| Tabitha Dean | .... | visual effects editor: Framestore CFC | |
| Jean-Claude Deguara | .... | CG animator: MPC | |
| Dimitri Delacovias | .... | matte painter: Double Negative | |
| Keith Devlin | .... | compositor: Cinesite | |
| Ian Differ | .... | visual effects editor | |
| Gavin Digby | .... | compositor: Cinesite | |
| Gareth Dinneen | .... | compositor: MPC | |
| Ben Dishart | .... | matte painter: Jim Henson's Creature Shop | |
| John Paul Docherty | .... | digital effects supervisor: Peerless | |
| Ferran Domenech | .... | character modeler: MPC (as Ferran Domenech Gutierrez) | |
| Ferran Domenech | .... | character setup: MPC (as Ferran Domenech Gutierrez) | |
| Ditch Doy | .... | head of CG: Peerless Camera Co | |
| Martyn Drake | .... | systems/operations: MPC | |
| Nick Drew | .... | visual effects producer: Jim Henson's Creature Shop | |
| Wayde Duncan-Smith | .... | technical director: MPC | |
| Frederic Durand | .... | senior CG artist: Jim Henson's Creature Shop (as Fred Durand) | |
| Dave Early | .... | lead matte painter: MPC (as David Early) | |
| Chris Elson | .... | compositor: MPC | |
| Michael Elson | .... | head of production | |
| Nousha Emami | .... | CG artist: Jim Henson's Creature Shop | |
| Andy Feery | .... | technical director: MPC | |
| Greg Fisher | .... | animator: MPC | |
| Justin Fleming | .... | data operator | |
| Andy Fowler | .... | additional visual effects producer (as Andrew Fowler) | |
| Pawl Fulker | .... | previsualisation supervisor | |
| James Furlong | .... | CG artist: Jim Henson's Creature Shop | |
| Martin Gardeler | .... | technical director: Double Negative | |
| Ricky Gausis | .... | data operator | |
| Adam Gefen | .... | digital compositor | |
| Tracey Gibbons | .... | assistant visual effects producer | |
| Julien Goldsbrough | .... | match mover | |
| Neill Gorton | .... | designer: shadow warrior | |
| Gavin Graham | .... | technical director: Double Negative (as Gavin 'Bubbles' Graham) | |
| Michael Grobe | .... | technical director | |
| Manuel Guillen | .... | CG artist: Jim Henson's Creature Shop | |
| Metin Gungor | .... | matte painter: Jim Henson's Creature Shop | |
| Metin Gungor | .... | texture artist: Jim Henson's Creature Shop | |
| Andy Hague | .... | visual effects editorial | |
| Pete Hanson | .... | studio manager: Double Negative (as Peter Hanson) | |
| Harvey Harrison | .... | director of photography | |
| Dan Harrod | .... | compositor: Cinesite | |
| Simon Haslett | .... | compositor | |
| Rachael Haupt | .... | texture artist: MPC | |
| Kieron Helsdon | .... | previs artist: Mill Film | |
| Ben Hicks | .... | digital compositor | |
| Rob Hill | .... | data operator | |
| Martin Hobbs | .... | visual effects producer | |
| Pamela Hobbs | .... | texture artist: Jim Henson's Creature Shop | |
| Jan Hogevold | .... | digital grade producer | |
| Jan Hogevold | .... | visual effects producer | |
| Robin Hollander | .... | roto/prep artist | |
| Katja Hollmann | .... | scanning and recording operator: Cinesite | |
| Rudi Holzapfel | .... | compositing supervisor: MPC | |
| Garrett Honn | .... | digtial compositor: Jim Henson's Creature Shop | |
| Myf Hopkins | .... | head of production: Jim Henson's Creature Shop | |
| Russell Horth | .... | digital compositor: Framestore-CFC | |
| Yoko Ishiguro | .... | compositor: Double Negative | |
| Dag Ivarsoy | .... | compositor: Cinesite | |
| Allan Torp Jensen | .... | digital artist | |
| Lars Johansson | .... | character animator | |
| Lorraine Johnson | .... | film recording: Cinesite | |
| Phillip Johnson | .... | animator: Double Negative | |
| Simon Johnson | .... | film recording: Cinesite | |
| Dennis Jones | .... | digital compositor | |
| Tim Jones | .... | render wrangler | |
| Marc Jouveneau | .... | digital compositor | |
| Olivier Junquet | .... | technical director: MPC | |
| Ilyas Kaduji | .... | 3D animator: Cinesite | |
| Matt Kasmir | .... | digital compositor | |
| Lucinda Keeler | .... | data operator | |
| Laurent Kermel | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Laurent Kermel | .... | lead technical director | |
| Sabine Kertscher | .... | 2D artist: Jim Henson's Creature Shop | |
| Tom Kimberley | .... | roto/prep artist | |
| Greg King | .... | technical director: MPC | |
| Diane Kingston | .... | digital effects producer: Peerless Camera Co | |
| Andrew Koutsou | .... | match move technician | |
| Paul Lada | .... | previsualization animator | |
| Paul Lambert | .... | lead compositor | |
| Stefan Lange | .... | visual effects photographer: jump unit, Hong Kong | |
| Martin Lanzinger | .... | 3D animator: Cinesite | |
| Stuart Lashley | .... | digital compositor | |
| Kirsty Lawlor | .... | digital compositor | |
| Ken Lawrence | .... | systems | |
| Phillip Leonhardt | .... | compositor | |
| Bruno Lesieur | .... | lead lighting technical director: MPC | |
| Dan Levy | .... | senior CG artist: Jim Henson's Creature Shop | |
| Sean Lewkiw | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Mattias Lindahl | .... | 3D supervisor | |
| David Lloyd | .... | render engineer: MPC | |
| Nick Lloyd | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Huw Lynes | .... | systems | |
| Alasdair MacCuish | .... | digital lab supervisor: Framestore CFC | |
| Tony Man | .... | roto/prep artist | |
| Sarah Marchant | .... | digital compositor | |
| Andrew Marshall | .... | technical director: MPC | |
| Gary Marshall | .... | render wrangler: MPC | |
| Matthew Maude | .... | 3D animator: Cinesite | |
| Marian Mavrovic | .... | digital compositor | |
| Jamie McCarter | .... | character animator and rigger: Double Negative | |
| Doug McCarthy | .... | model effects | |
| Jason McDonald | .... | animator | |
| Ian McFadyen | .... | digital effects artist | |
| Lindsay McFarlane | .... | visual effects coordinator | |
| Nakia McGlynn | .... | matchmove artist: Jim Henson's Creature Shop London | |
| Gurel Mehmet | .... | digital matte painter: JHCS | |
| Craig Mepham | .... | match mover | |
| Evonne Merlicek | .... | digital effects artist | |
| Mark Michaels | .... | on-set digital effects supervisor | |
| Andy Middleton | .... | matte painter: MPC | |
| Ivor Middleton | .... | 3D animator: Cinesite | |
| Neil Miller | .... | matte painter: Double Negative | |
| Steve Moncur | .... | technical director: MPC | |
| Alberto Montañés | .... | digital compositor: Jim Hensons Creature Shop | |
| Ray Moody | .... | motion control | |
| Ben Morgan | .... | compositor | |
| Richard Morris | .... | technical director: MPC | |
| Jesh Murthy | .... | CG sequence designer: Jim Henson's Creature Shop (as Jesh Krishna Murthy) | |
| Dan Neal | .... | lighting technical director | |
| Christian Nerving | .... | technical director: Double Negative | |
| Helen Newby | .... | compositor | |
| Wolfgang Niedermeier | .... | lead matchmover | |
| Paul Oakley | .... | 3D animator: Cinesite | |
| Tim Ollive | .... | animator: Peerless Camera Company | |
| Tor-Bjorn Olsson | .... | 2D supervisor | |
| Lester Parker | .... | data operator | |
| Stuart Partridge | .... | senior compositor | |
| Simon Payne | .... | digital artist: Jim Hensons Creature Shop | |
| John Peck | .... | digital compositor | |
| Geoff Pedder | .... | lighting technical director | |
| Hannah Peirce | .... | lead compositor: MPC (as Hannah Pierce) | |
| Craig Penn | .... | animator: MPC | |
| Joseph Pepper | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Eric Petey | .... | animator: Double Negative | |
| Daniel Pettipher | .... | composite supervisor: MPC (as Dan Pettipher) | |
| Chris Petts | .... | sequence supervisor: shadow guardian sequence, MPC | |
| David Phillips | .... | digital compositor | |
| Marnie Pitts | .... | digital artist: Jim Henson's Creature Shop | |
| Matthew Plummer | .... | digital effects producer: Double Negative | |
| Richard Poet | .... | editorial assistant: MPC | |
| Marine Poirson | .... | lighting artist: JHCS | |
| Bruno Pollet | .... | animator: Peerless Camera Company | |
| Cristina Puente | .... | digital compositor | |
| Rudy Raijmakers | .... | Computer Animation | |
| Kieron Reed | .... | modeler: Double Negative | |
| Kieron Reed | .... | technical director: Double Negative | |
| David Rey | .... | lead compositor (as Dave Rey) | |
| Mark Richardson | .... | digital compositor: Jim Henson's Creature Shop | |
| Martin Riedel | .... | digital compositor: MPC | |
| John Roberts-Cox | .... | CG sequence supervisor: pod sequence, MPC | |
| Digby Rogers | .... | texture artist: Double Negative | |
| Susi Roper | .... | digital effects producer: Jim Henson's Creature Shop | |
| Alex Rothwell | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Paul Round | .... | senior Inferno artist: Peerless Camera Co | |
| Jean-Paul Rovela | .... | lighting technical director: MPC | |
| Craig Rowe | .... | 2D artist: Jim Henson's Creature Shop | |
| Sue Rowe | .... | visual effect supervisor: Cinesite | |
| Matthew Sagar | .... | systems | |
| Jeremy Sawyer | .... | data operator | |
| Carlo Scaduto | .... | compositor | |
| Michele Sciolette | .... | technical director | |
| David Sewell | .... | digital compositor | |
| Ira Shain | .... | character animator | |
| Matthew Shaw | .... | video editorial | |
| Dan Sheerin | .... | CG sequence designer: Jim Henson's Creature Shop | |
| Ben Shepherd | .... | digital effects supervisor | |
| Kevan Shorey | .... | matchmove artist: Double Negative | |
| Martyn Siddiqui | .... | systems | |
| Serdar Simga | .... | texture artist: Jim Henson's Creature Shop | |
| Mark Slade | .... | digital compositor | |
| John Slattery | .... | compositor: Cinesite | |
| Alex Smith | .... | compositor: Cinesite | |
| Leila Smith | .... | data operator | |
| Andrew Speller | .... | camera operator | |
| Mark Spevick | .... | animator: Peerless Camera Company | |
| Paul Stamp | .... | data operator | |
| Piotr Stanczyk | .... | software | |
| Jim Steel | .... | digital compositor: Double Negative | |
| Paul Stocker | .... | systems | |
| Ileana Stravoskiadi | .... | animator: Double Negative | |
| Maria Stroka | .... | digital grading production coordinator | |
| Maria Stroka | .... | film recording producer | |
| Dusan Strugar | .... | CG supervisor: Jim Henson's Creature Shop | |
| Julien Stuart-Smith | .... | lighting artist | |
| Josh Sutcliffe | .... | data operator | |
| Åsa Svedberg | .... | digital matte painter | |
| John Swinnerton | .... | senior compositor: Peerless Camera Company | |
| Michael Talarico | .... | digital effects supervisor: Cinesite UK (as Mike Talarico) | |
| Peter Talbot | .... | visual effects photographer: jump unit, Hong Kong | |
| Chu Tang | .... | shader writer | |
| Ben Thompson | .... | technical director: MPC | |
| Joe Thornley | .... | senior CG artist: Jim Henson's Creature Shop | |
| Matthew Tinsley | .... | digital compositor | |
| James Tomlinson | .... | matchmove artist: Double Negative | |
| Gavin Toomey | .... | visual effects supervisor: FrameStore-CFC | |
| Gang Trinh | .... | computer animator | |
| Sophia Tufail | .... | digital matte/paint artist | |
| James Turner | .... | software | |
| Malin Tvedt | .... | compositor | |
| Marc Twinam-Cauchi | .... | animator: Peerless Camera Company | |
| John Van Hoey Smith | .... | data operator | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Paola Varvaro | .... | digital cleanup artist | |
| Steve Wagendorp | .... | assistant colorist | |
| Niki Wakefield | .... | compositor | |
| Tara Walker | .... | digital I/O | |
| Karen Wand | .... | digital compositor | |
| Claus Wehlisch | .... | assistant visual effects editor | |
| Andrew Whitehurst | .... | technical director | |
| Simon Wicker | .... | matte painter: MPC | |
| Simon Wicker | .... | texture artist: MPC | |
| Royston Willcocks | .... | 3D animation supervisor: Cinesite | |
| Angie Wills | .... | visual effects producer | |
| Alex Wilmington | .... | systems | |
| Corrina Wilson | .... | digital compositor | |
| Doug Winder | .... | digital artist | |
| Arthur Windus | .... | visual effects producer | |
| Kathy Wise | .... | digital systems manager | |
| Pat Wong | .... | digital compositor | |
| Helen Wood | .... | compositor: Double Negative | |
| Mike Woodhead | .... | match move technician | |
| Aubrey Woodiwiss | .... | junior digital lab operator | |
| Sam Woolf | .... | render wrangler | |
| Alex Wuttke | .... | senior technical director: Double Negative (as Alex 'the Baron' Wuttke) | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Trevor Young | .... | digital compositor | |
| Christian Zeh | .... | digital compositor | |
| Keith Barton | .... | technical services: Cinesite (uncredited) | |
| Martin R. Davison | .... | digital I/O (uncredited) | |
| Harriet Donington | .... | bidding producer: Cinesite (uncredited) | |
| James Eggleton | .... | digital I/O: Cinesite (uncredited) | |
| Paul Flanagan | .... | digital compositor: Jim Henson's Creature Shop (uncredited) | |
| Peter Guyan | .... | senior CG systems administrator: Jim Henson's Creature Shop (uncredited) | |
| Jeremy Hall | .... | chief technology officer (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Christopher Page | .... | digital cleanup artist (uncredited) | |
| Daniel Pickering | .... | visual effects (uncredited) | |
| Ed Plant | .... | digital compositor (uncredited) | |
| Gavin Round | .... | assistant visual effects editor: Framestore CFC (uncredited) | |
| Rainer Stolle | .... | digital artist (uncredited) | |
| Steve Street | .... | head of 3D (uncredited) | |
Animation Department | |||
| Andrea Adams | .... | animator | |
| Greg Fisher | .... | animator | |
| Jason McDonald | .... | animator | |
| Ileana Stravoskiadi | .... | animator | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Makis Gazis | .... | casting: Greece | |
| Alexandros Romanos Lizardos | .... | assistant casting: Greece | |
| Tamara Notcutt | .... | casting assistant | |
Costume and Wardrobe Department | |||
| David Bethell | .... | costume prop | |
| Peter Edmonds | .... | costume assistant | |
| Dan Grace | .... | wardrobe supervisor | |
| Tom Hornsby | .... | wardrobe master: second unit | |
| Helen Jerome | .... | costume assistant: second unit | |
| Gabriella Loria | .... | costume buyer | |
| Whitaker Malem | .... | special costumes | |
| Martin Mandeville | .... | costume coordinator | |
| Silvana Sacco | .... | costume effects artist | |
| Guy Speranza | .... | assistant costume designer | |
| William Steggle | .... | wardrobe assistant | |
| Kar Yan Yip | .... | assistant costume designer: hong kong | |
| Dominic Young | .... | costume maker | |
Editorial Department | |||
| Nick Baldock | .... | assistant editor | |
| James Blunden | .... | additional editor | |
| Patrick Crane | .... | assistant editor | |
| Jo Dixon | .... | assistant editor | |
| Alex Fenn | .... | assistant editor | |
| James Herbert | .... | assistant editor | |
| Kevin Holt | .... | assistant editor: avid | |
| Adam Inglis | .... | digital color timer | |
| Andrew MacRitchie | .... | additional editor | |
| Jabez Olssen | .... | assistant editor: Avid | |
| Steve Pang | .... | assistant editor: avid | |
| Jon Thompson | .... | post-production consultant | |
| Andrew Walton | .... | editorial assistant | |
| Samantha Welland | .... | post-production coordinator | |
| Cynthia Ludwig | .... | assistant editor: avid (uncredited) | |
Transportation Department | |||
| Sam Arnopp | .... | driver | |
| Ian Clarke | .... | vehicle technician | |
| Graham Kelly | .... | action vehicle coordinator | |
| Chris J. Smith | .... | picture vehicle technician | |
| Sean Thornton | .... | vehicle technician | |
| Gerry Turner | .... | transportation coordinator | |
| Terry Wilde | .... | driver | |
Other crew | |||
| Laurence J. Alvarez | .... | assistant: Mr. Gordon | |
| Dimitris Apostolou | .... | production assistant | |
| Daren Bailey | .... | marine supervisor: Greece (as Darren Bailey) | |
| Rosie Bedford-Stradling | .... | construction nurse | |
| Rick Bernstein | .... | assistant: Mr. Gordon | |
| Karen Birtchnell | .... | payroll auditor | |
| Charles Bodycomb | .... | supervising armorer: second unit | |
| Jan de Bont | .... | title designer | |
| Michael Brett | .... | security: Ms. Jolie (as Micky Brett) | |
| David Broder | .... | location manager: Kenya | |
| Sarah Brook | .... | assistant accountant | |
| Beryl Brown | .... | assistant production auditor | |
| Julie Brown | .... | script supervisor: second unit | |
| Simon Burgess | .... | location manager | |
| Humphrey Carter | .... | helicopter pilot: Kenya | |
| Catherine Charlton | .... | dialogue coach | |
| Eddie Chow | .... | personal trainer: Ms. Jolie (as Ed Chow) | |
| Nikki Clapp | .... | script supervisor | |
| Clare Collingridge | .... | production assistant | |
| Ian Creed | .... | marine coordinator: Greece | |
| Susan d'Arcy | .... | unit publicist | |
| Mark Davies | .... | head of security | |
| Tina Ellis | .... | assistant production auditor | |
| Dave Evans | .... | armorer | |
| Simon Everett | .... | helicopter pilot: Kenya | |
| Lorraine Fennell | .... | production coordinator: second unit | |
| Jay Floyd | .... | clearance administrator | |
| Christos Georgalas | .... | assistant marine coordinator: Greece | |
| Donal Geraghty | .... | location accountant: Kenya/Hong Kong | |
| Amy Gilliam | .... | set production assistant | |
| Benjamin Greenacre | .... | location manager: Kenya | |
| Nicky Gregory | .... | unit nurse | |
| Andrew Haddock | .... | video coordinator | |
| Anna Hall | .... | production coordinator | |
| Jennie Hall | .... | production assistant | |
| Barbara Efthymiou Harris | .... | assistant production office coordinator | |
| Aine Henson | .... | assistant: Mr. Crane | |
| Allan Hewitt | .... | jump master: jump unit, Hong Kong | |
| Richard Hooper | .... | supervising armorer | |
| Polly Hope | .... | assistant script supervisor | |
| Christopher Hutchins | .... | production secretary | |
| Lesley Keane | .... | assistant production coordinator | |
| Jemma Kearney | .... | assistant: Louis A. Stroller | |
| Kostas Kefalas | .... | location manager: Greece | |
| Andrew Koutsou | .... | production assistant | |
| Samantha Langton | .... | publicity assistant | |
| Lidia Lukes | .... | product placement | |
| Hayley Lyon | .... | accounting assistant | |
| Mark J. Madias | .... | location manager: Greece (as Mark Madias) | |
| Zoe Margolis | .... | set production assistant | |
| Justin McCormack | .... | production assistant | |
| Emma McGettrick | .... | stand-in | |
| Lulu Morgan | .... | production coordinator: Greece & Hong Kong | |
| Sevi Morou | .... | production coordinator | |
| Neil Morphew | .... | stand-in: Ciarán Hinds | |
| Steve Morphew | .... | stand-in: Gerard Butler | |
| Julian Murray | .... | assistant accountant | |
| Vicky Nikoletou | .... | production assistant | |
| Nikos Nikolettos | .... | location manager | |
| John Nixon | .... | armorer | |
| Sandra Nixon | .... | production accountant | |
| Justin Owen | .... | computer and video supervisor: Useful Companies | |
| Rhys Owen | .... | digital playback technician | |
| Lisa Parker | .... | production coordinator: Kenya | |
| Frances Patterson | .... | assistant: Mr. Stroller | |
| Ben Pugh | .... | production assistant | |
| Sascha Robey | .... | assistant armorer: 2 Unit | |
| Jane Ryan | .... | set production assistant | |
| Mike Savva | .... | double: "Hillary" | |
| Helen Seery | .... | production auditor | |
| Hemal Shah | .... | location coordinator: Amboseli, Kenya | |
| Jim Shamoon | .... | local liaison | |
| Dave Shaw | .... | diving coordinator: Greece | |
| Joss Skottowe | .... | armorer | |
| Charlie Somers | .... | location manager: England | |
| Adrian Spanna | .... | project manager: Useful Companies | |
| Mario Spanna | .... | computer playback technician: Useful Companies | |
| Simon Staines | .... | creative supervisor: Useful Companies | |
| Ramona Sánchez-Waggoner | .... | financial representative (as Ramona Diaz Sanchez) | |
| Richard Thomas | .... | modeller | |
| Jane Trower | .... | production accountant | |
| Sara-Jane Valentine | .... | computer and video coordinator: Useful Companies | |
| Michael Vasquez | .... | first assistant auditor | |
| Duffy Walter | .... | assistant: Mr. Levin | |
| Derek Warman | .... | fire officer | |
| Jason Wheeler | .... | locations: Wales | |
| Katie B. Williams | .... | photo/filming double: Angelina Jolie | |
| Simon Wilson | .... | animal trainer | |
| Marc Wolff | .... | aerial coordinator | |
| Marc Wolff | .... | helicopter pilot | |
| Laurie T. Wynne-Jones | .... | location unit manager: Wales (as Laurie Wynne-Jones) | |
| David Zealey | .... | production assistant: second unit | |
| Mario Zvan | .... | location manager: Kenya | |
| Geoff Dibben | .... | assistant location manager: UK (uncredited) | |
| Paul Hornsby | .... | horse wrangler (uncredited) | |
| David Milhous | .... | studio team (uncredited) | |
| Sharon Milton | .... | tutor (uncredited) | |
| Paul Sacks | .... | additional set production assistant (uncredited) | |
| Paul Sacks | .... | on-set production assistant (uncredited) | |
| Mirjam Weber | .... | assistant to producer (uncredited) | |
| Richard Wild | .... | weather consultant (uncredited) | |
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| Lara Croft: Tomb Raider | G.I. Joe: The Rise of Cobra | Rush Hour 2 | The Professional: Golgo 13 | The Matrix Reloaded |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Let's face it, the James Bond franchise has become rather limp lately. "The World Is Not Enough" was a debacle of miscasting and an an endless parade of meaningless subplots and tertiary characters. "Die Another Day" suffered from much of the same, but was also saddled with an inexplicable amount of stereo feedback and one of the oddest (if catchiest) theme songs in recent memory. The series has been re-energized with the new entry "The Cradle Of Life," a high-spirited, far-reaching film that doesn't quite succeed but is such an improvement on the originals that you're ready to overlook all that.
Actually, this is a review of "Lara Croft Tomb Raider: The Cradle Of Life", the sequel to 2001's abysmally dull video-game-based film "Tomb Raider." Angelina Jolie is back as sexy, gun-toting archeologist Lara Croft, and at first glance, it's easy to mistake her for Bond, Jane Bond. Lara is a British citizen of refined taste, highly competent in various forms of weaponry, travels around the globe to exotic locations, has friends (and lovers) in virtually every port, uses a wide variety of nifty gadgets, has an amusing yet dry form of wit, looks fabulous, and routinely saves the world from a madman bent on global domination. She's a better 007 than Timothy Dalton in any case.
The film begins with Lara diving into a sunken temple off the coast of Greece. While there, she is attacked by Chinese mercenaries, her support crew killed and left for dead, the mercenaries making off with a mysterious glowing orb. Seems that mad scientist Jonathan Reiss (Ciaran Hinds) is looking for Pandora's Box, and the orb is the key to finding it. Lara is appointed by MI:6 with stopping Reiss because opening the box would unleash an amazingly nasty plague upon the world. Besides her support staff of Hillary (Chris Barrie) and computer expert Bryce (Noah Taylor), Lara joins forces with ex-lover Terry Sheridan (Gerard Butler), a shifty mercenary and the only person who knows how to get to the mercenaries who stole the orb in the first place. And of course, time is running out.
Jolie is excellent as Lara Croft, and there probably isn't an actress around who would be better cast in the role. Jolie has the physicality, the look, the voice, and the attitude to pull off the role effortlessly. She was the only redeeming factor in the first film, and she's great to watch here. The supporting cast is a mixed bag. Hinds refrains from chewing up too much of the scenery, but he brings to mind some of the more notable Bond villains of recent times. Butler is great to look at, but his performance is far too low-key and deadpan for a movie as bombastic as this one wants to be, especially when he's paired with Jolie, who enters each seen with a relishing look in her eyes. Taylor again acts as a dry kind of comic relief, and he displays far more chemistry with Jolie than Butler does.
One of the biggest improvements in this film is the director. Replacing Simon West (responsible for the monotonous "Con Air") is Jan de Bont ("Speed"), a much more competent director even if some of his films are only barley entertaining ("The Haunting"). de Bont has a knack for action on a small scale, most vividly in a gun-fight staged in a laboratory/office, but his large scale pieces, like Lara body-gliding off of one of Hong Kong's tallest buildings, lack drama. Still, de Bont has chosen good locations and sets for the film, and there is a blessedly welcome lack of the "Matrix"-style visuals and candy-colored bombast so popular in action films of recent memory. He is nothing if not up to task. The film operates well within its own set of rules and physics, unlike many other films that tend to sacrifice internal logic for cheap stunts.
As much of an improvement on the first film as this is, there are still flaws. The script, while improving ten-fold on the original, still falls flat on several occasions, sometimes held up only by Jolie's confident line readings. At almost two hours, the film displays a desperate need for tighter scenes and a quicker pace while simultaneously leaving some scenes cut too quickly. The movie can be very easily divided into stages, which may hold true to the spirit of the video game's levels, but often leaves the audience doing nothing more than predicting when the DVD chapter cuts will occur in six months. Also, like the James Bond films, there is rarely any doubt that Lara will escape any dire situation she finds herself in. Like 007, we always know the hero will prevail in the end, which robs some scenes of the tension needed to excite the audience.
Despite some of these flaws, "The Cradle Of Life" is a fine movie and a good way to spend 2 hours on a summer afternoon. Jolie obviously enjoys the role, and if nothing else, the film is worth it for that alone. Here's hoping the third entry into the series is even better than the this one. 7 out of 10.