This is a movie about amateur spirit made with an amateur spirit. It is the story of two adolescents who live in a small village, work in temporary summer jobs in a small town near their ... See full summary »
Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.
Esra Bezen Bilgin,
Mehmet Ali Nuroglu
Celal Tan is a well-respected constitutional law professor who lives in a provincial city has two children from his first marriage. Many years after the death of his first wife, he married ... See full summary »
Yasar and his wife Nezaket have kept on producing children in the hope of finally getting a male child. But they end up with only daughters instead (who they give masculine names). Now they... See full summary »
This is a movie about amateur spirit made with an amateur spirit. It is the story of two adolescents who live in a small village, work in temporary summer jobs in a small town near their village, and have a passion for cinema. One of the boys works in a barber shop, the other sells watermelons. Whenever they find time, they work on their old little machine to show motion pictures from disposed films they collect from the local movie-theater, the only person in support of these efforts being the village idiot. While their efforts continue hopelessly but ambitiously, one of finds himself in love. The movie was inspired by the director's own passion about cinema, and was made in his own village, all the acting being done by local villagers. Written by
It is unjust to call it "a sort of Cinema Paradiso"
Boats Out of Watermelon Rinds (Karpuz Kabugundan Gemiler Yapmak) is so naive a film that it resembles to no other film. People who call it another Cinema Paradiso just for the reason that its two principal adolescent characters love cinema, don't make justice towards Watermelon Rinds. Cinema Paradiso is a professionally produced and acted Italian film in which one of the two principal parts is acted by a French star (Philippe Noiret) whereas Watermelon Rinds in which all parts are acted by real townspeople takes all its mesmerizing power from its sheer amateur (natural and warm) quality in everything, especially, in acting.
The way people talk (the agreeable local accent they use) is one of the most valuable assets of Watermelon Rinds. The touching quality of warmth and sincerity of this film makes one think if a really good movie can be done only without professionals (especially without professional actors). You may experience the same feeling when you watch a certain Italian film which is named not Cinema Paradiso but Ladri Di Biciclette. In this respect (and only in "this" respect) you may better try to find similarity between Ahmet Uluçay's "Karpuz Kabugundan Gemiler Yapmak" and Vittorio De Sica's "Ladri Di Biciclette".
Because of the rumors about Watermelon Rinds being just a sort of Cinema Paradiso, I had resented the film and not watched it till now. And now I have realized that the rumors had made justice n'either to the film nor to me.
Boats Out of Watermelon Rinds is in no way a sort of Cinema Paradiso. In fact it resembles nothing but itself. Congratulations, Mr Uluçay!
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