Ted, his cousin May, her best friend April and April's boyfriend, Kofei take a vacation to Thailand to visit their Thai buddy, Chongkwai, who shows them a book of ten ways to see ghosts. And the game begins...
Reiko Asakawa is researching into a 'Cursed Video' interviewing teenagers about it. When her niece Tomoko dies of 'sudden heart failure' with an unnaturally horrified expression on her face... See full summary »
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of these ghosts are down right unfriendly. So she embarks on a journey to find the origins of her cornea and to reveal the history of the previous dead owner ... Written by
Striding Cloud <email@example.com>
The beginning (the operation for a blind girl to see again) and the end of the film are based on true stories the Pang brothers read about in the news. See more »
When Mun is in Dr. Lo's office explaining her visions, her bangs hang down over alternate sides of her face. See more »
The opening credits sequence is interrupted as if the film was stuck: first it appears to melt, then the screen strobes, slowing to a flash, as if the projector intermittent was slowing down. See more »
Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts .
Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.
No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on tho is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying its over familiarity with its central themes. If you have seen Irvin Kershner' The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything new thematically here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.
Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses, so as the time for reflection arrives, Gin Gwai ends up being one of the this decades best horror pictures. To me at least. 9/10
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