Ted, his cousin May, her best friend April and April's boyfriend, Kofei take a vacation to Thailand to visit their Thai buddy, Chongkwai, who shows them a book of ten ways to see ghosts. And the game begins...
After writing three best-sellers about love story based on her own experiences, the successful writer Tsui Ting-Yin is without inspiration and having difficulties to write her new novel in ... See full summary »
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of these ghosts are down right unfriendly. So she embarks on a journey to find the origins of her cornea and to reveal the history of the previous dead owner ... Written by
Striding Cloud <firstname.lastname@example.org>
When Dr Wah and Mun are on the train together, a ghostly woman's face appears in the train window behind them as they travel through a tunnel. See more »
During Mun's calligraphy lesson, the paintbrushes in the large white pot change position during the scene. See more »
The opening credits sequence is interrupted as if the film was stuck: first it appears to melt, then the screen strobes, slowing to a flash, as if the projector intermittent was slowing down. See more »
One of the year's best horror movies, though the subtitles will sadly put many people off
Even the website of this movie gave me the creeps. And it turned out to be one of the scariest movies I've seen in a while.
We follow the touching story of a young Hong Kong girl, blind from her earliest years, who undergoes a cornea transplant. After softening us up with lots of nice sentiment, the horror kicks her new found sight brings its own macabre rewards. Snappy editing and a well-timed score heighten the horrors that pack nanchuka punches to the guts. About a third of the audience was cowering behind their hands for the last half. In an age when American horror flicks are starting to look weary from over-use of CGI special effects or are toned down by self-censorship to reach a wider audience, The Eye comes in as a deftly woven real cardiac-stimulation shocker.
Sadly, the fact that it is subtitled limits the potential audience as many people simply refuse to go and see foreign language films until they have been genuinely moved or terrified by one. If you like horror movies and want to experiment, this is a good chance, and one of the best in the genre since the little shown Audition earlier this year.
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