1935. A group of elderly British women, who the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities ... See full summary »
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet... See full summary »
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire? Written by
A television aerial can be seen on the right hand rooftops in the external shot of the hotel that Adam and Nina stay at. See more »
Oh Nina, what a lot of parties... Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Circus parties, parties where you have to dress as somebody else, almost naked parties in St. John's Wood, parties in flats and studios and houses and ships and hotels and nightclubs, in swimming baths and windmills. Dances in London so dull. Comic dances in Scotland and disgusting dances in the suburbs. All that succession and repetition of massed humanity. All those vile ...
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"Bright Young Things" is a very stylish adaptation of the Evelyn Waugh novel, "Vile Bodies". I felt the film captured the snarky satire tone of the novel and was a fairly decent effort on the part of Stephen Fry who was making his directorial debut. I found the film played fairly light and enjoyable; a bit like a meringue that way. I suspect that this is a film for those with a fondness for wicked satire, in jokes and an interest in period pieces.
There is a kind of manic pacing to the film and the cinematography which I suppose matches the feeling of the time. People had survived a war, and a pandemic so it might make one a bit dotty.
I was quite pleased by some of the work by some of the young actors who had never been in a film before. They had a pleasant ease infront of the camera.
It isn't going to be some over the top smash. It is one of those nice art house films that one later rents from the library and shares with certain friends who have a taste for colorful clothes and characters.
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