An adaptation of Evelyn Waugh's novel "Vile Bodies," is a look into the lives of a young novelist, his would-be lover, and a host of young people who beautified London in the 1930s.
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire?
Written by <jhailey@hotmail.com>
Director Stephen Fry commissioned two contemporary songs from The Pet Shop Boys for the movie - a cover version of Noel Coward's "The Party's Over Now" and a Pet Shop Boys-penned title track. The title track was written and recorded but the director elected not to use any Pet Shop Boys' performances, preferring to utilize only period music in the film.
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Goofs
Anachronisms:
A gramophone record of Noel Coward's "Nina" is played in the section before World War II breaks out. Coward didn't record the song until 1945.
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Quotes
Simon Balcairn:
[Telling his fake news story]
The most shocking orgy since the days of Sodom and Gomorrah rocked society last night.
Typist:
Hold the presses, get down to compositing. Now. Simon Balcairn:
The vulgar evangelist, Mrs. Melrose Ape, proudly revealed that her angels were no more than underage adornments on sale to the highest bidder. Meanwhile, tears coursing down her face, the honorable Agatha... , whose repulsive liason with the Prime Minister shocked the nation this week, bewailed her, quote: "Ruined, bogus, vapid, bogus, and worthless life," unquote.
[...]
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