Semi-autobiographical tale from the early life of director Franco Zeffirelli looks at the illegitimate son of an Italian businessman. The boy's mother has died, and he is raised by an ... See full summary »
Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire? Written by
"Bright Young Things" was the working title of "Vile Bodies", the book upon which the film is based. See more »
A gramophone record of Noel Coward's "Nina" is played in the section before World War II breaks out. Coward didn't record the song until 1945. See more »
[Telling his fake news story]
Never, never, never have such scenes been witnessed in high society, that uneasy alliance between Bright Young Things and old survivors. Perhaps this was the defining moment of our epoch of speed and syncopation. This so-called 20th century of angst, neurosis and panic. Reader be glad that you have nothing to do with this world. Its glamour is a delusion, its speed a snare, its music a scream of fear. Faster and faster they swirl, sickening themselves with every ...
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This is one of the best films I have seen in a while. I was lucky to be able to catch it at Washington, DC's International Film Fest, but I hope that it gets a proper U.S. release date soon.
The stunning costumes, set, and dialogue -- all very era-appropriate -- were compelling. I don't usually go for period pieces, but so much of this movie seemed tongue-and-cheek that I couldn't help enjoying it. The main characters were well-developed, each with their own quirks, and there were some unexpected twists that helped move the plot along.
Stephen Campbell Moore, the actor who plays the lead (Adam Symes), is a real find. He carries the movie beautifully, and I wouldn't be surprised if he became a huge star. Even though Moore does fine on his own, you have to give credit to Simon Callow (King of Anatolia), Jim Broadbent (the drunk Major), and others in the supporting cast for mastering their oddball roles. Furthermore, the costume designer deserves an Oscar.
I was a bit disappointed with the ending, or at least the scenes leading up to the end. The film starts out like a carnival ride and runs out of gas near the end. But, like all good carnival rides, once you finish, you want to get back on. That's the way I felt about "Bright Young Things." I can't wait to see it in the theater again.
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