1935. A group of elderly British women, who the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities ... See full summary »
Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet... See full summary »
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire? Written by
Interior scenes set in Espinosa's restaurant were filmed in Eltham Palace, London. See more »
A television aerial can be seen on the right hand rooftops in the external shot of the hotel that Adam and Nina stay at. See more »
Oh Nina, what a lot of parties... Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Circus parties, parties where you have to dress as somebody else, almost naked parties in St. John's Wood, parties in flats and studios and houses and ships and hotels and nightclubs, in swimming baths and windmills. Dances in London so dull. Comic dances in Scotland and disgusting dances in the suburbs. All that succession and repetition of massed humanity. All those vile ...
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Actor Stephen Fry makes an impressive splash as a director with Bright Young Things, based on the Evelyn Waugh novel, Vile Bodies. The story centers on some struggling "bright young things" during the years before England entered World War II. Adam (Stephen Campbell Moore) and Nina (Emily Mortimer) play sometime-engaged young things at the center of a disparate group of eccentrics. They seem addicted to the London "social whirl" as well as cocaine. He's a struggling writer, and she needs a rich husband. He gets roped into taking a job as a gossip columnist because the former writer (James McAvoy) commits suicide and because his manuscript is confiscated when he enters Scotland. So the young things go to every party and write up tons of scandalous gossip for the rag, keep getting drunk and stoned, and keep pursuing money. Typical acid commentary from Waugh, and Fry does a good job balancing all the characters and sub-plots. Impressive cast as well with Peter O'Toole (very funny), Dan Aykroyd, Stockard Channing (hilariously named Mrs. Melrose Ape), Harriet Walter, Imelda Staunton, Simon Callow, Jim Broadbent, Julia McKemzie, John Mills, Jim Carter, Angela Thorne, Bill Paterson, Richard E. Grant, and Margaret Tyzack recognizable. Fry appears as a chauffeur.
Moore and Mortimer are solid as young things, but Fenella Woolgar as Agatha is the standout. She's awesome in the part of the drugged out socialite who ends up in an asylum. Woolgar has several memorable scenes and droops about being "smashingly bored." Her race car scene is a scream. David Tennant is the repulsive Ginger, Michael Sheen is the queeny Miles, Lisa Dillon is the social wannabe, and Alec Newman is the very odd race driver.
Only real complaint is that the ending is VERY long and drawn out. And even though a few loose ends are tied up, it seems padded and interminable. We didn't really need to see WW II battle scenes, and even if the ending worked in the novel it seems very phony in the film.
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