When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
Charlie Colquhoun is a journalist whose career is floundering. As a teenager, he fathered a daughter, Tommy, who was committed to foster care as an infant. Seventeen years later, Charlie, ... See full summary »
School's out, exams are over, and it's time for real life to begin. But before 12 friends from the International High School in Prague disappear to the four corners of the earth, they ... See full summary »
Boris von Sychowski
Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are ... See full summary »
Jonny Lee Miller
1935. A group of elderly British women, who the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities ... See full summary »
Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire? Written by
Director Stephen Fry commissioned two contemporary songs from The Pet Shop Boys for the movie - a cover version of Noel Coward's "The Party's Over Now" and a Pet Shop Boys-penned title track. The title track was written and recorded but the director elected not to use any Pet Shop Boys' performances, preferring to utilize only period music in the film. See more »
A gramophone record of Noel Coward's "Nina" is played in the section before World War II breaks out. Coward didn't record the song until 1945. See more »
What I'm about to say is that what I'm about to say may sound unpleasant, y'know, and all that, but look here, y'know, dammit. I mean, the better man has won. Not, um, that I'm saying that I'm the better man, I wouldn't say that for a moment, awful bad luck on you and all but still, when you come to think of it I mean look here, y'know. Dammit. Do you see what I mean?
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A most notable characteristic of this film is that it rather zanily merges the 1920's with the 1930's. That historical distortion may seem a slight defect to some viewers choosing to concentrate on a broader stage involving the upper class in its last throes of excess, but for me it destroys the underlying plot. The years before the Great Depression -- the Roaring 20's -- were sui generis. Moving everything forward to events as late as 1940 is a forced element that simply fails.
Otherwise, there are some bright young moments here. Character actors do indeed steal the show, even if some are given throw-away roles. If only there were better and more believable development of various interactions between the leads, it would make for compelling drama; but we are treated instead to campy olio resolving itself into a strange conclusion, somewhat surreal. For example, the business between Adam and Ginger having to do with money as WWII rages on is misplaced farce -- even if the audience assumes a generous disposition of credulity.
Little wonder outsiders looking in have a difficult time with this film, not to mention us history buffs.
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