Charlie Colquhoun is a journalist whose career is floundering. As a teenager, he fathered a daughter, Tommy, who was committed to foster care as an infant. Seventeen years later, Charlie, ... See full summary »
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
School's out, exams are over, and it's time for real life to begin. But before 12 friends from the International High School in Prague disappear to the four corners of the earth, they ... See full summary »
Boris von Sychowski
Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are ... See full summary »
Jonny Lee Miller
Nobody Needs to Know is a story of Fame and the towns and industries and the people who create it and support it. It's the story of two actresses on divergent paths who unwittingly ... See full summary »
The bitter Jake is a self-professed 'artist and filmmaker' who can't quite keep life together in the face of other people's success. Jake's life changes when small-time thief Jojo breaks ... See full summary »
A fool and his money. In the 1930s, Adam Fenwick-Symes is part of the English idle class, wanting to marry the flighty Nina Blount. He's a novelist with a hundred-pound advance for a manuscript confiscated by English customs. He spends the next several years trying to get money and to set a wedding date: he trades in gossip, wins money on wagers then gives it to a drunken major who's suggested he bet on a horse in an upcoming race. Adam tries to get the money back, but can't find the major. Meanwhile, Nina needs security, friends drink too much, and general unhappiness spoils the party. Then war breaks out. Is Adam's bright youth dimming with the fall of an empire? Written by
This was Sir John Mills's final film before his death on April 23, 2005 at the age of 97. See more »
A gramophone record of Noel Coward's "Nina" is played in the section before World War II breaks out. Coward didn't record the song until 1945. See more »
I'm terribly sorry, but only mechanics, judges, and family are allowed beyond this point.
We're family. That one's my husband.
Only joking. He means he's my husband, don't you, darling?
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This is one of the best films I have seen in a while. I was lucky to be able to catch it at Washington, DC's International Film Fest, but I hope that it gets a proper U.S. release date soon.
The stunning costumes, set, and dialogue -- all very era-appropriate -- were compelling. I don't usually go for period pieces, but so much of this movie seemed tongue-and-cheek that I couldn't help enjoying it. The main characters were well-developed, each with their own quirks, and there were some unexpected twists that helped move the plot along.
Stephen Campbell Moore, the actor who plays the lead (Adam Symes), is a real find. He carries the movie beautifully, and I wouldn't be surprised if he became a huge star. Even though Moore does fine on his own, you have to give credit to Simon Callow (King of Anatolia), Jim Broadbent (the drunk Major), and others in the supporting cast for mastering their oddball roles. Furthermore, the costume designer deserves an Oscar.
I was a bit disappointed with the ending, or at least the scenes leading up to the end. The film starts out like a carnival ride and runs out of gas near the end. But, like all good carnival rides, once you finish, you want to get back on. That's the way I felt about "Bright Young Things." I can't wait to see it in the theater again.
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