Directed by | |||
| Valeria Bruni Tedeschi | |||
Writing credits(in alphabetical order) | ||
| Valeria Bruni Tedeschi | writer | |
| Noémie Lvovsky | writer | |
| Agnès de Sacy | writer | |
Produced by | |||
| Maurizio Antonini | .... | co-producer | |
| Paulo Branco | .... | producer | |
| Mimmo Calopresti | .... | co-producer | |
Cinematography by | |||
| Jeanne Lapoirie | |||
Film Editing by | |||
| Anne Weil | |||
Casting by | |||
| Yann Coridian | |||
Production Design by | |||
| Emmanuelle Duplay | |||
Set Decoration by | |||
| Hélène Rey | |||
Costume Design by | |||
| Claire Fraisse | |||
Makeup Department | |||
| Michelle Bernet | .... | assistant makeup artist (as Michèle Bernet) | |
| Maria Johansson | .... | makeup artist: Italy | |
| Marie-Thérèse Lebeau | .... | hair stylist | |
| Caroline Philiponnat | .... | key makeup artist | |
| Gioia Serena | .... | assistant hair stylist: Italy | |
Production Management | |||
| Marc Cohen | .... | assistant unit manager | |
| Laetitia Fèvre | .... | post-production supervisor | |
| Olivier Michel | .... | unit production manager | |
| Olivier 'Jones' Michel | .... | unit manager | |
| Sylvain Monod | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Agnès Astrup | .... | assistant director | |
| Olivier Genet | .... | first assistant director | |
| Maurad Kara | .... | second assistant director | |
Art Department | |||
| Thierry Michaud | .... | property master | |
| Christine Rey | .... | upholsterer | |
| Hélène Rey | .... | set designer | |
| Romain Rosier | .... | production buyer | |
| Carole Récamier | .... | upholsterer | |
Sound Department | |||
| Benjamin Bober | .... | boom operator | |
| Benjamin Bober | .... | sound assistant | |
| Felicity Cottrell | .... | foley artist | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Gréggory Poncelet | .... | sound recordist | |
| Jean-Yves Pouyat | .... | boom operator | |
| Bruno Tarrière | .... | sound re-recording mixer | |
| François Waledisch | .... | sound | |
| Jean-Christophe Winding | .... | sound editor (as Christophe Winding) | |
Casting Department | |||
| Linda Gabbay | .... | extras casting | |
| David Hagège | .... | extras casting | |
Costume and Wardrobe Department | |||
| France-Lise Loial | .... | wardrobe (as France Loial) | |
| Bénédicte Planes | .... | costumer | |
| Valérie Ranchoux | .... | wardrobe | |
Other crew | |||
| Agathe Astira | .... | production administrator | |
| Marta Cucchi | .... | production assistant: Italy | |
| Bénédicte Darblay | .... | script supervisor | |
| Marie-Agnès Gillot | .... | choreographer | |
| Helena Gonçalves | .... | production assistant | |
| Caroline Steff | .... | production secretary | |
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| The Best of Youth | Kings & Queen | Christ Stopped at Eboli | The Witnesses | 1900 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb France section |
It's difficult to believe that no one has seen fit to comment on this charmer - that word does double duty here for it's equally applicable to triple-threat writer-director-star Valeria Bruni Tedeschi in her first time at bat on bullhorn. Tedeschi is a fine actress and has illuminated many films with her quiet, understated beauty that leaves most of the 'glamor' girls dead in the water. She doesn't make it easy on herself opting for an intricate storyline requiring both a large cast and ensemble playing and allegedly basing her screenplay loosely on her own life. If I were producing a screenplay that called for an actress who could convey guilt about being very wealthy convincingly I'd be unable to come up with anyone other that Bruni-Tedeschi. At close to forty she can still do gauche and make it come out charming and more than this she is able to extract equally fine performances from the likes of Yvan Attal, Denis Podalydes, Chiara Mastroianni and not least her own mother playing the mother of the fictional-but-lightly-based-on-Valeria herself Federica. She brings it off superbly and takes her rightful place alongside such other distinguished female directors as Agnes Varda, Diane Kurys, Ann Fontaine, and Agnes Jouai. Roll on her second trip to the plate. 8/10