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It's Easier for a Camel... (2003)
"Il est plus facile pour un chameau..." (original title)

5.6
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Ratings: 5.6/10 from 706 users   Metascore: 53/100
Reviews: 5 user | 23 critic | 8 from Metacritic.com

As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures ... See full summary »

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Title: It's Easier for a Camel... (2003)

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Cast

Cast overview, first billed only:
...
Federica
...
Bianca
...
Pierre
Denis Podalydès ...
Philippe
Marisa Bruni Tedeschi ...
Mother (as Marysa Borini)
Roberto Herlitzka ...
Father
...
Aurelio
Pascal Bongard ...
Priest
...
Director
...
Man in Park
...
Philippe's Wife
Karine Silla ...
Céline
Alma Samel ...
Child Federica
Uta Samel ...
Child Bianca
Victor Nebbiolo ...
Child Aurelio
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Storyline

As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge. As Federica ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Plot Keywords:

lover | guilt | candy | cotton candy | death | See more »


Certificate:

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Details

Country:

|

Language:

| | |

Release Date:

16 April 2003 (France)  »

Also Known As:

Au royaume des cieux  »

Filming Locations:


Box Office

Opening Weekend:

$5,281 (USA) (20 August 2004)

Gross:

$15,787 (USA) (24 September 2004)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

The character of "Federica" is based on Valeria Bruni Tedeschi's real life experiences as daughter of a rich family. See more »

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User Reviews

 
Poor little rich girl
19 April 2004 | by (Zürich, Switzerland) – See all my reviews

Yes, this film is a charmer, albeit a very strange one. So strange that even critics don't get it - for example, see Reel Film Reviews under "External Reviews". To begin with the obvious: Federica is rich. Richer than most of us can imagine being. So rich her mother tells her kids: "You have no right to cry, you've got everything." She goes through life with a sense of guilt, asking herself what she's done to deserve such wealth, and how she can justify her existence and avoid becoming a useless parasite.

Our not-quite-heroine chooses to write plays, learn ballet and be nice to everyone. She never outgrows the well-behaved little girl she was long ago, retaining a permanent smile and a squeaky voice. Even her boyfriend is a near-perfect embodiment of her bad conscience: a socialist history teacher who sings the "International" at the wheel of her Jaguar. Naturally, Federica joins right in. Even when they quarrel after he tells her he considers her writing a hobby, not work, she doesn't really defend herself. Instead, she keeps having escapist fantasies of a perfect world where rich and poor live in harmony. The "ridiculous" episode mentioned in the Reel Film review, where her parents have a congenial dinner with her kidnappers, is obviously such a fantasy, and meant to be absurd.

Apparently, the actor-director drew heavily on her own life for this story. Her own wealthy family moved to Paris after the Red Brigades started abducting rich kids. Federica's mother is played by Bruni-Tedeschi's real mother (and God knows how she got her to do it!). I admire the director for the courage it must have taken to make a film so personal, and with so much potential for misunderstanding and ridicule. I also admire the actress for her precarious charm. Do go see this one if you have a Really Rich friend who agonizes over money. Thereafter, please present said friend with a bio of George Soros.


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