| Index | 6 reviews in total |
6 out of 6 people found the following review useful:
Nothing for the academy, but a decent little comedy nonetheless, 4 February 2007
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Author:
V. Meredith Toenjes from Kansas City, Kansas, USA
*** This review may contain spoilers ***
I enjoyed the movie. I'll just say that from the start. As other
reviewers have stated, it is a bit convoluted and some of the acting
was scary bad. (the character of Kelly and the Spanish dancer come to
mind). April's mother certainly took the express-lane to attitude
change.
I can think of better lesbian-themed comedies. "Imagine Me & You",
"Chutney Popcorn", & "It's in the Water" come immediately to mind.
However, I've also seen far worse ones and I will say that even though
I bought it blind, I don't feel that I wasted my $5 or that it'll be
taking up space on my shelf w/o reason. I'll likely watch it over now
and again.
Expect roughly 98 minutes of entertainment and you'll not be
disappointed. Expect striking social commentary or high art and you
will. Try not to wince at the bad acting, they're at least the
exception.
12 out of 20 people found the following review useful:
Feel-Good-Movie, 8 November 2005
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Author:
kattue from Germany
*** This review may contain spoilers ***
Trish Doolan has made an awesome, romantic Comedy about people, with
all their insecurities, and love.
This movie isn't like some other lesbian-themed movies, it is excellent
made, the actors are real good and the storyline isn't gloomy or
self-destructive, but fast-paced and hilarious. But that is probably
because this movie is about people, not just lesbians.
She plays Alex, a chef, preparing the perfect shower for her former
roommate April. It all starts with a happy couple and some guests, who
could be more different. Revealing that she and April had not only been
roommates but lovers is the beginning of a chaos, that lets all people
at the shower re-examine their own lives. In the end we have a burning
house, a happy couple and this sensation of a real Feel-Good-Movie.
1 out of 1 people found the following review useful:
A bit of harmless fun, 7 November 2008
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Author:
heatherjg86-1 from United Kingdom
*** This review may contain spoilers ***
OK granted this isn't the best movie in the world but it left me with a
smile on my face. Some of the characters wouldn't be out of place in a
pantomime and it made up group of stereotypes that weren't necessary
for the major plot but the comic effect was well worth it.
The best character in my opinion has got to be the mother, to go from
proud, to devastated, to accepting and to happy all in the space of an
hour (if only real life was so easy!). The only down side I can mention
is the convoluted firemen having to save the day, There really was no
need for them in this scenario but they were played to be idiots so....
If your looking for a light-hearted romance tale then this is well
worth the watch.
3 out of 5 people found the following review useful:
OK with it until you start to think about it at the end, 17 October 2006
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Author:
ksmith818 from United States
*** This review may contain spoilers ***
Where to begin with this movie that tried to be good, that I wanted to
be good and that ended up not achieving either goal. I really liked
this movie when I watched it, it kept me entertained, I laughed at some
of the comedy, and I was glad that there was a happy ending. But upon
further reflection I was entertained by a shoddy story, there wasn't
enough laughter and the ending didn't make sense and now seems a little
forced.
So what went wrong? I think this movie had too many story lines trying
to compete for attention and so to fit them all in leaps had to be made
to move them along and those leaps made them feel artificial. Like the
story line about the mother finding out that her daughter is a lesbian.
First there's a fight, then the mother prays to the saints for her
daughter to not be gay, then she can't understand why her daughter is
gay, then all she wants is for her happiness and finally she schemes to
get her daughter and the main character together. Now all these points
along a plot would be tough to tackle in its own movie let alone
tackling along with 10 other plot points, so by the end we have a
converted mother who we never really could see or understand why she
converted when she did.
This alone is frustrating except when you add people who don't progress
very far, as one reviewer said one dimensional characters who only
stick to their one ad nauseum story and then hook ups left and right
that don't make sense. And then the ending where (stay with me) the
lesbian turns straight, the straight becomes a lesbian (again) and the
gay guy gets a few stereotypical lines about a dress fitting him. All
in all a frustrating movie that has too many stories going on and at
the end too little going for it in the way of believability...
Argh!
11 out of 24 people found the following review useful:
a bluntly annoying exercise in morality, 11 January 2006
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Author:
samseescinema from United States
*** This review may contain spoilers ***
April's Shower
reviewed by Sam Osborn
rating: .5 out of 4
Working as the Director, Writer, and Lead Actress, the failure of
April's Shower weighs primarily on Trish Doolan's shoulders. This is a
miserable film from start to finish; melodrama not worthy of even
daytime cable television. And in the midst of such subtle, humanistic
portrayals of homosexuality (Brokeback Mountain, Walk on Water,
De-Lovely, Capote, etc.), April's Shower stands as a bluntly annoying
exercise in morality.
As its title suggests, Doolan's creation documents the outlandish
happenings at April's (Maria Cina) wedding shower. It opens tamely
enough; with Alex (Trish Doolan) scrambling to finish the myriad of
dishes she's cooked for April's party, guests slowly trickling in one
by one. Each of these guests has only one agenda and they each spout
this agenda over and over and over again in some strange and grating
attempt at repetition humor. For instance, one woman has lost her baby
and is trying for another. She wanders around bemoaning her inability
to become impregnated, yelping in tears whenever somebody mentions a
child. Another is a psychotherapist who constantly dishes out
unintentionally funny "therapeutic" advice, handing out her business
card with every turn of a character's frown. None of these characters
have depth past this one dimension. When they all gather around later,
in Doolan's attempt mimic the great back-and-forth girl talk of, say,
Sex and the City, each character seems to be talking to herself,
repeatedly offering the same advice or lamenting the same loss. This is
one dimensional writing at its worst.
As the party continues on and April strides in feigning surprise (she
knew of the party in secret beforehand), it's soon revealed that April
and Alex were once passionate lovers. Here we're presented with
Doolan's rendition of tension between homosexuals and heterosexuals.
Her strokes are broad and blatantly without passion. It's as though she
has no interest in delving into these problems, but simply labeling
them and denouncing them as a whole. In one instance, April's mother is
shocked to find her daughter once was a lesbian and prays to an alter
and a muttered Saint. Later we find her having a heart-to-heart with
another mom and soon April and her mother are reconciled and she
accepts her daughter's homosexuality. There are good intentions here,
sure; but no sentiment or enthusiasm. The small zest Doolan does
contain she throws into the bouncy, sitcom-esquire score that flips
about all the scenes posing as comedic.
In fact, the comedy is sometimes the most maddening aspect of April's
Shower. Doolan refuses to allow her audience to be absorbed within her
drama; instead hesitating and falling back to half-hearted comedy at
every drop of a tear. Her humor is assuredly unfunny and detracts from
whatever fragment of heartfelt drama she might have mustered. In some
cases, her humor even undermines the morals she's forcing into view.
One young girl begins asking each of the guests if they've ever kissed
another female. Eventually, when one character takes the cue and leans
in to kiss her, the young girl's closet-opening moment is made into a
gaudy bit of weary satire. One scene later, we're back to solemnly
discussing the tension of hiding the characters' homosexuality.
It's frustrating to see such a screwball mess result from a justly
capable premise. Where Doolan's characters and story threads could be
thoughtfully interwoven, they're instead pieced together with
desperate, clumsy hands that would rather reach to the moon for a laugh
than take a glance at the real world and find honest drama. Where good
intentions and smart messages should be injected with subtle grace
among the narrative, they're made centerpiece, forcing unearned
melodrama out of what could have been quietly forceful developments.
I wanted to like April's Shower. I hoped for it to work as a superbly
modern entry into the recent wave of gay/lesbian film. But even when
the production values reached skywards with smooth and richly colorful
camera work, April's Shower still broke down quicker than a rusty
lawnmower. Its fault is in its creator. Trish Doolan's film shows that
her understanding of film's elementary elements falls frightfully below
rudimentary. Her intentions and ideals are good and fine, but her
execution on them is dirt poor at best. All the characters scream and
guffaw and squirt tears, but forget their duty is to spark these same
reactions from the audience. We're left bored and weary from the crying
shoulders and clunky messages, checking our watches at the end of each
scene, wondering when the teary mess of April's Shower will finally be
done with.
13 out of 70 people found the following review useful:
Stinkeroo!, 18 July 2006
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Author:
Lizzie-20 from Chicago, Illinois
Wow this was bad. The only reason I rented it in the first place was because I went to school with Lara Harris (she plays Kelly, and what a horrible English accent! Stick to modeling, Lara!) I couldn't even get through the whole thing and didn't even realize it was about lesbians until I came here to read the reviews. That's how bad it was. I rented it via Netflix and 20 minutes into it, ejected the smelly thing from my DVD and immediately mailed it back. Ack, it was awful! The characters were one-dimensional at best. Porn star named Spring Dawn? Gay sidekick? Obnoxious materialistic straight friend? Slacker brother? Dare I go on? I didn't even see the main character April or her fiancé Paulie on screen because I didn't get that far. As God is my witness, I shall never rent another movie without reading more reviews!
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