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Overview
User Rating:
Director:
Writers:
Boris Pasternak (novel)
Andrew Davies (screenplay)
Release Date:
2 November 2003 (USA) more
Plot:
Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives... more | add synopsis
Awards:
5 nominations more
NewsDesk:
(3 articles)
Cinematical Seven: Keira Knightley's Costume Pics
(From Cinematical. 18 September 2008, 7:03 PM, PDT)
Keira Knightley Wanted for 'Jurassic' Sequel
(From WENN. 28 July 2003)
User Comments:
Wasted Opportunity more (60 total)
Cast
(Cast overview, first billed only)| Sam MacLintock | ... | Little Yury | |
| Keira Knightley | ... | Lara Antipova (neé Guishar) | |
| Bill Paterson | ... | Alexander Gromyko | |
| Celia Imrie | ... | Anna Gromyko | |
| Sam Neill | ... | Victor Komarovsky | |
| Daniella Byrne | ... | Little Tonya | |
| Nick Stewart | ... | Orthodox Priest | |
| Hans Matheson | ... | Yury Zhivago | |
| Alexandra Maria Lara | ... | Tonya Gromyko Zhivago | |
| Jeremy Clyde | ... | Professor | |
| Daniele Liotti | ... | Misha Gordon | |
| Anne-Marie Duff | ... | Olya Demina | |
| Maryam d'Abo | ... | Amalia Guishar | |
| Robert Orr | ... | Agitator | |
| Kris Marshall | ... | Pasha Antipov / Strelnikov |
Additional Details
Also Known As:
Doktor Schiwago (Germany) (DVD title)
Zhivago (UK) (working title)
more
Parents Guide:
Runtime:
226 min (3 parts)
Language:
Color:
Sound Mix:
Certification:
Filming Locations:
Fun Stuff
Trivia:
Andrea Corr was originally offered the role of Lara Antipova, but she turned it down. more
Quotes:
Tonya:
It's a poem about love. It's beautiful. Is it about anyone in particular?
Yuri:
Who knows where inspiration comes from.
more
Movie Connections:
Version of "Doutor Jivago" (1959) more
Soundtrack:
Korobochka more
FAQ
This FAQ is empty. Add the first question.more (60 total)
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Pasternak's novel was a love story tucked in an epic set against the turbulent Russian revolution. The novel itself, with its story of illicit love in time of war, was almost the GONE WITH THE WIND of its day. When the time came to make the movie the task fell, quite naturally, to epic film maker David Lean, winner of the Academy Award for his last two pictures (BRIDGE ON THE RIVER KWAI, LAWRENCE OF ARABIA). Lean and screenwriter Robert Bolt (A MAN FOR ALL SEASONS, LAWRENCE) did a superb job of distilling the essence of the novel, but left out many characters and events in their 197 minute motion picture (which, until the advent of Lucas and Spielberg, was one of the highest grossing movies ever). Robert Bolt won a deserved Oscar for his work on DOCTOR ZHIVAGO, for his job was formidable. But now that Pasternak's epic sweep was personified by Lean and Bolt, a television version was needed whose focus was Pasternak's (admittedly soap-opera) story without sacrificing any of the other events for time limitations.
The television version that finally appeared was barely an hour longer than Lean's. It would be unfair to compare this version to Lean's, which had a powerhouse cast (Christie, Steiger, Richardson, Courtenay, Guinness), a director with an eye for the cinematic, and a superb script. However, when some of the same sorts of scenes appear, the new version seems like a hollow echo.
This new version also truncates the novel. The dialog is pedestrian. In the old days British television would make adaptations of novels this size that went on for months (ZHIVAGO could sustain it). The interiors were videotaped like stage presentation and the exteriors were shot on grainy film, but the breadth of great novels came across. Four hours was not time enough to do justice to Pasternak. Everything seems to boil down to sex in this version, which is daring -- for the 1960s!
On the plus side, it must be said that Keira Knightley (Lara) is pure sex on the screen. Her character is hardly the thrall of Komarovsky she is in the novel (the victim she is in Lean's movie). Again, this might have been daring forty years ago. It seems the writers of this movie missed the other revolution (the sexual revolution) that might've gotten them past this approach to the material to focus on the larger view of the Russian revolution the novel presents. We had the love story, done a whole lot better, decades ago. We're still waiting for a version that does justice to Pasternak.