Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives become intertwined with the drama of Russian revolution. Doctor Zhivago is still married ... See full summary »
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
The story of a married silkworm merchant-turned-smuggler in 19th century France traveling to Japan for his town's supply of silkworms after a disease wipes out their African supply. During his stay in Japan, he becomes obsessed with the concubine of a local baron.
In September 1938 a British detective comes to a small French coastal town in order to investigate the death of a colleague. Prime suspects are the members of English aristocratic family ... See full summary »
In Doctor Zhivago, the life of a young doctor is intertwined with the fate of Russia at the beginning of the 20th century. Yuri Zhivago is orphaned at a young age, and his uncle brings him ... See full summary »
Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives become intertwined with the drama of Russian revolution. Doctor Zhivago is still married when he meets Lara. Their love story is unfolding against the backdrop of revolution which affects the doctor's career, his family, and his love to Lara. Written by
I've seen David Lean's version, this version and studied (briefly) the life of Pasternak under the Communists. For some reason I can't find a Russian version of this novel - maybe some predjudice still lingers in the FSU. Of all the characters in this novel, Pasternak's favorite isn't Yuri - it's Lara. Maybe Winston Churchchill wasn't talking so much about Mother Russia as he was about her women (there's a reason they call it the Motherland). Russia is an impenetrable mystery, impossible to summarise in a few words and women such as Lara are very difficult to portray for a non-Russian. So don't be surprised if Keira Knightley doesn't seem to have captured the essence of Lara - in fact, she does quite a competent job, probably because of Julie Christie before her. The one quality that Christie had and which is reflected in Knightley is a quiet acceptance of fate (in Russian "sydba"). It's a quality that is very attractive and also the most irritating aspect of Lara. You want to yell at her to kick Komarovsky between the legs but she just soldiers on. Julie Christie , however, captured Lara in one look in David Lean's movie - when Omar Shariff enjoins her to go with Komarovsky and without a word, she looks back at Omar/Yuri with a wordless plea. Knightley's Lara is more forthright, more self assured and in that respect she is faithful to Pasternak's writing. But Christie - and that one look- will always be Lara to me.
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