A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
When European Egyptologists Dubois, Giles and Bray discover the tomb of the Egyptian prince Ra, American entrepreneur and investor Alexander King insists on shipping the treasures and ... See full summary »
Harry Spalding and his wife Valerie inherit a cottage in a small country village after his brother mysteriously dies. The locals are unfriendly and his neighbor Dr. Franklyn (a doctor of ... See full summary »
Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his ... See full summary »
With its fog-shrouded graveyards, heaving bosoms, period trappings and ensemble casts, Hammer Films was one of Britain's few international cinematic success stories.
The Studio That Dripped Blood dragged horror, staked and screaming, into the Technicolor age by lacing tired old formulae with blood and a bevy of femmes fatal.
Alongside the vampires and Frankenstein monsters, Hammer's prodigious output also took in sci-fi, prehistoric fantasy, crime thrillers and comedies.
This enjoyable series comprised 13 thematically grouped 30-minute episodes hosted by the sonorous tones of Oliver 'Curse Of The Werewolf' Reed which delve into every area of the studio's activities.
Peter Cushing and Christopher Lee rightly get a special each while others focus on all aspects of Hammer's output (sci-fi, fantasy, crime, psychological thrillers, historical epics, comedy) and its history.
Reed's narration doesn't do much more than link together a welter of scenes but that's just fine because the meaty clips are a treat.
As singularly British as Ealing comedies, this is a great chance to relive a golden age of domestic film-making the like of which we'll never see again.
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