In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that... See full summary »
To honour her father's dying wish, Queen Salina shares the rule of Icena with Justinian, a fair and just Roman. This displeases the bloodthirsty Druids on one side and the more hard-line ... See full summary »
The movie chronicles the events of history's "man of mystery," Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to ... See full summary »
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
With its fog-shrouded graveyards, heaving bosoms, period trappings and ensemble casts, Hammer Films was one of Britain's few international cinematic success stories.
The Studio That Dripped Blood dragged horror, staked and screaming, into the Technicolor age by lacing tired old formulae with blood and a bevy of femmes fatal.
Alongside the vampires and Frankenstein monsters, Hammer's prodigious output also took in sci-fi, prehistoric fantasy, crime thrillers and comedies.
This enjoyable series comprised 13 thematically grouped 30-minute episodes hosted by the sonorous tones of Oliver 'Curse Of The Werewolf' Reed which delve into every area of the studio's activities.
Peter Cushing and Christopher Lee rightly get a special each while others focus on all aspects of Hammer's output (sci-fi, fantasy, crime, psychological thrillers, historical epics, comedy) and its history.
Reed's narration doesn't do much more than link together a welter of scenes but that's just fine because the meaty clips are a treat.
As singularly British as Ealing comedies, this is a great chance to relive a golden age of domestic film-making the like of which we'll never see again.
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