| Photos (See all 31 | slideshow) | Videos (see all 7) |
| Josh Hartnett | ... | Matthew | |
| Rose Byrne | ... | Alex | |
| Matthew Lillard | ... | Luke | |
| Diane Kruger | ... | Lisa | |
| Christopher Cousins | ... | Daniel | |
| Jessica Paré | ... | Rebecca | |
| Vlasta Vrana | ... | Jeweller | |
| Amy Sobol | ... | Ellie | |
| Ted Whittall | ... | Walter | |
| Isabel Dos Santos | ... | Chamber Maid | |
| Joanna Noyes | ... | Mary | |
| Kerrilyn Keith | ... | Female Customer | |
| Mark Camacho | ... | Bartender | |
| Marcel Jeannin | ... | Theater Director | |
| Stéfanie Buxton | ... | Ticket Agent | |
| Stanley Hilaire | ... | Stage Manager | |
| Zhenhu Han | ... | Mr. Hong | |
| Lu Ye | ... | Ms. Hsia | |
| Christian Paul | ... | Orsino | |
| Gillian Ferrabee | ... | Robin | |
| Frank Fontaine | ... | Priest | |
| Miranda Handford | ... | Actress Olivia | |
| Benjamin Hatcher | ... | Choreographer | |
| Richard Jutras | ... | Hotel Manager | |
| Kelly Anne Patterson | ... | Hostess | |
| Mary Morter | ... | Old Lady | |
| Erika Rosenbaum | ... | Waitress | |
| Jessica Schulte | ... | Waitress (as Jessica Shulte) | |
| Paul Doucet | ... | Driver | |
| Jamieson Boulanger | ... | Boyfriend | |
| Carrie Colak | ... | Girlfriend | |
| Gordon Masten | ... | Hot Dog Vendor | |
| rest of cast listed alphabetically: | |||
| Melia Morgan | ... | Waitress (uncredited) | |
| Josh Wood | ... | Josh (uncredited) | |
Directed by | |||
| Paul McGuigan | |||
Writing credits(WGA) | ||
| Gilles Mimouni | (film L'Appartement) | |
| Brandon Boyce | (screenplay) | |
Original Music by | |||
| Cliff Martinez | |||
Cinematography by | |||
| Peter Sova | |||
Film Editing by | |||
| Andrew Hulme | |||
Casting by | |||
| Deborah Aquila | |||
| Andrea Kenyon | |||
| Randi Wells | |||
| Tricia Wood | |||
Production Design by | |||
| Richard Bridgland | |||
Set Decoration by | |||
| Suzanne Cloutier | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Deborah K. Dee | .... | makeup artist: Chicago (as Deborah Dee) | |
| Sandro Di Gioacchino | .... | hair stylist | |
| Réjean Goderre | .... | key hair stylist | |
| Mindy Hall | .... | makeup artist: Mr. Hartnett | |
| Gaétan Landry | .... | assistant hair stylist | |
| Christine Larocque | .... | wig maker | |
| Micheline Trépanier | .... | key makeup artist | |
| Nathalie Trépanier | .... | makeup artist | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Manon Bougie | .... | production manager | |
| Marc-André Goyer | .... | assistant unit manager | |
| Karyn McCarthy | .... | unit production manager: USA | |
| James McQuaide | .... | post-production supervisor | |
| Tal Meirson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jesabelle Boileau | .... | additional third assistant director | |
| Ariane Côté-Chénier | .... | additional third assistant director | |
| Jennifer Deigl | .... | second second assistant director: Chicago | |
| Pedro Gandol | .... | first assistant director | |
| James Giovannetti Jr. | .... | first assistant director: Chicago | |
| Carl Kouri | .... | additional third assistant director | |
| Richard S. Lederer | .... | key second assistant director: Chicago (as Richard Lederer) | |
| Laurence Mercier | .... | third assistant director | |
| Natalie Plante | .... | additional third assistant director | |
| Dandy Thibaudeau | .... | second assistant director (as Dandy Thibodeau) | |
Art Department | |||
| Sandra Borromeo | .... | assistant art department coordinator | |
| Real Capuano | .... | scenic technician | |
| Erik Gosselin | .... | custom props | |
| Martin Handfield | .... | on-set property master | |
| Raymond Larose | .... | set designer | |
| Lucie Tremblay | .... | set designer | |
| Paul Le Maire | .... | set dresser (uncredited) | |
Sound Department | |||
| David Franklin Bergad | .... | adr editor (as David Bergad) | |
| Mark Berger | .... | supervising re-recording mixer | |
| Maxime Ferland | .... | boom operator | |
| Malcolm Fife | .... | sound effects editor | |
| Piotr Filipowski | .... | sound effects editor | |
| Kim Foscato | .... | foley editor | |
| Curt Frisk | .... | sound mixer: Chicago | |
| Henry Godding Jr. | .... | adr recordist: Montreal | |
| Samuel H. Hinckley | .... | sound effects editor (as Samuel Hinckley) | |
| Jason Johnston | .... | utility sound: Chicago | |
| Douglas Murray | .... | sound designer | |
| Douglas Murray | .... | supervising sound editor | |
| John Nutt | .... | adr editor | |
| Richard Quinn | .... | dialogue editor (as Rich Quinn) | |
| Blair Scheller | .... | boom operator: Chicago | |
| Michael Semanick | .... | sound re-recording mixer | |
Special Effects by | |||
| Francis Choquette | .... | special effects technician | |
| Louis Craig | .... | special effects supervisor | |
| Mario Dumont | .... | special effects coordinator | |
| John Rigden | .... | special effects foreman: Chicago | |
| Philippe Roberge | .... | special effects technician | |
| Dieter Sturm | .... | special effects snowmaker: Chicago | |
Visual Effects by | |||
| Gary E. Beach | .... | visual effects coordinator (as Gary Beach) | |
| Artaya Boonsoong | .... | senior technical artist | |
| Gary J. Brown | .... | Inferno artist (as Gary Brown) | |
| Chad Dombrova | .... | visual effects | |
| H Haden Hammond | .... | visual effects: Luma Pictures | |
| Justin Johnson | .... | senior visual effects artist | |
| Trent Johnson | .... | digital film colorist | |
| Wendy Klein | .... | visual effects: Luma Pictures | |
| James McQuaide | .... | visual effects supervisor | |
| Glenn Morris | .... | digital artist | |
| Ian Noe | .... | visual effects artist | |
| Phil Pham | .... | digital compositor: Luma Pictures | |
| Burke Roane | .... | compositor: Luma Pictures | |
| Trey Roane | .... | compositor: Luma Pictures | |
| Christopher Sage | .... | digital effects artist: Luma Pictures | |
| Jason Scherbert | .... | digital artist | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Thanapoom Siripopungul | .... | visual effects artist: Luma Pictures | |
| Wilson Tang | .... | digital restoration | |
| Daniel E. Zobrist | .... | lead matchmove artist (as Daniel Emil Zobrist) | |
| Andy Chih-Jen Chang | .... | digital compositor: Luma Pictures (uncredited) | |
Stunts | |||
| Marc Désourdy | .... | stunt coordinator | |
| Martin Williams | .... | stunt rigger | |
Camera and Electrical Department | |||
| Jean-François Abran | .... | electrician | |
| Yves Arseneau | .... | electrician | |
| Sylvain Bernier | .... | gaffer | |
| François Daignault | .... | camera operator: "a" camera | |
| Jean-Yves Denis | .... | grip | |
| Attila Dory | .... | still photographer | |
| Mathieu Décary | .... | first assistant camera: dailies | |
| Zachary Gannaway | .... | camera loader: Chicago | |
| Rémi Giroux | .... | grip | |
| Stephanie Girard Hamelin | .... | video assist operator | |
| John Harris | .... | pre-light electrician | |
| Charles S. Hodes | .... | still photographer | |
| Isabelle Lecompte | .... | second assistant camera | |
| Charles Marcotte | .... | electrician | |
| Nicolas Marion | .... | first assistant camera: "a" camera | |
| Ryan Puckett | .... | grip | |
| Michel Périard | .... | key grip | |
| John S. Robertson | .... | key grip | |
| Dan Schroer | .... | second assistant camera: Chicago | |
| Faires A. Sekiya | .... | aerial camera operator (as Faires Anderson) | |
| Dean M. Simmon | .... | first assistant camera | |
| Michel St. Martin | .... | grip | |
| Stephane Tanguay | .... | electrician | |
| Marco Venditto | .... | electrician | |
Casting Department | |||
| Gabriel Lavina | .... | casting assistant: Montreal | |
| Shawn Roberts | .... | casting assistant | |
| Jennifer L. Smith | .... | casting associate | |
Editorial Department | |||
| Stacey S. Clipp | .... | first assistant editor | |
| Tony Dustin | .... | digital color assist | |
| Brent Eldridge | .... | digital color correction | |
| Kenn Elliott | .... | dailies colorist | |
| David Heinz | .... | post-production assistant | |
| Trent Johnson | .... | digital film colorist | |
| Peter Kwong | .... | assistant editor | |
| Mike Mertens | .... | color consultant | |
| Beth Ostermann | .... | digital intermediate producer | |
| Bob Peishel | .... | digital intermediate producer | |
| Mike Sowa | .... | digital preview timer | |
Music Department | |||
| Gregory Butler | .... | composer: additional music | |
| Richard Henderson | .... | music editor | |
| Charles B. Kim | .... | music programmer (as Charles Kim) | |
| Stephen Krause | .... | music scoring mixer | |
| Stephen Krause | .... | score recordist | |
| Michael A. Levine | .... | composer: additional music (as Michael Levine) | |
| Cliff Martinez | .... | score producer | |
| Liza Richardson | .... | music supervisor | |
| Fredrik Sarhagen | .... | additional score mixer | |
| Fredrik Sarhagen | .... | additional score recordist | |
| Michael Glenn Williams | .... | composer: additional music (as Michael Williams) | |
Transportation Department | |||
| Bertrand Calmeau | .... | driver: Matthew Lillard | |
| Alexandre Juaneda | .... | transportation captain | |
| Nicky Luca | .... | driver | |
| Daniel Ross | .... | transportation coordinator | |
Thanks | |||
| Robert L. Benun | .... | thanks: end titles | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I've just come back from seeing what I think is one of the best movies of 2004. I found the story fascinating, the look stylish, and the music haunting.
"Wicker Park" is a tale of obsession on many levels. It is told partly in flashback, so that you have to piece the events together and figure out how far back the action of the film began -- what is now and what was then. The director uses split-screen techniques that enhance the look and feel of the film, lifting it from the realm of the ordinary to the plane of art. A haunting theme weaves its way through this labyrinth of lies, leading to a satisfying (because inevitable) conclusion.
I saw the film with two friends who were of a very different opinion. They found the film "convoluted" and "clichéd". I disagree. It was easy to tell what was flashback and what was here-and-now. But the story is complicated (not convoluted) and does require some sorting out. As for being cliched, I found the film quite the opposite. It could have gone in some trite, hackneyed directions but didn't. And while some people might think the ending is the cliché of all clichés, I thought that, emotionally, it was absolutely right and the only possible way to end the film.
I loved "Wicker Park" so much that I would willingly see it again, to get a better sense of how the story is put together, and just for the sheer pleasure of its look and sound. You might say I too am obsessed.