| Rachael Stirling | ... | Nan Astley (3 episodes, 2002) | |
| Keeley Hawes | ... | Kitty Butler (3 episodes, 2002) | |
| Anna Chancellor | ... | Diana Lethaby (2 episodes, 2002) | |
| Jodhi May | ... | Florence Banner (2 episodes, 2002) | |
| Alexei Sayle | ... | Charles Frobisher (2 episodes, 2002) | |
| John Bowe | ... | Walter Bliss (2 episodes, 2002) | |
| Sally Hawkins | ... | Zena Blake (2 episodes, 2002) | |
| Di Botcher | ... | Woman with Cigar (2 episodes, 2002) | |
| Carl Chase | ... | Corder (2 episodes, 2002) | |
| Janet Henfrey | ... | Mrs. Jex (2 episodes, 2002) | |
| Daniel Mays | ... | Jimmy Burns (2 episodes, 2002) | |
| Bernice Stegers | ... | Mrs. Denby (2 episodes, 2002) | |
| Sara Stockbridge | ... | Dickie (2 episodes, 2002) |
Series Directed by | |||
| Geoffrey Sax | (3 episodes, 2002) | ||
Series Writing credits | ||
| Andrew Davies | (3 episodes, 2002) | |
| Sarah Waters | (3 episodes, 2002) | |
Series Produced by | |||
| Sally Head | .... | executive producer: Sally Head Productions (3 episodes, 2002) | |
| Georgina Lowe | .... | producer (3 episodes, 2002) | |
| Gareth Neame | .... | executive producer: BBC (3 episodes, 2002) | |
| Sally Woodward Gentle | .... | executive producer: BBC (3 episodes, 2002) | |
Series Original Music by | |||
| Adrian Johnston | (3 episodes, 2002) | ||
Series Cinematography by | |||
| Cinders Forshaw | (3 episodes, 2002) | ||
Series Film Editing by | |||
| Kristina Hetherington | (3 episodes, 2002) | ||
Series Casting by | |||
| Nina Gold | (3 episodes, 2002) | ||
Series Production Design by | |||
| Malcolm Thornton | (3 episodes, 2002) | ||
Series Art Direction by | |||
| Leigh Walker | (unknown episodes) | ||
Series Costume Design by | |||
| Susannah Buxton | (3 episodes, 2002) | ||
Series Makeup Department | |||
| Suzan Broad | .... | makeup artist (unknown episodes) | |
| Meinir Jones-Lewis | .... | hair designer / makeup designer (unknown episodes) | |
| Liz Michie | .... | makeup artist (unknown episodes) | |
| Sharon O'Brien | .... | makeup artist (unknown episodes) | |
Series Production Management | |||
| Danielle Brandon | .... | production manager (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Martin Harrison | .... | first assistant director (unknown episodes) | |
| Finn McGrath | .... | first assistant director (unknown episodes) | |
| Rosie Newall | .... | third assistant director (unknown episodes) | |
| Charlie Waller | .... | third assistant director (unknown episodes) | |
Series Art Department | |||
| Steve Adler | .... | carpenter (unknown episodes) | |
| Kevin Biggs | .... | stand-by painter (unknown episodes) | |
| Joe Cassar | .... | carpenter (unknown episodes) | |
| Dempsey Cook | .... | dressing props (unknown episodes) | |
| Gina Cromwell | .... | production buyer (unknown episodes) | |
| Suzie Davies | .... | stand-by art director (unknown episodes) | |
| Raymond Day | .... | stand-by carpenter (unknown episodes) | |
| Barry Howard-Clark | .... | stand-by props (unknown episodes) | |
| Harry Hull | .... | painter (unknown episodes) | |
| Ian James-Culverwell | .... | dressing props (unknown episodes) | |
| Simon King | .... | stand-by props (unknown episodes) | |
| Tony Lenman | .... | painter (unknown episodes) | |
| Ian Newton | .... | dressing props (unknown episodes) | |
| Nina Ross | .... | assistant art director (unknown episodes) | |
| John Thorpe | .... | construction manager (unknown episodes) | |
| Gary Watson | .... | property master (unknown episodes) | |
| Kem White | .... | assistant buyer (unknown episodes) | |
Series Sound Department | |||
| Chris Burdon | .... | dubbing mixer / sound re-recording mixer (unknown episodes) | |
| Colette Dahanne | .... | assistant sound mixer (unknown episodes) | |
| Steve Finn | .... | sound maintenance (unknown episodes) | |
| Peter Gleaves | .... | adr mixer (unknown episodes) | |
| Jim Greenhorn | .... | sound mixer (unknown episodes) | |
| Graham Headicar | .... | sound designer (unknown episodes) | |
| Luke Neuman | .... | assistant sound (unknown episodes) | |
| Ben Norrington | .... | dialogue editor (unknown episodes) | |
| Rowena Wilkinson | .... | foley artist (unknown episodes) | |
Series Special Effects by | |||
| Ed Smith | .... | special effects supervisor (unknown episodes) | |
Series Visual Effects by | |||
| Cas Casey | .... | digital effects artist (unknown episodes) | |
| Simon Giblin | .... | digital effects artist (unknown episodes) | |
| Shane Warden | .... | digital effects artist (unknown episodes) | |
Series Camera and Electrical Department | |||
| David Bourke | .... | best boy (unknown episodes) | |
| Harry Bowers | .... | clapper loader (unknown episodes) | |
| Tom Gates | .... | gaffer (unknown episodes) | |
| Chris Gilbert | .... | electrician (unknown episodes) | |
| Dai Hopkins | .... | grip (unknown episodes) | |
| Joanne Lee | .... | daily clapper loader (unknown episodes) | |
| Charlie Macher | .... | stand-by rigger (unknown episodes) | |
| Mark Milsome | .... | focus puller (unknown episodes) | |
| Elliot Moine | .... | electrician (unknown episodes) | |
| Angus Muir | .... | special stills (unknown episodes) | |
| Jamie Summers | .... | electrician (unknown episodes) | |
Series Casting Department | |||
| Rosalie Clayton | .... | casting assistant (unknown episodes) | |
| Tamara Gillon | .... | casting assistant (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Liza Bracey | .... | assistant costume designer (unknown episodes) | |
| Gemma Evans | .... | costume assistant (unknown episodes) | |
| Fiona McCann | .... | stand-by costume (unknown episodes) | |
| Gabrielle Spanswick | .... | wardrobe supervisor (unknown episodes) | |
Series Editorial Department | |||
| Simon Giblin | .... | on-line editor (unknown episodes) | |
| Vincent Narduzzo | .... | colorist (unknown episodes) | |
| Victoria Stevens | .... | assistant editor (unknown episodes) | |
| Shane Warden | .... | on-line editor (unknown episodes) | |
| Christian Wheeler | .... | assistant editor (unknown episodes) | |
Series Music Department | |||
| Richard Brown | .... | theatre musical director (unknown episodes) | |
| Steve Parr | .... | music mixer / music recordist (unknown episodes) | |
Series Transportation Department | |||
| Simon Burgess | .... | facility driver: unit base stand-by (3 episodes, 2002) | |
Series Other crew | |||
| Gwenda Bagshaw | .... | script executive (3 episodes, 2002) | |
| Francesca Jaynes | .... | choreographer (3 episodes, 2002) | |
| Devora Pope | .... | script editor (3 episodes, 2002) | |
| Sam Breckman | .... | location manager (unknown episodes) | |
| Alex Gill | .... | picture publicist (unknown episodes) | |
| James Grant | .... | assistant location manager (unknown episodes) | |
| John Howard | .... | production executive (unknown episodes) | |
| Sarah McBryde | .... | production coordinator (unknown episodes) | |
| James McLaren | .... | production runner (unknown episodes) | |
| Sophie Moss | .... | production secretary (unknown episodes) | |
| Frances Pardell | .... | publicist (unknown episodes) | |
| Karen Redman | .... | assistant accountant (unknown episodes) | |
| Julie Scott | .... | production executive: BBC (unknown episodes) | |
| Sarah Simpson | .... | production executive (unknown episodes) | |
| Heather Storr | .... | script supervisor (unknown episodes) | |
| Chris Tarry | .... | production accountant (unknown episodes) | |
| Clare Whitaker | .... | unit nurse (unknown episodes) | |
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| Bitter Moon | The Painted Veil | My Own Private Idaho | Love Actually | 101 Reykjavík |
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| External reviews | News articles | IMDb TV section |
| IMDb Drama section | IMDb UK section |
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Tipping the Velvet has just three weeks ago been released in the UK and already I watch as countless letters flood to the national papers and TV guides, claiming that it possesses a thin plot, weak performances and an even weaker script.
You find me incensed. This is heresy.
I would really like to dispel all doubt by first congratulating Andrew Davies on enabling Geoffrey Sax to create this wonderful dramatization of Sarah Waters' novel by cushioning him with such a fantastic script. Kudos. But I fear I must now change tack.
I saw one of the premiere TV guides here in the UK (which shall remain nameless) relentlessly describing Tipping the Velvet as a "lesbian love story". If they are, and I assume they are, trying to promote interest in the film, then this is completely the wrong way to go about it (aside from the phrase being a disappointingly inaccurate description). By saying such a thing, they are either a) turning away those who would instinctively be repelled by "that" subject matter or b) attracting a class of people who will only watch to see some "serious girl-on-girl action". Buy a video! Through this display of serious inconsideration, this and other magazines are cheapening what is a brilliant adaptation of one of recent literature's greatest works. Tipping the Velvet is a story of love, of passion, of moving on, of loss, and of heartbreak. It's not a lesbian love story. No siree.
The end result is a stylish affair, with excellent performances all round (particularly from Stirling, Hawes, Chancellor and May). Direction-wise, it's intoxicating and immersive - sometimes, fast-paced, sometimes not - but it never ceases to be anything less than compelling. As a whole, it's polished and well delivered, the sex is undertaken with tenderness and delicacy - and although many will not class it as a real "film", it will remain among my favourites for some time to come.