Susan "Sue" Trinder is a fingersmith (British slang for thief) who lives in the slums of London with a baby farmer (person who looks after unwanted babies) Mrs.Sucksby. When a once rich man... See full summary »
In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully - unaware that she is a lesbian. Anne is recording her ... See full summary »
Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to ... See full summary »
A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships ... See full summary »
Dramatised from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley (Rachael Stirling), a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler (Keeley Hawes) - and begins to undergo a complete life transformation. Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough. Written by
In an interview Keeley Hawes said that she and Rachel Stirling got drunk before shooting the love scenes, but also said kissing a woman was not much different than kissing a man. See more »
The roses Kitty gives out in her act are obviously artificial. But later when Nan shows Kitty she kept the rose she received from her, the rose is wilted. See more »
Nancy Nan Astley:
Don't you know? Hasn't she told you about us?
I know that you were sweethearts of a kind.
Nancy Nan Astley:
Of a kind? The kind that hold hands? Didn't she tell you that we fuck eachother?!
I don't care to use such language Nan. And if I did, I wouldn't use it for anything a pair of girls could do, you need a man for that I think you'll find.
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Labeling this film a "lesbian love story" is about as accurate as calling Pride & Prejudice a "straight love story." There's just so much more to it than that.
Yes, the main character is a lesbian, but her story is classic bildungsroman, a journey from childhood to adulthood, from sexual innocence into maturity, from personal blindness to self- discovery. There is a stylistic element of camp to the film's direction, but it is not a hindrance; rather it serves to underscore the staged and dramatic parts of the main character's life.
Those who know Anna Chancellor from the BBC version of Pride and Prejudice will certainly be amazed with her here. Rachael Stirling is stellar as the main character Nan, and Keeley Hawes is all wide-eyed goodness as her lover Kitty Butler. Chancellor might have the stand out role, that is aside from Sally Hawkins who plays Zena Butler. This film is not for the faint of heart, but it's not a piece of pro-gay advertising either. It's a real story, with real comedy and drama, an engaging story with compelling characters, and well worth watching.
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