Jessica's extraordinarily strong will and heart enables her to rebel against her fanatical, cult-like upbringing. From seven to seventeen Jess is brainwashed to be one of the 'saved', to ... See full summary »
Dramatised from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley (Rachael Stirling), a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler (Keeley Hawes) - and begins to undergo a complete life transformation. Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough. Written by
In an interview Keeley Hawes said that she and Rachel Stirling got drunk before shooting the love scenes, but also said kissing a woman was not much different than kissing a man. See more »
The roses Kitty gives out in her act are obviously artificial. But later when Nan shows Kitty she kept the rose she received from her, the rose is wilted. See more »
Nancy Nan Astley:
Don't you know? Hasn't she told you about us?
I know that you were sweethearts of a kind.
Nancy Nan Astley:
Of a kind? The kind that hold hands? Didn't she tell you that we fuck eachother?!
I don't care to use such language Nan. And if I did, I wouldn't use it for anything a pair of girls could do, you need a man for that I think you'll find.
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I have nothing but praise for this mini series. It's only about a year and a half old but I have seen it twice already; with greater enjoyment the second time than the first. I'm seriously thinking of watching it again soon since I find it spiritually uplifting.
It is a very tender romantic drama with such beautiful performances, sets, costumes, music and scenes that it has a resonance which places it almost in a league of its own among mini series.
Some others have commented on the difficulties of living as a lesbian in Britain in the 1890s. Nothing especially difficult about that; it was only male homosexuality that was against the law as poor Oscar Wilde experienced to his great cost and as a great loss to the literary world. Anyway, I digress.
In my view, this is essential television. It is perhaps one of the greatest tragic romantic dramas since Romeo and Juliet, although not in the conventional sense.
10 out of 10 from me.
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