Jessica's extraordinarily strong will and heart enables her to rebel against her fanatical, cult-like upbringing. From seven to seventeen Jess is brainwashed to be one of the 'saved', to ... See full summary »
Dramatised from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley (Rachael Stirling), a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler (Keeley Hawes) - and begins to undergo a complete life transformation. Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough. Written by
One of the songs in the film, "Following in Father's Footsteps", was originally performed by famous male impersonator Vesta Tilley in the London halls of Victorian England, during the late 1800s, when "Tipping the Velvet" is set. See more »
The roses Kitty gives out in her act are obviously artificial. But later when Nan shows Kitty she kept the rose she received from her, the rose is wilted. See more »
[after overhearing a prostitute in the women's bar talk about an easy and enjoyable job, Florence looks truly puzzled]
Tipping the velvet? Why what ever can THAT be?
Nancy Nan Astley:
[rather surprised at the question]
You don't know?
Well it sounds like something to do with dress making or millinary, but it can't be. No one would pay to watch that.
Nancy Nan Astley:
No. It isn't.
Well what then?
[Nan has showed Florence the tip of her tongue, then pointedly nodded and looked at Florence's lap]
[...] See more »
It is surprising that a production like this gets made these days, especially for television. Considering the strong sexual themes and explicit lovemaking scenes, not to mention lesbianism, this has been given superb treatment and direction.
The sets and costumes are flawless, the direction is stylish and the characters are likeable. There is a fair amount of humor but it has surprisingly dark interludes. The protagonist is really a tragic figure, but not devoid of happiness. Also, this production avoids the mistake most films/shows make when dealing with homosexuality/lesbianism. The characters are very human. It seems that to allow people to be comfortable with watching gays and lesbians on TV and movies most shows fill it full of cliches and make the characters obsessed with being gay. Not so with this. In Tipping the Velvet, the protagonist is hardly aware of what being lesbian means!
The BBC have made some wonderful productions in the past, and this adventurous period piece only confirms their standard of excellence on all fronts.
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