Jessica's extraordinarily strong will and heart enables her to rebel against her fanatical, cult-like upbringing. From seven to seventeen Jess is brainwashed to be one of the 'saved', to ... See full summary »
Dramatised from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley (Rachael Stirling), a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler (Keeley Hawes) - and begins to undergo a complete life transformation. Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough. Written by
Author Sarah Waters was an extra in the film. She was a member of the audience to one of the shows. On the DVD she can be seen as such on the menu screen, and in the beginning of the movie when the credit "Based on the novel by Sarah Waters" is shown. See more »
The roses Kitty gives out in her act are obviously artificial. But later when Nan shows Kitty she kept the rose she received from her, the rose is wilted. See more »
[after overhearing a prostitute in the women's bar talk about an easy and enjoyable job, Florence looks truly puzzled]
Tipping the velvet? Why what ever can THAT be?
Nancy Nan Astley:
[rather surprised at the question]
You don't know?
Well it sounds like something to do with dress making or millinary, but it can't be. No one would pay to watch that.
Nancy Nan Astley:
No. It isn't.
Well what then?
[Nan has showed Florence the tip of her tongue, then pointedly nodded and looked at Florence's lap]
[...] See more »
I have nothing but praise for this mini series. It's only about a year and a half old but I have seen it twice already; with greater enjoyment the second time than the first. I'm seriously thinking of watching it again soon since I find it spiritually uplifting.
It is a very tender romantic drama with such beautiful performances, sets, costumes, music and scenes that it has a resonance which places it almost in a league of its own among mini series.
Some others have commented on the difficulties of living as a lesbian in Britain in the 1890s. Nothing especially difficult about that; it was only male homosexuality that was against the law as poor Oscar Wilde experienced to his great cost and as a great loss to the literary world. Anyway, I digress.
In my view, this is essential television. It is perhaps one of the greatest tragic romantic dramas since Romeo and Juliet, although not in the conventional sense.
10 out of 10 from me.
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