Memories: A woman wakes up on a street without memory. A husband cannot remember why his wife left him. The woman wanders the streets trying to contact the only phone number she has on her.... See full summary »
In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. ... See full summary »
Memories: A woman wakes up on a street without memory. A husband cannot remember why his wife left him. The woman wanders the streets trying to contact the only phone number she has on her. The husband see's her ghost in his apartment and discovers her mutilated body in a large bag in his home (Korea). The Wheel: Extravagant cursed puppets cause fires, deaths, physical pain and a little girl to be possessed (Thailand). Going Home: A father goes in search of his missing son and is abducted by a strange man. The strangers wife has died of cancer three years prior but he keeps her in his apartment under the impression she will 'wake up' (Hong Kong). Written by
Actually made before the more popular 3 Extremes, but released afterward in most of the world. These three directors are less bankable than Takashi Miike and Chan-wook Park, though Ji-woon Kim does have A Tale of Two Sisters under his belt. Plus, it's much weaker. 3 Extremes, in my mind, is maybe the greatest horror anthology ever made, so this one has a lot to live up to. It begins with Kim's "Memories", which has some familiar Asian ghost story elements, but concentrates more on the images and moods than actual plot. In fact, the plot is fairly incoherent, though, after having seen the whole thing, it's easy enough to piece together what exactly is going on. I liked it quite a bit. Nonzee Nimibutr from Thailand comes next with "The Wheel". It's also a film that relies more on images than the story, which is about cursed puppets. The images are pretty, but the short is kind of lame. It's not terrible, but it's definitely the low point of this anthology. And then we come to Peter Chan's contribution, "Going Home". This one is the reason to watch this film. Gorgeously shot by master cinematographer Christopher Doyle, it's about a cop and his son who move into a new apartment building. The boy is annoyed by a small, creepy girl who lives across the way, and one day he disappears. While looking for his son, the cop discovers that the neighbor whom he thought was the girl's father is involved in some weird stuff. This one is just outstanding - and completely emotionally draining - and it gets better the more I think about it.
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