| Photos (See all 41 | slideshow) | Videos (see all 3) |
| Jessica Biel | ... | Erin | |
| Jonathan Tucker | ... | Morgan | |
| Erica Leerhsen | ... | Pepper | |
| Mike Vogel | ... | Andy | |
| Eric Balfour | ... | Kemper | |
| Andrew Bryniarski | ... | Thomas Hewitt (Leatherface) | |
| R. Lee Ermey | ... | Sheriff Hoyt | |
| David Dorfman | ... | Jedidiah | |
| Lauren German | ... | Teenage Girl | |
| Terrence Evans | ... | Old Monty | |
| Marietta Marich | ... | Luda May | |
| Heather Kafka | ... | Henrietta | |
| Kathy Lamkin | ... | Tea Lady in Trailer | |
| Brad Leland | ... | Big Rig Bob | |
| Mamie Meek | ... | Clerk | |
| John Larroquette | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Scott Martin Gershin | ... | Leatherface (voice) (uncredited) | |
| Harry Jay Knowles | ... | Victim On a Silver Platter (uncredited) | |
Directed by | |||
| Marcus Nispel | |||
Writing credits(WGA) | ||
| Kim Henkel | (1974 screenplay) and | |
| Tobe Hooper | (1974 screenplay) | |
| Scott Kosar | (screenplay) | |
Produced by | |||
| Jeffrey Allard | .... | executive producer | |
| Michael Bay | .... | producer | |
| Matthew Cohan | .... | associate producer | |
| Joe Dishner | .... | co-producer | |
| Ted Field | .... | executive producer | |
| Mike Fleiss | .... | producer | |
| Andrew Form | .... | executive producer | |
| Bradley Fuller | .... | executive producer (as Brad Fuller) | |
| Kim Henkel | .... | co-producer | |
| Tobe Hooper | .... | co-producer | |
| Pat Sandston | .... | associate producer | |
| Guy Stodel | .... | executive producer | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Daniel Pearl | (director of photography) (as Daniel C. Pearl) | ||
Film Editing by | |||
| Glen Scantlebury | |||
Casting by | |||
| Lisa Fields | |||
Production Design by | |||
| Greg Blair | |||
Art Direction by | |||
| Scott Gallagher | |||
Set Decoration by | |||
| Randy Huke | (as Randy Smith Huke) | ||
Costume Design by | |||
| Bobbie Mannix | |||
Makeup Department | |||
| Troy Breeding | .... | key makeup artist | |
| Grady Holder | .... | makeup artist: special effects body dismemberment | |
| Kelly Nelson | .... | key hair stylist | |
| Carla Palmer | .... | head makeup artist (as Carla E. Palmer) | |
| Scott Stoddard | .... | special makeup effects artist | |
Production Management | |||
| Joe Dishner | .... | unit production manager | |
| Tami Goldman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Randy Fletcher | .... | first assistant director | |
| Phil Hardage | .... | second assistant director (as Philip Hardage) | |
| Katie Tull | .... | second second assistant director | |
Art Department | |||
| Steve Allen | .... | carpenter | |
| Annilee Ballentine | .... | set dressing buyer (as Annilee Ballentine Ramirez) | |
| Amy Bell | .... | assistant property master | |
| Kevin Berve | .... | prop fabricator | |
| Debbie Cortez Haber | .... | art department coordinator | |
| Erick Garibay | .... | assistant props | |
| David Hack | .... | set dresser | |
| Heather Ingram | .... | art department intern | |
| Joe McCusker | .... | construction coordinator | |
| Mark Millicent | .... | storyboard artist | |
| King Orba | .... | property master (as Mark Wallace) | |
| Melissa Pagen | .... | assistant: production designer | |
| Darren Patnode | .... | on-set dresser | |
| Shane Patrick | .... | leadman | |
| Jeremy Reeves | .... | set dresser | |
| Charles Seale | .... | carpenter | |
| Corissa Smith | .... | scenic artist | |
| Christopher Stull | .... | set dresser | |
| Kara Sutherlin | .... | stand-by scenic | |
| Gary Wimmer | .... | lead scenic | |
| Robert R. Wonson | .... | set dresser | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| Steve Bartkowicz | .... | re-recording engineer | |
| John Bires | .... | sound engineer | |
| Stacy Brownrigg | .... | production sound mixer | |
| Matt Colleran | .... | sound re-recordist | |
| Thadd Day | .... | second boom operator | |
| Chris Frazee | .... | boom operator | |
| Scott Martin Gershin | .... | sound designer | |
| Scott Martin Gershin | .... | sound supervisor | |
| Frederick Howard | .... | sound editor | |
| Trevor Jolly | .... | sound supervisor | |
| Kevin Maloney | .... | additional boom operator | |
| Paul Menichini | .... | sound effects editor | |
| Brad Sherman | .... | sound re-recording mixer | |
| Gregg Silk | .... | assistant sound engineer | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Edward M. Steidele | .... | foley artist | |
| Jon Taylor | .... | sound re-recording mixer | |
| Jon Title | .... | sound effects editor | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| Caron Weidner | .... | sound effects editor | |
Special Effects by | |||
| Gary D. Bierend | .... | special effects assistant | |
| Rocky Gehr | .... | special effects | |
| Brandon K. McLaughlin | .... | special effects supervisor | |
| Gregory Nicotero | .... | special effects makeup | |
| Christopher A. Suarez | .... | special effects technician | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group (uncredited) | |
| Kevin McTurk | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Andy Barrios | .... | Inferno artist: Asylum | |
| Joel Behrens | .... | compositor: Asylum | |
| Emma McGuinness | .... | visual effects executive producer: Asylum | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| Jason Schugardt | .... | visual effects supervisor | |
| Greg Stuhl | .... | digital artist | |
| Bridget M. Taylor | .... | digital artist: Asylum VFX | |
| Jeff Werner | .... | visual effects producer | |
| Jesse James Chisholm | .... | element photography (uncredited) | |
| Felicia Faden | .... | texture artist (uncredited) | |
| Mark Alan Loso | .... | compositor (uncredited) | |
Stunts | |||
| Jill Brown | .... | stunt double | |
| John Cann | .... | stunt double: Mike Vogle | |
| Anthony Cecere | .... | stunt coordinator | |
| Nicola C. Hindshaw | .... | stunt double: Jessica Biel | |
| Diana R. Lupo | .... | stunts | |
| Carl Milinac | .... | stunts (re-shoots) | |
| Lillie Miller | .... | stunt double | |
| Bryon Weiss | .... | stunt double: R. Lee Ermey | |
| Jay Krueger | .... | stunts (uncredited) | |
Casting Department | |||
| Lisa Fields | .... | local casting | |
| Julia Kim | .... | casting associate | |
| Meagan Lewis | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Matthew Jerome | .... | costumer | |
| Nyima Johnston | .... | wardrobe | |
| Kathy Kiatta | .... | costume supervisor | |
| Stephanie A. Steel | .... | costume production assistant | |
| Yvonne Wilburn | .... | costumer | |
Editorial Department | |||
| Nathan R. Fitzgerald | .... | associate editor | |
| John McCunn | .... | digital intermediate producer | |
| Dennis McNeill | .... | color timer | |
| Sara Mineo | .... | post-production assistant | |
| Thatcher Peterson | .... | digital color producer | |
| Christopher Reichel | .... | digital intermediate conform editor | |
| John Scheer | .... | digital intermediate editorial | |
| Rob Sciarratta | .... | video color timer | |
| Kurt Smith | .... | color timer | |
Music Department | |||
| Bob Badami | .... | assistant music editor | |
| Wayne Bell | .... | composer: original theme | |
| Jay Flood | .... | composer: additional music | |
| Tobe Hooper | .... | composer: original theme | |
| Malcolm Luker | .... | score mixer | |
| William V. Malpede | .... | music assistant (as William Malpede) | |
| Melissa Muik | .... | score recordist | |
| Jennifer Nash | .... | music editor | |
| Paul Silver | .... | music editor: temp mix | |
| Mel Wesson | .... | ambient music designer | |
Transportation Department | |||
| Greg Faucett | .... | transportation coordinator | |
| Russell E. Scott | .... | picture cars | |
Other crew | |||
| Crisoforo Aguilar | .... | key set production assistant: additional photography | |
| John Arszyla | .... | medic | |
| Meg Beatty | .... | set production assistant | |
| Ken Beggs | .... | head animal trainer | |
| Allison Bergstrand | .... | assistant: Mr. Field | |
| Sidney Bowen | .... | assistant: Mr. Nispel | |
| Brinton Bryan | .... | additional set production assistant | |
| Doug Carter | .... | key set production assistant | |
| Simon Cassels | .... | title designer | |
| Mia Cevallos | .... | liaison: Chapman | |
| Monique Champagne | .... | production assistant | |
| Brad Wm. Clark | .... | assistant: Mr. Nispel (as Brad Clark) | |
| Logan Cooper | .... | location scout | |
| Shanti Delsarte | .... | production coordinator | |
| Tiffany Lynn Drucker | .... | production assistant | |
| Aaron L. Enz | .... | assistant: Mr. Allard | |
| Pam Fuller | .... | script supervisor (as Pam Fuller Vasquez) | |
| Josh Gold | .... | assistant: Mr. Form and Mr. Fuller | |
| Joey Hudgins | .... | assistant location manager | |
| Susan Jasso | .... | additional set production assistant | |
| Lauren Kaufman | .... | assistant: Mr. Form and Mr. Fuller | |
| Nell Kennedy | .... | production assistant | |
| Kelly Kernan | .... | location manager | |
| Vas Leonidov | .... | artistic consultant: Mr. Nispel | |
| Carolyn Mcguinness | .... | assistant: Mr. Bay | |
| Tammy McKendrick | .... | production coordinator | |
| Rana Morrison | .... | location assistant | |
| Rich Newman | .... | production assistant | |
| Heidi S. Pavey | .... | production coordinator: additional photography | |
| John M. Pisani | .... | unit publicist | |
| Gabe Proctor | .... | additional video playback operator | |
| DeLayne Rasmussen | .... | assistant production office coordinator | |
| Mikey Reyes | .... | production and props assistant | |
| Jeremy Roberts | .... | payroll accountant | |
| Ralph Sall | .... | album producer | |
| Alicia Utz | .... | assistant: Mr. Fleiss | |
| Jeff Valeri | .... | assistant production coordinator: additional photography | |
| Suzanne Welch | .... | assistant: Mr. Field | |
| Leigh A. Wilbourn | .... | production coordinator | |
| Edward Albolote | .... | assistant: Michael Bay (uncredited) | |
| Justin Herber | .... | assistant: Mr. Bay (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Deborah J. Page | .... | location manager: re-shoots (uncredited) | |
| Christopher Scull | .... | production assistant (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
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| The Texas Chainsaw Massacre: The Beginning | The Texas Chain Saw Massacre | Sin City | The Hills Have Eyes | High Tension |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This Is One Hell Of A Horror Film!!! I have to say too that the acting was very good, though I wonder how hard it is to fake fear when you see some of the scenarios the actors were in, but even the background actors (especially the actor portraying Leatherface and the wonderful R. Lee Ermey as the sheriff) are very good and add an element of paranoid fear to the film. The thing that shocked me most was how brutal and graphic the film was, the gore being very realistic, and used very well. Instead of buckets of blood, we get moments of horror that end in a very bright splash of red. And like the first, the most brutal killings are shot in a way so that you see what is happening to the victim but yet DON'T see it at the same time. This is not a perfect film. It is too decadently dark and a lot of people will hate the film for that reason, and it will be hard to see this as being a movie you will want to watch over and over and over again. But in saying that, I admit that that is why the film succeeds so well they nailed the mood perfectly. They didn't grave-rob it from the original but created their own. As a horror fan I cannot recommend this film enough. It stands just behind 28 Days Later as the second best horror film in a year that has turned out pretty darned well for the genre. Yes, it is a remake, and yes, the original is better, but having said that, I also must tell you that this is a very well crafted horror film and a wonderful spook show ride. I dunno if I am happy that it is going to do well at the box office or not (it won the box office battle its opening weekend) because I don't know what that means for all the other propose remakes. But if nothing else, at least they didn't screw this one up.