Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | writer | |
Produced by | |||
| Veit Heiduschka | .... | producer | |
| Michael Katz | .... | executive producer | |
| Margaret Ménégoz | .... | producer | |
| Michael Weber | .... | co-producer | |
Cinematography by | |||
| Jürgen Jürges | |||
Film Editing by | |||
| Nadine Muse | |||
| Monika Willi | |||
Casting by | |||
| Markus Schleinzer | |||
Production Design by | |||
| Christoph Kanter | |||
Art Direction by | |||
| James David Goldmark | |||
Costume Design by | |||
| Lisy Christl | |||
Production Management | |||
| Fabien Courage | .... | unit manager | |
| Roman Haschberger | .... | unit manager | |
| Nathalie Nghet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Katharina Biró | .... | second assistant director | |
| Hanus Polak Jr. | .... | first assistant director | |
Art Department | |||
| Peter Ecker | .... | property master: outdoor | |
Sound Department | |||
| Sophie Chiabaut | .... | boom operator | |
| Philippe Dongé | .... | sound mix technician | |
| William Franck | .... | reshoot sound recordist | |
| Eric Grattepain | .... | foley artist | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Jakob Schäfer | .... | boom operator | |
| Guillaume Sciama | .... | sound mixer | |
Stunts | |||
| Peter Hric | .... | stunts | |
| Roman Jankovic | .... | stunt rider | |
| Michael Sandala | .... | horse wrangler | |
Camera and Electrical Department | |||
| Carol Burandt von Kameke | .... | second assistant camera | |
| Christoph Grasser | .... | camera trainee | |
| Oliver Haas | .... | best boy electric | |
| Marcus Kanter | .... | additional assistant camera | |
| Oliver Lechner | .... | assistant camera | |
| Wolfgang Lederer | .... | dolly | |
| Andre Mayerhofer | .... | lighting technician | |
| Jörg Mohr | .... | gaffer | |
| Christoph Nickel | .... | gaffer | |
| Gerald Piesch | .... | clapper loader | |
| Robert Stopfer | .... | first assistant camera | |
| Volker Vahl | .... | lighting technician | |
| Markus Veh | .... | lighting technician | |
| Jörg Widmer | .... | Steadicam operator | |
| Martin Zoigner | .... | lighting technician | |
Casting Department | |||
| Raluca Jacono-Muntean | .... | casting assistant | |
| Raluca Jacono-Muntean | .... | extras casting | |
Costume and Wardrobe Department | |||
| Brigitte Fink | .... | wardrobe | |
| Barbara Hägele | .... | wardrobe | |
| Evelyn Thell | .... | wardrobe | |
Editorial Department | |||
| Yannick Coutheron | .... | assistant editor | |
| Alarich Lenz | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Transportation Department | |||
| Eva Jürgens | .... | production driver | |
Other crew | |||
| Nouma Bordj | .... | production assistant | |
| Amira Chemakhi | .... | production accountant: France | |
| Jean-Baptiste Filleau | .... | continuity | |
| Peter Hric | .... | horse master | |
| Raluca Jacono-Muntean | .... | dialogue coach | |
| Ulrike Lässer | .... | production coordinator | |
| Mathias Mayer | .... | set manager | |
| Christa Preisinger | .... | production accountant | |
| Erell Tanguy | .... | production secretary | |
|
|
|
|
|
| Fellini Satyricon | As Far As My Feet Will Carry Me | The Tree of Wooden Clogs | Strayed | 1900 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
A French woman (Isabelle Huppert) and her two young children struggle for survival shortly after an unidentified apocalypse. This is a very different sort of post-apocalyptic film--it is very minimalist and dramatic. The most fascinating aspect is that whatever happened to the world is never explained or even discussed by the characters. The only thing they know is that uncontaminated water is scarce and personal belongings are very valuable. They are living in the present, fighting for survival. The characters are often devoid of extreme emotion during the crises they face in the film, so the viewer assumes that whatever happened that changed the world must have been graphic and brutal.
Haneke is an exceptional filmmaker and has quite an eye. The combination of lingering camera-work and lack of score create an uneasy tension. Some might argue that the movie is boring because there isn't much action, but I thought it was visually stunning. The movie attempts to be about post-apocalypse social struggle and power--including conflict between different nationalities and genders--but it could have been more successful in doing this. The acting is outstanding (especially by Huppert and the actress that plays her daughter). Even though she gets co-billing, Beatrice Dalle is only in the film for a bit, but she does have a "Betty Blue"-style freak-out. I recommend this to anyone who likes post-apocalypse movies and is interested in seeing a hauntingly realistic one.
My Rating: 7/10