A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Ferrando and Guglielmo boast about the beauty and virtue of their girls, the sisters Fiordiligi and Dorabella. The cynical Don Alfonso proposes a wager. He will prove to them that the ... See full summary »
Juan Francisco Gatell
In an undefined time, the environment has been totally destroyed and now the water is contaminated and the animals have been burned. Georges Laurent travels with her wife Anne Laurent, their teenage daughter Eva and their son Ben from the city to their cabin in the countryside. On the arrival, they find that intruders have broken in the house, and one stranger kills George. Anne, Eva and Ben wander through the village asking for shelter and supplies for their acquaintances, but they refuse to help them. They reach an abandoned barn and spend the night inside. On the next morning, they meet a teenage boy and they walk together to a train station, where they find other survivors. Together, they wait for the train expecting to go to a better place in the middle of the chaos. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
"Temps Du Loup" is probably Michael Haneke's most successful attempt at presenting his bleak outlook on mankind.
Vaguely set in a post-apocalyptic world, the film works both ways: a. at isolating various institutions and values (society, family, religion) outside of their normal environment, and therefore analyzing them more thoroughly; b. as an exercise in evoking beautiful imagery out of spartan and plain settings.
While the first is certainly no new ground for Haneke (the storyline is less complex than his previous effort, "La Pianiste", yet the scope is much grander), the second means that this is his most cinematic and elegant effort yet.
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