After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Sarah Morton is a famous British mystery author. Tired of London and seeking inspiration for her new novel, she accepts an offer from her publisher John Bosload to stay at his home in Luberon, in the South of France. It is the off-season, and Sarah finds that the beautiful country locale and unhurried pace is just the tonic for her--until late one night, when John's indolent and insouciant French daughter Julie unexpectedly arrives. Sarah's prim and steely English reserve is jarred by Julie's reckless, sexually charged lifestyle. Their interactions set off an increasingly unsettling series of events, as Sarah's creative process and a possible real-life murder begin to blend dangerously together. Written by
Sujit R. Varma
Charlotte Rampling's character Sarah is named after her sister, who killed herself at age 23. She told The Guardian, "I thought that after such a very long time of not letting her be with me that I would like to bring her back into my life." See more »
When Sarah is shown typing at her laptop, she is clearly pressing the keys at random and sometimes several at once. See more »
I pity your mother.
You pity her? Why?
Well, I imagine having a daughter who comes home with a different man every night must be difficult for a mother.
Well, you imagine wrong. You know what? You're just a frustrated Englishwoman who writes about dirty things but never does them. You can shove your uptight morals up your ass!
See more »
This is a really fine film, by turns cultured, frightening and erotic. It's a thriller woven from the tension in the relationship between the dried up author Sarah and the nymphomaniacal publisher's daughter Julie with whom she is forced to share a villa in the Sud.
Ozon has made it so much more though. It is also an erotic drama, Sarah forced to confront herself in the cast-off wake of Julie's promiscuity. The women's tacit sexual comparisons are also played out in a series of Oedipal symbols and exchanges Most striking is a gash of a red lilo that sits menacingly and yet enticingly by the pool throughout; the men that Julie brings back to the house are also pawn-like, less sexual partners than bargaining chips between the two women.
Further ghostly references are thrown into the mix with the circumstances not dissimilar to Henry James' The Turn of The Screw and a shocking allusion to Nick Roeg's Don't Look Now as the drama mounts. As much as the drama is maintained in beautifully constructed shots and careful control of the tension and pacing this film's success must be the overwhelming performance of Rampling as Sarah. It's difficult to condense one's thoughts on the studiousness, allure and sacrifice that make up a contribution as convincing as this. Sagnier's brattish but sharp Julie is no less committed and role-immersed. Mesmerising film-making 8.5/10
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