Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in... See full summary »
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting that results in their pursuit by a vengeful gangster. Written by
Charlie Miller, Max Malini, Dai Vernon/"The Professor", Larry Jennings, Nate Leipzig and Jacob Daley are all famous sleight-of-hand magicians. In fact, nearly every major male character in the film is named for a sleight-of-hand magician. See more »
When driving the Jaguar XK8 the inside shot shows the seats with no headrests. In next shot headrests are on their places. See more »
I thought this was going to be a sleeper given the cast, but what I saw was very pedestrian at best. The plot was was OK, but the directing and/or the acting(usually that means the directing was lacking) was hard to watch. When Sly Stallone used Edward G. Robinson's line from "The Cincinnati Kid", I laughed out loud. How this classy cast ends up in this train-wreck is the real con. It tries to be The Sting, The Cincinnati Kid, A Big Hand for the Little Lady, but the script and direction just don't pack the gear. I felt no attachment to the characters, and the actors were allowed to phone in their lines. With the class-act cast of Gabriel Byrne, Thandie Newton, Jamie Foxx, and Hal Holbrook, I really expected an A movie at least, but this gets a C- at best.
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