| Joachim Calmeyer | ... | Isak Bjørvik | |
| Tomas Norström | ... | Folke Nilsson | |
| Bjørn Floberg | ... | Grant | |
| Reine Brynolfsson | ... | Malmberg | |
| Sverre Anker Ousdal | ... | Dr. Jack Zac. Benjaminsen | |
| Leif Andrée | ... | Dr. Ljungberg | |
| Gard B. Eidsvold | ... | Bakkerman (as Gard Eidsvold) | |
| Lennart Jähkel | ... | Green | |
| Trond Brænne | ... | Ordforer | |
| Bjørn Jenseg | ... | Vaktmester | |
| Jan Gunnar Røise | ... | Vaktmesterassistent | |
| Karin Lunden | ... | Svensk selskapsdame | |
| rest of cast listed alphabetically: | |||
| Päivi Laakso | ... | Finsk selskapsdame | |
Directed by | |||
| Bent Hamer | |||
Writing credits(in alphabetical order) | ||
| Jörgen Bergmark | writer | |
| Bent Hamer | writer | |
Produced by | |||
| Jörgen Bergmark | .... | producer | |
| Arve Figenschow | .... | line producer | |
| Bent Hamer | .... | producer | |
Original Music by | |||
| Hans Mathisen | |||
Cinematography by | |||
| Philip Øgaard | |||
Film Editing by | |||
| Pål Gengenbach | |||
Casting by | |||
| Mette Holme Nielsen | |||
| Betten Vaager | |||
Production Design by | |||
| Billy Johansson | |||
Costume Design by | |||
| Karen Fabritius Gram | |||
Makeup Department | |||
| Eros Codinas | .... | hair stylist | |
| Eva Rygh | .... | makeup artist | |
Production Management | |||
| Nina B. Andersson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Binne Thoresen | .... | assistant director | |
Art Department | |||
| Per Arild Amundsen | .... | carpenter | |
| Gudrun Johanna Benonysdottir | .... | assistant decorator (as Gudrun Benonysdottir) | |
| Paul André Fuller | .... | assistant decorator | |
| Lars Erik Gurholt | .... | carpenter | |
| Rolf Kise | .... | carpenter | |
| Anders Lunde | .... | property master | |
| Erik Magnussen | .... | construction manager | |
| Olivier Marcouiller | .... | assistant decorator | |
| Geir Opheim | .... | carpenter | |
| Caroline Størmer | .... | props | |
| Jens Petter Svensrud | .... | construction manager | |
| Morten Swang | .... | assistant property master | |
| Karen Søndrol | .... | assistant art director | |
| Pål Tohje | .... | carpenter | |
Sound Department | |||
| Per Carleson | .... | sound | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Linda Forsén | .... | sound | |
| Lars Jameson | .... | sound | |
| Tomas Naug | .... | boom operator | |
| Willie Peterson-Berger | .... | sound | |
| Morten Solum | .... | sound | |
Special Effects by | |||
| Pål Morten Hverven | .... | special effects | |
Camera and Electrical Department | |||
| Erik Aavatsmark | .... | still photographer | |
| Charles Curran | .... | first assistant camera: second camera | |
| Knut Haraldsen | .... | gaffer | |
| Ingeborg Klyve | .... | first assistant camera | |
| Hilde Malme | .... | camera operator: second camera | |
| Jens J. Patterson | .... | assistant camera | |
| Ståle Rue | .... | electrician | |
| Matthew R. Soria | .... | assistant grip | |
| Johan Wallin | .... | grip | |
Costume and Wardrobe Department | |||
| Ingvill Fjeldstad | .... | seamstress | |
| Kari Steihaug | .... | assistant costumer | |
Editorial Department | |||
| Janne Karin Hansen | .... | assistant editor | |
| Bente Helle | .... | negative cutter | |
| Torulf Henriksen | .... | on-line editor | |
| Kirsti Marie Hougen | .... | post-production coordinator | |
| Andrzej Kiwala | .... | color grader | |
| Jan Erik Nielsen | .... | color timer | |
Music Department | |||
| Lars Petter Kristiansen | .... | music recordist | |
| Erik Valderhaug | .... | music mixer | |
Other crew | |||
| Bjørn Bjølseth | .... | production accountant | |
| Teréz Hollo | .... | production secretary | |
| Aslaug Konradsdottir | .... | script supervisor | |
| Hanne Liseth | .... | publicist | |
| Kristian Mejdell Nissen | .... | location manager | |
| Eirik Ohna | .... | location manager | |
| Audun Skarbøvik | .... | location scout | |
| Pål Erik Solberg | .... | production runner | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Norway section |
The only lamentable part of this extraordinarily moving film is its title. I went to an art-house cinema in Toulouse to see it, more for Hamer's reputation than the published blurb, still not knowing what to expect. Nothing moves in the film, like the observant Folke on his directorial high chair, we are watching the goings on, monotonous. But, boring? Most certainly not! As the plot develops around the friendship between the subject and the object, we are drawn into a conflict which is essentially outside the boundaries of nations: how can you understand someone without verbal communication, for the sake of scientific research? You can't.
Bureaucratic strictures can lead to disobedience however much the personal cost of that kind of action might be. Folke and Isak forge a friendship in a relatively short time, which might take others years of nurturing. We applaud the rebellious scientist when he dumps his snail-shell caravan to return to Isak's uncomplicated rural dwelling. The most moving closing scene suddenly makes you realise that what seemed to be a static film was, in fact, full of heroic action.
That there are only two IMDb comments on this film demonstrates how exclusionist South Europe and the States are, when third rate trash receives attention of one sort or the other.