When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
Almar is stranded on the shore of an island in the Mediterranian sea, when his ship leaves without him. There he befriends the somewhat dodgy vagabond Windy, and falls in love for the first time, in the local young girl, Marta.
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
What happens to us when people stop acting like they're supposed to? A nurse gets into a dispute at work because she switches to speaking English when she gets nervous. A translator ... See full summary »
Dag Johan Haugerud
Andrea Bræin Hovig
A man convicted in his teens for killing a child is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, ... See full summary »
Pål Sverre Hagen,
Ellen Dorrit Petersen
Larsen, an aspiring poet in 20's Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbek, and a ... See full summary »
Hans Petter Moland
Gard B. Eidsvold,
In post war Sweden it was discovered that every year, an average housewife walks the equivalent number of miles as the distance between Stockholm and Congo, while preparing her family meals. So the Home Research Institute sent out eighteen observers to a rural district of Norway to map out the kitchen routines of single men. The researchers were on twenty-four-hour call, and sat in special strategically placed chairs in each kitchen. Furthermore, under no circumstances were the researchers to be spoken to, or included in the kitchen activities. Written by
Sujit R. Varma
The credibility of documentaries and scientists is on the table here.
Having just seen Kaurismaki's dryly-witty `Man Without a Past,' I couldn't believe that director Bent Hamer's `Kitchen Stories' is actually drier and funnier. The Norse/Swedish co-production depicts 1950's Swedes studying bachelors in their kitchens to improve their lives. Swedish scientist Folke, in a high chair like some infantile god, observes Norwegian Isak under the restriction that he must not interact with Isak.
The humor comes from the stereotypical Swede as uptight and organized and the Norwegian as slow but solid. The silliness of the experiment itself is obvious and the restriction ludicrous because of course they will interact, in fact bond, given the loneliness of Norway's winter and the need for humans to be sociable. That the story turns on male bonding is a bonus, especially because neither country is considered a bastion of sociability. When Isak lets Folke listen to the radio on his teeth fillings, I figure the guys are in for some warm nights.
In another way, this film could be as good as it gets for analyzing the effect observers have on their subjects, be it laboratory or media. A question probably unanswerable even today is how much anyone changes under observation. In the case of the central characters in `Kitchen Stories,' the change is considerable, but more so just because of another human being's presence in an otherwise lonely world. The credibility of documentaries and scientists is on the table here.
The minimal dialogue and occasional joke, spiced with subtle racial stereotyping, makes me think of not only Kaurismaki but also Beckett, whose waiting characters sometime talk nonsense, but most of the time profundity under the guise of simplicity. `Kitchen' is a slow but rewarding film that strips life of its pretensions to study more closely the tissue that binds humanity with communication.
Diplomat Dag Hammarskjold in his Markings caught the minimalism of this film: `Friendship needs no words-it is solitude delivered from the anguish of loneliness.'
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