This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
In this prequel to Elling (2001), Elling, a slightly autistic, but opinionated young man, lives with his aging mother who is worried what he'll do without her. She decides to take him on a trip to Spain to see new things.
Per Christian Ellefsen,
Much as Buena Vista Social Club revealed a rich and unexplored world of music and culture, Cool and Crazy introduces us to a group of men who find purpose, companionship and even fame, as members of a male choir in Berlevåg.
Knut Erik Jensen
Odd Marino Frantzen,
Einar F.L. Strand,
A man convicted in his teens for killing a child is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, ... See full summary »
Pål Sverre Hagen,
Ellen Dorrit Petersen
The Other Side of Sunday, Also known in Norwegian as "Sndags Engler", is a movie that criticizes the small, and often tight church community. We follow the Preachers Daughter; Maria in her ... See full summary »
In post war Sweden it was discovered that every year, an average housewife walks the equivalent number of miles as the distance between Stockholm and Congo, while preparing her family meals. So the Home Research Institute sent out eighteen observers to a rural district of Norway to map out the kitchen routines of single men. The researchers were on twenty-four-hour call, and sat in special strategically placed chairs in each kitchen. Furthermore, under no circumstances were the researchers to be spoken to, or included in the kitchen activities. Written by
Sujit R. Varma
The only lamentable part of this extraordinarily moving film is its title. I went to an art-house cinema in Toulouse to see it, more for Hamer's reputation than the published blurb, still not knowing what to expect. Nothing moves in the film, like the observant Folke on his directorial high chair, we are watching the goings on, monotonous. But, boring? Most certainly not! As the plot develops around the friendship between the subject and the object, we are drawn into a conflict which is essentially outside the boundaries of nations: how can you understand someone without verbal communication, for the sake of scientific research? You can't.
Bureaucratic strictures can lead to disobedience however much the personal cost of that kind of action might be. Folke and Isak forge a friendship in a relatively short time, which might take others years of nurturing. We applaud the rebellious scientist when he dumps his snail-shell caravan to return to Isak's uncomplicated rural dwelling. The most moving closing scene suddenly makes you realise that what seemed to be a static film was, in fact, full of heroic action.
That there are only two IMDb comments on this film demonstrates how exclusionist South Europe and the States are, when third rate trash receives attention of one sort or the other.
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