| Photos (See all 19 | slideshow) | Videos (see all 4) |
| Graham McTavish | ... | Sir Lachlan Morrison | |
| Jacqueline Leonard | ... | Lady Delia Morrison | |
| Henry Garrett | ... | Steve Thomson | |
| Honeysuckle Weeks | ... | Lolly | |
| Clive Russell | ... | Beame | |
| Prue Clarke | ... | Mary Hellier | |
| Lesley Mackie | ... | Daisy | |
| David Plimmer | ... | Jack | |
| Christopher Lee | ... | Old Gentleman | |
| Brittania Nicol | ... | Beth Boothby | |
| rest of cast listed alphabetically: | |||
| Astrid Azurdia | ... | Patricia Gow | |
| Alessandro Conetta | ... | Orlando | |
| Keith Easdale | ... | Town Band | |
| Christopher Fosh | ... | Trailer Trash Video Dancer | |
| Stuart Glasgow | ... | Town Band | |
| Scott Hoatson | ... | Carl | |
| Jarkko Lehmus | ... | Dancer | |
| St. Clair Leveaux | ... | Marion | |
| Ailidh Mackay | ... | Anthea | |
| James Mapes | ... | Reverend Moriarty | |
| Alistair Maxwell | ... | Angus | |
| John Paul McGilvray | ... | Danny (as John Paul McGilvray) | |
| Keira McMillan | ... | Morag | |
| Bill Murdoch | ... | Rev. McLeod | |
| Kirstin Murray | ... | Celebrity interviewer | |
| Iain Stuart Robertson | ... | Peter McNeil | |
| Ben Sullivan | ... | Young Lachlan | |
| Graham Wadsworth | ... | Trailer Trash Video Dancer | |
| Terry Wale | ... | Murdoch | |
| Keith Warwick | ... | Donald Dee | |
| Mark Williams | ... | Paul | |
| Hamish Wilson | ... | Magnus Tarrant | |
| Amanda Jones | ... | Special thanks (uncredited) | |
| Philip Kingscott | ... | Villager (uncredited) | |
| Christopher Leveaux | ... | Christopher (uncredited) | |
| Alan Marsh | ... | Walk On (uncredited) | |
| Callum Mitchell | ... | Strange Scottish Villager (uncredited) | |
| Will Thompson | ... | Simon (uncredited) | |
Directed by | |||
| Robin Hardy | |||
Writing credits | ||
| Robin Hardy | (written by) | |
| Robin Hardy | (novel "Cowboys for Christ") | |
Produced by | |||
| Kim Davis | .... | line producer: Dallas (as Kim Dillinger Davis) | |
| Alastair Gourlay | .... | executive producer | |
| Clare Kerr | .... | line producer | |
| Izzie Martin | .... | line producer: London | |
| Izzie Martin | .... | line producer: Oxford | |
| Donough O'Brien | .... | executive producer: Euro Center | |
| Peter Snell | .... | producer | |
| Peter Watson-Wood | .... | producer | |
Original Music by | |||
| John Scott | |||
Cinematography by | |||
| Jan Pester | |||
Film Editing by | |||
| Sean Barton | |||
| Ray Lau | |||
Casting by | |||
| Kate Plantin | |||
Production Design by | |||
| Laurel Wear | |||
Art Direction by | |||
| Natalie Astridge | |||
Costume Design by | |||
| David Blight | |||
Makeup Department | |||
| Nikki Cowe | .... | make up & hair artist: daily (as Nicki Cowe) | |
| Maxine Dallas | .... | make up & hair artist | |
| Claire Harris | .... | make up & hair artist: daily | |
| Julie MacKay | .... | make up & hair artist: daily | |
| Marion McCormack | .... | make up & hair supervisor | |
| Lee Melrose | .... | make-up trainee | |
| Irene Napier | .... | make up and hair designer | |
| Dani Richardson | .... | makeup: London | |
| Emma Scott | .... | makeup: London | |
| Dana Spikins | .... | makeup: Oxford | |
Production Management | |||
| Tom Jenkins | .... | unit manager | |
| Pam Roberts | .... | production manager | |
Art Department | |||
| Kimberley Bright | .... | prop maker | |
| Lucy Crockett | .... | painter | |
| Andy Duly | .... | construction | |
| Jim Elliott | .... | stand-by properties | |
| Amelie Astridge Brodie Jenkins | .... | art department assistant | |
| Trevor Leat | .... | builder: wicker tree | |
| Daniel MacDonell | .... | dressing properties | |
| Colin Macinnes | .... | dressing properties | |
| Stephen Mason | .... | standby art director | |
| Russell McGovern | .... | assistant prop maker | |
| Aoife McKim | .... | petty cash buyer | |
| Andy McPherson | .... | art department assistant | |
| Luke Oldale | .... | construction | |
| Lee Porter | .... | production buyer | |
| Kara Ramsay | .... | art department assistant | |
| Alex Rigg | .... | builder: wicker tree | |
| Bryony Rumble | .... | props buyer: and dresser | |
| Blair Sprott | .... | art department trainee | |
| Will Thompson | .... | art department trainee | |
| Tom Tierney | .... | construction | |
Sound Department | |||
| Nick Baldock | .... | supervising sound editor | |
| Peter Baldock | .... | sound designer | |
| David Briggs | .... | sound: London | |
| Ricky Butt | .... | foley artist | |
| Chris Campion | .... | sound recordist | |
| Ben Carr | .... | effects editor | |
| Tim Dyer | .... | boom operator: second unit | |
| Douglas Fairgrieve | .... | sound recordist: second unit (as Dougie Fairgrieve) | |
| Michael Feinberg | .... | dialogue: sound and foley editor (as Mike Feinberg) | |
| Alan Green | .... | boom operator: London | |
| Andrea King | .... | foley artist | |
| Graham McCormick | .... | boom operator | |
| Adam Mendez | .... | foley recordist | |
| Jack Stew | .... | foley artist | |
| Richard Straker | .... | sound re-recording mixer | |
| Andrew Walsh | .... | sound assistant (as Andy Walsh) | |
Special Effects by | |||
| Mike Crowley | .... | special effects | |
| Jody Taylor | .... | special effects senior technician | |
Visual Effects by | |||
| Faye Brown | .... | graphics | |
| John Browning | .... | visual effects | |
| Charlotte Collings | .... | di producer | |
| Brad Coomber | .... | graphics | |
| Rob Ellis | .... | visual effects artist | |
| Mike Fraser | .... | executive producer: Prime Focus | |
| Sascha Fromeyer | .... | digital compositor | |
| Reuben Goodyear | .... | di producer | |
| Jonathan Hills | .... | visual effects | |
| Ben McIlveen | .... | manager: red rushes | |
| Tom Russell | .... | senior colourist | |
| Anne Trotman | .... | visual effects artist | |
| Kai Van Beers | .... | digital imaging colour management | |
| Dean Watkins | .... | di producer | |
| Christopher Watson-Wood | .... | visual effects supervisor | |
Stunts | |||
| Nrinder Dhudwar | .... | stunt coordinator | |
| David Goodall | .... | fight director | |
| Sandy Laird | .... | double: horse riding | |
| Tom Lucy | .... | stunt coordinator | |
| Curtis Rivers | .... | stunt double | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Harriet Edmonds | .... | costume assistant | |
| Louise Egan | .... | costume buyer | |
| April Gilchrist | .... | wardrobe dailies | |
| Elizabeth Healy | .... | costume supervisor | |
| Anne Hiner | .... | costume trainee | |
| John Laurie | .... | costume assistant | |
| Sally-Gay McCann | .... | wardrobe dailies | |
| Stevie McTear | .... | costumes: Queens of May | |
| Angela Robertson | .... | wardrobe dailies | |
| Eleanor Welch | .... | costume trainee | |
| Jessie Gelpke | .... | costume researcher (uncredited) | |
Editorial Department | |||
| Fraser Cleland | .... | on-line editor | |
| David Greathead | .... | assistant editor | |
| Ben McIlveen | .... | on-line editor | |
| Gene Mendoza | .... | color timer | |
| Sunil Rao | .... | on-line editor | |
Music Department | |||
| Keith Casdale | .... | assistant engineer: and producer | |
| Keith Easdale | .... | additional music: and songs | |
| John Fiddy | .... | assistant to composer | |
| Stuart Glasgow | .... | music supervisor | |
| Ian Maclay | .... | orchestra: managing director | |
| Kenny McLeod | .... | assistant engineer | |
| Jeremy Murphy | .... | assistant engineer | |
| Emma Pollock | .... | studio manager | |
| Duncan Riddell | .... | concert master | |
| Royal Philharmonic Orchestra | .... | music performers (as The Royal Philharmonic Orchestra) | |
| Paul Savage | .... | studio manager | |
| Gary Thomas | .... | engineer | |
| Richard Todman | .... | music editor | |
| Alex Watson | .... | technical engineer | |
Transportation Department | |||
| Martin Auld | .... | unit driver | |
| Alex Devine | .... | transport captain | |
| Peter Duncan | .... | vehicle provided by | |
| Russell Dunsmore | .... | unit driver | |
| Andy Finnie | .... | unit driver (as Andrew Finnie) | |
| Mario Formasimo | .... | vehicle provided by | |
| Andrew Franzkowiak | .... | driver (as Andy Franzkowiak) | |
| Sean Healey | .... | driver | |
| Drew Moore | .... | minibus driver | |
| Jim Welch | .... | limousine driver | |
Other crew | |||
| Bozena Bienkowska | .... | cat wrangler | |
| Michelle Brodie | .... | unit medical staff | |
| Saporito Caffe | .... | caterer | |
| Dorothy Connolley | .... | script supervisor (as Dot Connolley) | |
| Matt Cooper | .... | additional floor runner (as Mathew Cooper) | |
| Katie Crook | .... | assistant coordinator | |
| Kim Davis | .... | location manager: Texas | |
| Richard Duriez | .... | with the help of: Film Oxford | |
| Cody Faucett | .... | production assistant | |
| Rachel Fiddes | .... | additional assistant coordinator | |
| Andrew Franzkowiak | .... | runner (as Andy Franzkowiak) | |
| Mike Fraser | .... | post consultant | |
| Jamie Gavin | .... | floor runner | |
| John Goffin | .... | cat wrangler | |
| Aashish Gudka | .... | auditor | |
| Greg Harris | .... | production secretary | |
| Rebecca Hawkes | .... | technical services: Schedule 2 | |
| Sean Healey | .... | runner | |
| Tom Jenkins | .... | location manager: second unit | |
| Sheila Johnson | .... | additional script supervisor | |
| Debbie Jones | .... | coordinator: Oxford | |
| Terry Keenan | .... | horse master | |
| Danny Khoudary | .... | location assistant | |
| Andy Maas | .... | production company assistant | |
| Morven MacPherson | .... | production company assistant (as Morven McPherson) | |
| Sirish Malde | .... | auditor | |
| Izzie Martin | .... | assistant: to Robin Hardy | |
| Joanna Matthews | .... | additional floor runner | |
| Jacqui McBride | .... | assistant accountant (as Jacqueline McBride) | |
| Joyce Miller | .... | horse master | |
| Jennifer Mitchell | .... | unit medical staff | |
| Alexander Montague-Sparey | .... | choreography: London | |
| Lisa Neely | .... | production accountant | |
| Anya Noakes | .... | unit publicist | |
| Christian Otty | .... | additional floor runner | |
| Nick Pearson | .... | nurse | |
| Brodie Pringle | .... | location manager | |
| Karen Redfern | .... | technical services: Schedule 2 | |
| Hitesh Shah | .... | post-production accountant | |
| David Simons | .... | additional floor runner | |
| Julie Saleh Soliman | .... | raven handler | |
| Moyra Statham | .... | unit medical staff | |
| Linda Stewart | .... | unit medical staff | |
| Susan Stewart | .... | unit medical staff | |
| Andy Wallace | .... | caterer | |
| Chloe Westbury | .... | caterer | |
Thanks | |||
| John Henry Lachlan Althea | .... | special thanks | |
| Christopher Bond | .... | thanks | |
| Henrietta Gourlay | .... | thanks | |
| Jim Hogg | .... | thanks | |
| Brian McNeill | .... | the producers wish to thank: permission to adapt the lyrics of his song "The Yew Tree" | |
| Anne Watson-Wood | .... | thanks | |
| Edward Woodward | .... | in memoriam: 1930-2009 | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The Wicker Tree is more disappointing than I ever thought it could be. Terrible acting, clunky direction, naff music, unbelievable characters.
In the original, Howie's character was a believable, devout Christian - committed, horrified at Summerisle's pagan practices and living out a believable battle between his commitment to faith and all the temptations that Summerisle presents. In contrast, the Wicker Tree's Beth and Steve are shallow caricatures, lame stereotypes played for cheap laughs. Their mission to evangelise 'heathen Scotland' doesn't ring true. Relocating from a remote island to mainland UK removes any hint of genuine threat and isolation (you don't for one moment believe this place actually exists) and, given that Hardy is a Brit, that kind of lazy writing and directing is unforgivable. Clearly no research went in to trying to authentically present these places and characters - S+B's relationship is unconvincing from the first moment, their behaviour dubious, Beth's back-story is laughable and their methods of faith-sharing unconvincing guess work on Hardy's part. These things are also true of the characters' portrayal in Hardy's book (Cowboys for Christ) so it's no surprise that the film lazily regurgitates these errors. By the time their inevitable demise ensues, you've long ceased caring and you're just left hoping that the pay-off for these wretched cardboard cut-outs is worth it. It's not.
Clearly the Wicker Man is fantastical, but the joy and horror of it stems from the possibility that it could.. just be.. a true story. Tree, on the other hand, is like a poorly thought out play written by 15 year olds for a GCSE drama production. Everything that was bold, funny, scary, shocking and beautiful about the first film is (I assume unintentionally) mocked or (intentionally) rehashed. In 90 minutes there was one moving moment and only one genuinely (and intentionally) funny scene. Thematically, any attempt to comment on faith and religion, hope and virtue, sacrifice and naivete, love and death, nature and fear all go out of the window - if they were ever welcomed in to the room in the first place. The whole thing stinks. The music is tagged on, unmemorable and cringe-worthy. The comedy characters are woefully misjudged and their story arcs embarrassing. It doesn't matter how many breasts are thrust at the screen, there is zero erotic tension - Steve's temptation and subsequent actions are so ludicrous that Woodward would turn in his grave if he could see his character's virtues and struggles being so lazily lambasted.
Did I also mention: it's not at all scary. The Christopher Lee scene should have gone straight to the cutting room floor. The dialogue is naff. The acting is - for the most part and excluding Clive Russell - amateur. The rituals and rites of May Day and the Riding of the Laddie fail to engage or intimidate.
Pluses? The scenery is nice. The poster art is excellent. Nic Cage isn't in it - although I'd watch that sacrilegious Wicker Man remake 10 times before I ever sat down to watch this again. Why? because for other people to demonstrate sheer stupidity in tearing apart and misunderstanding the Wicker Man legend is one thing - for Robin Hardy to do it in such a cheap, tacky, boring, patronising way is something else entirely and he should be duly ashamed.
If you love the Wicker Man, curiosity will drive to you see this anyway - I'd be really interested to hear if people found it more bearable or less disappointing than I did. Am I being too harsh? Whatever - I won't be watching it again to find out.