In the dysfunctional Italian middle-class family Ristuccia, the middle-aged executive Carlo has a stalled life without passion, bored in his work and having a monotonous life with his wife ... See full summary »
Pasquale is a policeman in Roma. During a roundup he meets Desideria. He/she is a transsexual, living together with other two trans , Gaia and Gioia. But overall Desideria is an old friend ... See full summary »
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The torpedo BB and his psychopath right hand Melvin has a plan of robbing a former opera singer for one of his beloved rare fishes and sell it back to him. The opera singer is in love with Myrtille, but is also a crook.
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In the dysfunctional Italian middle-class family Ristuccia, the middle-aged executive Carlo has a stalled life without passion, bored in his work and having a monotonous life with his wife Giulia. Giulia is a frustrated and hysterical woman because she gave up of being an actress in her youth to dedicate to the family. Their needy son Paolo feels lost and rejected, trying to find who he is and flirting with a schoolmate. Their seventeen years old daughter Valentina is decided to work in a television show, and is fighting to have an audition. When Carlo meets his former sweetheart Alessia in a class reunion, they confess to each other that their marriages are in crisis and both feel passion arising again. Meanwhile Giulia is invited to an audition in a stage production and to participate of a play. Paolo tries to make friends using marijuana in his birthday party, and Valentina has sex with different guys trying to be a dancer of the famous TV show 'Ali Babbi'. Their relationships ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Tell me the truth Valentina, what do you think of me? What am I like from the outside?
You know what I think about you.
Tell me anyway.
I think you're clueless and inexpressive, when you talk it sounds like you've got a rag in you mouth and people can't understand a f**k, you don't shower and you dress like a communist loser when the world goes in the opposite direction. This is what I think.
No, that's enough.
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There's a strange sort of paradox at work in "Remember Me, My Love," an Italian film that seems to be operating under some bizarre inverse law of quantum physics. For while the movie itself moves at a breakneck pace, hurtling from one scene to another with near-reckless abandon, we can't help noticing that the faster it goes, the slower it seems. Perhaps, we simply wear ourselves out trying to keep up with it and it is this exhaustion factor that ultimately accounts for our restlessness and ennui.
"Remember Me, My Love" focuses on a family of four, whose members haven't been getting along too well of late. The parents, Carlo and Giulia, are both trying to find ways to cope with a bad case of middle aged crisis: he, by rekindling a romance with a beautiful former flame, and she, by pursuing the career in acting she abandoned when she became a wife and mother. Their children, Valentina and Paolo, are typical adolescents, all caught up in rebellion, identity crises and complicated affairs of the heart.
Although the film attempts to provide some insight into the complexities of modern family life, the characters come across as so whiny and self-indulgent that any sympathy they might have engendered on the part of the audience quickly turns to indifference and even irritation. The actors do their best (particularly Laura Morante as Giulia), but the characters they are called on to play never engage us much beyond the surface level. This lack of depth is further compounded by the whirlwind nature of the storytelling, which rarely allows the actors the time they need to settle down and work out the subtle nuances of their roles.
In all fairness, I must admit that, in the second hour, the film improves considerably, trafficking in some genuinely raw emotions that exemplify the devastating effects that a disintegrating marriage can have on all members of a family. Moreover, the film ends on a courageously inconclusive note, which goes a long way towards mitigating some of the theatricality and artificiality that permeate the rest of the movie.
Taken as a whole, "Remember Me, My Love" turns out to be much less than the sum of its parts, but the performances and a few good scenes do make it palatable.
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