Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
"Force of Execution" is the story about a crime lord torn between his legacy and his desire to get out of the life of crime that has built his empire, when a new player to the scene tries ... See full summary »
When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners.... See full summary »
After an illustrious special ops career ends in disaster, Alexander (Seagal) goes off the grid and attempts to lead a quiet life as a handyman at an apartment complex in Romania. But when ... See full summary »
Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Archeology Professor Robert Burns is on location leading an important dig in the ancient ruins on the Far Eastern Chinese border. He accidentally discovers that the Chinese Mafia, the Tong, is using his newly discovered ancient Chinese artifacts to hide and smuggle narcotics across the border. Robert immediately tries to flee with his assistant and narrowly manages to escape the pursuing Tong but not without a heavy price. His loyal assistant is killed and he is framed with the evidence at the Chinese border by the Chinese military and U.S. Drug Enforcement Agency. He is locked up in a Chinese prison where he is guilty until proven innocent. His loving wife Maya vows to help get him out of jail. The DEA finally convinces the Chinese military that Robert may be of more help to them outside jail by leading them to the real smugglers. Once he leaves his Chinese prison cell Robert would rather enjoy his freedom back in the U.S. and keep his past behind him, but The Tong catches up to him ... Written by
Philip Steinman <firstname.lastname@example.org>
Uncredited writer Sam Hayes was assigned to touch up the original script without knowing the film was to star Steven Seagal. The producers claimed that Hayes' version, which was set in Mexico, would cost too much to film, and thus, very little of his material remains in the finished movie. See more »
When in the Chinese Barber Shop, the barber pulls the blind down over the door, a few seconds later, he closes it again. See more »
Men have a place in their brains called the macho cortex (MC) buried in the limbic system which, when sufficiently stimulated, turns us into drooling morons with only two desires; survival and sex, not necessarily in that order. Most action flicks are designed to stimulate the MC by flooding our senses with big, ugly dudes who are bad (we don't care why) and we want to see killed or luscious babes who are good (all babes are good, even bad ones) and we want to...well, you know. This parses as Big, ugly = bad, Babe = good. All we need is some kind of Rambo-like hero with whom we can identify and, presto, we're there, vicariously getting off as we watch the hero (us) waste the bad guys while the babes swoon.
The problems with the formula in Seagal's formula action outing "Out for a Kill" are manifold. First, the hero, Seagal, doesn't fit the strong, silent type paradigm because he looks like a porky zombie on ludes. Second, the hero is married and then quickly widowed. So, now we're stuck with a porky zombie on ludes who is in mourning. Yuck! Thirdly, as Seagal trucks through a plot flatter than a saltine, there are no babes watching or waiting to drop their skivvies at the end. So, where's the prize? No respectable action hero would go to so much trouble with no hotties watching and waiting. Hottie cop Goh is waiting at the end but she's a platonic thing because she can't jump the hero since he's in mourning. Duh! Therefore, all the killing is a needless, senseless waste of time, the MC never gets engaged, and we, the men, are left with no reason to drool so boredom sets in and that's a bad thing. (C-)
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