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Renée Elise Goldsberry
Archeology Professor Robert Burns is on location leading an important dig in the ancient ruins on the Far Eastern Chinese border. He accidentally discovers that the Chinese Mafia, the Tong, is using his newly discovered ancient Chinese artifacts to hide and smuggle narcotics across the border. Robert immediately tries to flee with his assistant and narrowly manages to escape the pursuing Tong but not without a heavy price. His loyal assistant is killed and he is framed with the evidence at the Chinese border by the Chinese military and U.S. Drug Enforcement Agency. He is locked up in a Chinese prison where he is guilty until proven innocent. His loving wife Maya vows to help get him out of jail. The DEA finally convinces the Chinese military that Robert may be of more help to them outside jail by leading them to the real smugglers. Once he leaves his Chinese prison cell Robert would rather enjoy his freedom back in the U.S. and keep his past behind him, but The Tong catches up to him ... Written by
Philip Steinman <email@example.com>
Whew. I only rented this because I saw some good comments in the IMDB and now I'm starting to lose my faith in people's opinions in this forum.
Yet another horrible Seagal movie, just plain awful, worthy of its straight-to-video status. In this one, maybe the worst casting of Seagal's career, he plays an archeologist and a professor. I laughed when they first referred to him as a professor in the film. And like all archeologists, he wears his Friday night leather when he digs in the hot sun, and of course, is a martial arts wizard.
There are so many holes in the plot, it's embarrassing. When he is "framed" at the beginning, there isn't a cop in the world who would actually believe he was smuggling drugs, but luckily, in this film, the two main cops are about as smart as third graders, who by the way, I believe was the grade of the people who wrote this script.
In each film, Seagal gets fatter and fatter and he STILL has that stupid mullet hair cut. Someone, please, tell Seagal to get rid of that hair style.
Luckily, now that anyone who can actually finance a movie has realized that Seagal can't act and can't make a good movie, the best he'll be doing are these straight-to-video crappy films. Safe to say, this is the last Seagal film I'll ever see.
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