Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked ... See full summary »
When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners.... See full summary »
"Force of Execution" is the story about a crime lord torn between his legacy and his desire to get out of the life of crime that has built his empire, when a new player to the scene tries ... See full summary »
Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Archeology Professor Robert Burns is on location leading an important dig in the ancient ruins on the Far Eastern Chinese border. He accidentally discovers that the Chinese Mafia, the Tong, is using his newly discovered ancient Chinese artifacts to hide and smuggle narcotics across the border. Robert immediately tries to flee with his assistant and narrowly manages to escape the pursuing Tong but not without a heavy price. His loyal assistant is killed and he is framed with the evidence at the Chinese border by the Chinese military and U.S. Drug Enforcement Agency. He is locked up in a Chinese prison where he is guilty until proven innocent. His loving wife Maya vows to help get him out of jail. The DEA finally convinces the Chinese military that Robert may be of more help to them outside jail by leading them to the real smugglers. Once he leaves his Chinese prison cell Robert would rather enjoy his freedom back in the U.S. and keep his past behind him, but The Tong catches up to him ... Written by
Philip Steinman <firstname.lastname@example.org>
Uncredited writer Sam Hayes was assigned to touch up the original script without knowing the film was to star Steven Seagal. The producers claimed that Hayes' version, which was set in Mexico, would cost too much to film, and thus, very little of his material remains in the finished movie. See more »
When in the Chinese Barber Shop, the barber pulls the blind down over the door, a few seconds later, he closes it again. See more »
Seagal is back, more monotonous than ever and with even less personality than usual. Unfortunately, that's only the beginning of all the problems with this so called 'movie'. Now, I'm a big fan of cheap, mindless action, but even I have limits. 'Out for a Kill' is beyond all hope.
Seagal plays Robert Burns, a Professor of Chinese History, and Killing People. Naturally, he has a secret past that he keeps hidden when he is framed by a Triad family. He is obviously innocent, but for the sake of keeping the movie going, and thereby torturing the mind of anyone watching , the lead cop decides he must be guilty, and he is thrown into a Chinese prison. Naturally, the DEA decides that if they release Burns, he'll do their job for them and take out the Triads, and so Burns is free to on a global stroll of death.
Sometimes laughably bad, but generally very cringe-worthy, 'Out for a Kill' is easily one of the worst movies I've seen. Right from the start when we are treated to poorly done CGI bullet-time, followed by a massive break from action clichés when bullets actually penetrate a car and kill a good guy. Some clichés we can do without, but action movies need the bullet-proof cars. Bullet-proof cars are an essential part of action movies, and one element you just don't mess with.
I still haven't scratched the surface, because after Oblowitz (the director) spits in the face of action-movie values, we get treated to a plot, a very poor plot. Now, I don't think anyone anywhere has ever watched a Seagal movie expecting a good story, but when there is not enough action to distract us, we will start paying attention to such things. In this case, Seagal swears he will get vengeance, but to do so, he must follow a series of clues which are - get this - conveniently tattooed on the arms of every bad guy Seagal kills. Bravo. It would have been much easier for everyone if the Triad boss just invited Seagal over for a game of mahjong. Throw in a pair of useless and annoying cops who follow Seagal everywhere and many pointless scenes, and you may start to get an idea of how bad this movie really is.
There are a few action sequences in the movie, but maybe only two that are of any real worth. Sadly, the best bit of this movie is a scene in which Seagal takes on a monkey-boxer who can defy gravity. Well, there goes Seagal's unique style of using Aikido in action movies. A few more movies like this, and Seagal flicks are going to be nothing more than 3rd rate clones of Hong Kong action movies, mark my word. Most of the fights are poorly choreographed and poorly edited, all based around trying to make Seagal look like an action hero while trying to hide the fact that he is still out of shape. It worked in 'Half Past Dead', but not here.
Onto even more bad news: Here Seagal tries to act a lot, and his character is just boring. I never thought a boring action hero could exist, but here you are. He is more monotonous than usual, his character rarely says or does anything amusing (there is only one scene where his character does or says something cool) and just lacks personality. As for the bad guy, the movie returns to his office every few minute just so he can repeat what he has been saying for the whole movie, which is something like: "The professor is giving us trouble, we must get rid of him". I actually felt tempted to barrack for the bad guy, had he not been so repetitive and annoying.
Some final complaints: The special effects are pretty bad. Apart from the once-off terrible use of bullet-time, the fake backgrounds stand off as being laughable. Would filming in daylight have been that hard? As for Seagal speaking Chinese: it sounds worse than his use of Italian in 'Out for Justice'.
'Out for a Kill' is a terrible movie. Well deserving of its place in IMDb's worst 100 movies (it could probably take a higher spot...). I would not recommend it to fans of Seagal, but anyone willing to see something so bad it offends that it will offend good conscience should have a quick look - 1/10
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